Best Lenses for Nikon D750 – Buying Guide
Best Lenses for Nikon D750 DSLR camera. Looking for recommended lenses for your Nikon D750? Here are the recommended Nikon D750 lenses.
The Nikon D750 makes it as an affordable 24.3Mp full-frame DSLR. It has attractive-looking specs for both enthusiast and the professional photographers.
It’s capable of producing excellent pictures, but the quality of the lens used has a bearing on image quality. We’ve analyzed the performance top lenses on the Nikon D750, and we bring you our analysis of the top three zoom best lenses for Nikon D750 in twelve different categories.
Making the Most of the 24.3Mp Sensor
The D750’s 24.3Mp CMOS sensor uses an optical low-pass or anti-aliasing filter. It is designed to smooth out aliasing in areas of very fine detail. It is a little surprising, given that they are becoming less common with high-resolution sensors. It makes them able to record even the most exquisite details accurately.
Top 3 Ultra Wide Angle Zoom Lenses for the Nikon D750
An ultra-wide-angle lens is one with a focal length of 20mm or less. It is an outstanding lens for architecture and landscape photographers. Its ultra-wide field of view ensures that you can fit everything in.
Rectilinear ultra-wide-angle lenses also keep lines straight. It is particularly useful for professionals. Their images do not experience distortion as they do with fisheye lenses.
Ultra-wide-angle lenses can also be used creatively for more dynamic images too. These exaggerate the space between the near and the far. It makes them popular with landscape photographers. Those who want to emphasize something in the foreground to make it look big and dominating. They have an unusual and dramatic effect and also work well with portraiture or product photography.
It’s brilliant when you use it for landscape photography. This high-end Nikkor product is probably one of the most popular lenses in the wildlife explorers’ circles. It manages to put together the wide angle aspect with the exquisite image quality of an excellent prime lens.
It does mean that this is a lens meant for very specific purposes. It can also be seen as bulky, expensive and impractical for some people usually casual users. If you are into the landscape photography, getting one of these will put a smile on your face.
Top 3 Standard Zoom Lenses for the Nikon D750
Tamron SP 24-70mm F/2.8 Di VC USD came into the market in February 2012. It was just a day before the Canon EF 24-70mm f/2.8L II USM. Its headline feature is the ‘VC’ in its name, standing for ‘Vibration Control’. It’s the first and only optically-stabilized fast regular zoom for full best superzoom.
Superzooms offer a large focal range from wide-angle through to long telephoto. They cover a 10x zoom range. Its versatile focal range makes it’s convenient for general use, photography holidays, and day trips. They are for photographers who don’t want to be carrying around a bag lenses in it.
Image Stabilization in the Nikon speak, and Vibration Compensation in the Tamron will help to some degree in a little light. It lets you use relatively slow shutter speeds without images suffering from camera shake.
If you’re shooting action, and need fast shutter speeds to prevent motion blur, you’re going to need good light if using a super zoom lens.
Top 3 Super Zoom Lenses for the Nikon D750
Its a powerful zoom lens with enough optimization for FX-format cameras, the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR provides outstanding sharpness for a broad zoom range. It also maintains f/5.6 aperture at the telephoto end. Nikon’s Vibration Reduction image stabilization provides 3.5 stops for blur-free handheld shooting. Thus, it assures dramatically sharper still images and HD video capture.
This D750 lens is remarkably versatile zoom and best suited for travel and other outdoor applications. The versatility which comes with the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR provides a broad focal length range ideal for portraits, travel, landscapes, and distant subjects. With optimization for edge to edge sharpness on both FX and DX-format D-SLRs, the 10.7x zoom focuses as close as 18-inches from a subject.
The AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR is an advanced lens that helps advanced Nikon D750 cameras achieve high performance. Adding that to its powerful 10.7x zoom capability, it has many of Nikon’s most advanced lens technologies. Further still, it features world-renowned NIKKOR quality glass for unrivaled performance in photography and video applications.
Top 3 “fast” Telephoto Zoom Lenses for the Nikon D750
Tamron SP 70-200 mm f/2.8 Di VC USD Zooms for Nikon D750 is a high-speed regular to the telephoto zoom lens with a fast f/2.8 maximum aperture throughout the zoom range. Designed for Nikon D750 cameras, it offers superior image quality accentuated by advanced Vibration Compensation for image stabilization. It also has an Ultrasonic Silent Drive Motor for quiet, smooth and precise autofocus.
It comes with a new optical design for this popular focal length zoom which gives high contrast and high resolution throughout its zoom range. Plus, one Extra-low Dispersion element with four Low Dispersion elements minimizes chromatic aberrations. A circular diaphragm can retain its round shape even when taken down two stops from f/2.8 offers significant background blurring.
The lens has compact build with a broad focus and zoom rings and a moisture resistant construction. This Nikon D750 lens comes with a removable tripod collar and a petal-type lens hood. Vibration Compensation is Tamron’s proprietary image stabilization mechanism. It reduces the effects of camera shake to deliver sharp images in low light and at slower shutter speeds.
The best Nikon D750 lens features a newly developed three coil system that employs a lighter moving coil mechanism. It contributes to its improved performance and overall compact design.
Top 3 “slow” Telephoto Zoom Lenses for the Nikon D750
AF-S NIKKOR 80-400 mm f/4.5-5.6G ED VR Lens from Nikon D750 is a versatile telephoto zoom lens compatible with both FX and DX-sized image sensors. This Nikon D750 lens features an extensive zoom range of 80-400mm, with the DX-format equivalent of 120-600mm. It encompasses both portrait and long-reaching telephoto focal lengths to suit working with a variety of subjects.
Capture portraits with softly blurred backgrounds. Plus, get close-up telephoto shots of faraway subjects with or without a tripod. The lens construction integrates one Super Extra-low Dispersion and four ED glass elements. It helps to minimize chromatic aberrations throughout the zoom range. Plus, contributing to higher image clarity, sharpness, and color fidelity.
Its Nano Crystal Coat lessens surface reflections, which helps prevent lens flare and ghosting when handling greater contrast and improved light transmission. Inbuilt Vibration Reduction image stabilization compensates for the effects of Nikon D750 camera shake up to the equal to four shutter speed.
VR setting for tripods is available when you need to produce sharper images. It’s minus countering the effects of its image stabilization system. Including regular autofocus and manual focus, two other focusing modes are available: Auto-Priority Manual Mode makes it easy to transition from autofocus to manual during AF operation.
The autofocus with manual override, MF priority allows switching from AF to MF. You get no lag time by just turning the focusing ring. Transitioning between these focusing modes can be done quickly and precisely.
Top 3 Long Telephoto Zooms Lenses for the Nikon D750
A long telephoto lens is one with a maximum focal length of 300 mm or more. Long telephoto zoom lenses are not easy to come by, and there’s no particular standard. With a variety of different focal lengths and maximum aperture settings available, you don’t have much choice.
The Sigma 50-500 mm f4.5-6.3 and Nikon 80-400 mm f/4.5-5.6 are the more mass-market options for photographers searching for a long zoom range. It’s suitable for subjects such as motor sports, aviation photography, or of course wildlife.
While not cheap, these Nikon D750 lenses are more pocket-friendly than specialist options like the Nikon 200-400 mm f4G ED VR II with its fixed f/4 maximum aperture at 400 mm. Costing over $6000, the 200-400mm f4 reserved of professionals who work a little distance away from their subject. Plus, need both the flexibility of a zoom and a fixed f/4 maximum aperture.
Top 3 Ultra Wide Angle Prime Lenses for the Nikon D750
AF-S NIKKOR 20 mm f/1.8G ED is a wide-angle Nikon D750 lens compatible with full frame FX and DX sensor cameras. It has a fast f/1.8 maximum aperture good when there’s a shallow depth of field when in selective focus use, including shooting in low light situations.
The lens provides a 94° angle of view 30mm, 70° equivalent on DX-format cameras. It has a minimum focus distance equal to 7.8″. It allows you can get closer to your subject at the same time segregating it from the background.
It features double aspherical and two Extra-low Dispersion elements with Nano Crystal Coating reduce sagittal flare and chromatic aberration. It helps to produce sharp images throughout the frame. Nikon D750’s Rear Focusing System eliminates the change in physical length of the lens when you are focusing. It comes with Silent Wave Motor to provide quick and near-silent autofocusing. A soft pouch and lens hood are part of the pack.
Top 3 35mm Prime Lenses for the Nikon D750
Sigma 35mm f/1.4 DG HSM Art Lens is an impressively sharp lens. It comes with a very sharp center, and mid-image circle results even at a wide open f/1.4 aperture. The full frame f/1.4 peripheral image circle results do quite well, but softer than the center outcomes.
The outcome is a bit sharper at f/2, but the clearing vignette is the biggest difference noticed by stopping down. Don’t expect center-of-the-frame image quality to improve noticeably by stopping down beyond f/2. Corners slowly develop until becoming very impressively sharp at f/5.6.
Vignette at f/1.4 is strong with over 3.5 stops for corner shading in full frame images. The APS-C format sensor cameras will show just-noticeable one stop of shading in the corners. This amount of shading is normal or slightly active when you compare it to other 35 mm f/1.4 lenses.
It stops down to f/2 to remove almost 1/2 of the shading, and the amount of shading is equally cut again at f/2.8. About .7 stops of corner shading remain through f/16. Again, these results are usually about the other available 35 mm f/1.4 lenses.
The Sigma 35 f/1.4 is almost free from distortion and reveals a little less barrel distortion than the other 35 mm f/1.4 lenses I’ve reviewed. And it’s considerably less than the Samyang 35mm f/1.4 Lens.
Top 3 50 mm Primes Lenses for the Nikon D750 Camera
The thing is that the Zeiss Otus lens is not your regular fast 50mm lens. It’s important not to think just regarding focal length and maximum aperture. The Zeiss Otus 55mm it’s a lens falling in that elite group of lenses which are in a class of their own.
These are lenses that will always be a reference and a forbidden dream of many photographers. The lens comes with no Autofocus, and therefore you have to focus manually. We all know the stigmometer belongs to the past days. But the worst thing currently is not the absence of the stigmometer. It is the lack of big and bright viewfinders in the majority of modern DSLR.
The Zeiss Otus 55 m f/1.4 is a Nikon D750 lens custom made offering its best at the widest aperture settings, between F1.4 and F2.0. It means that wide open the lens is flawless or if there’s any flaw, it’s very negligible and doesn’t affect the outcome in any way.
There has never been anything like this in the past for Nikon D750 cameras. Most likely, there has never been anything like this at all. A perfect balance of qualities that allows recognizing the pictures taken with this lens immediately.
Top 3 Short Telephoto Prime Lenses for the Nikon D750
A portrait-length lens lacking any optical compromises, the Nikon D750 F-mount Zeiss Otus 85mm f/1.4 Apo Planar T* ZF.2 Lens looks just the same as its namesake. Thus it seeks to deliver notable performance in any situation.
Based on the Planar design, this apochromatic incorporates one aspherical element and six elements made from anomalous partial dispersion glass. It can effectively suppress chromatic and spherical aberrations throughout the focus and aperture ranges.
Additionally, a floating element design is also employed. A Zeiss T* has an anti-reflective coating applied to individual lens elements to give consistency in sharpness and image clarity. Performing as a high-precision tool, the Otus 85mm f/1.4 also has a refined physical construction enduring use in severe situations.
The longer-than-normal focal length pairs well with the fast f/1.4 maximum aperture to enable precise control over focus position for shallow depth of field applications. With an accentuated control range, this manual focus best D750 lens is complemented by haptic design elements.
It includes a long rotational focus throw with a rubber focus ring and an all-metal lens barrel having high-visibility with yellow scale markings. The ZF.2-series lens is dedicated to Nikon D750 cameras and features an electronic interface to support camera-based adjustment over exposure settings.
Top 3 Long Telephoto Prime Lens for the Nikon D750
The AF-S NIKKOR 300 mm f/2.8G ED VR II Lens from Nikon provides superior professional performance coupled with a rugged construction and sharp imaging. As a prime telephoto lens, it performs well with DX and FX format DSLRs. The super fast aperture lens is perfect for sports photojournalism, wildlife photography, and portraiture.
This lens for Nikon D750 also supports a broad range of subjects that require super-telephoto focal lengths. The f/2.8 maximum aperture works well in low light shooting and shallow depth of field control. On FX format sensor camera, it provides a 450 mm focal length equivalency.
A/M mode joins the familiar M/A and M modes, enhancing AF control versatility with fast, secure switching between auto. Manual focus and AF Memory Recall allows an instant return to a predetermined point of concentration. Its minimum focus lens is 7.2′ in manual mode with 7.5′ in AF mode.
It comes with three extra-low dispersion (ED) lens elements offer superior sharpness and color correction which effectively minimizes chromatic aberration. Using wide apertures, the Nano Crystal Coating and Super Integrated Coating on the lens elements work to enhance light transmission. It helps to reduce flare and ghosting.
Physically, this Nikon D750 lens is up to the challenge of professional use. It has moisture and dust resistance, a magnesium die-cast barrel with a protective meniscus front lens. This best Nikon D750 lens works well with a removable tripod collar and a 52mm Slip-in filter system.
Top 3 Macro Prime Lenses for Nikon D750 Camera
Zeiss Planar T* 85 mm F/1.4 ZF.2 Lens for Nikon D750 cameras is a short telephoto lens with a classic portrait focal length. It performs well at medium to longer lengths. With a 6-element lens in five segments and the Zeiss T* lens coating, you can look forward to a distortion-free performance, which only improves as the lens is stopped down.
The f/1.4 aperture is very useful for shooting in low light plus creatively controlling a depth of field. Its nearly circular diaphragm helps to make a pleasing look in your photo’s out-of-focus areas.
This Zeiss ZF.2 lens is custom made for use with Nikon F-mount cameras such as D750. Thanks to its electronic interface (CPU), ZF.2 lenses support all essential camera functions. For example, the automatic mechanisms for time, aperture setting, and program.
The best Nikon D750 lens can accommodate manual exposure settings. Since the lens transmits EXIF data such as manufacturer, date, metering system and exposure to the camera, photographers don’t need to set manual parameters.
The quicker and faster handling capabilities of ZF.2 lenses are especially useful under hectic shooting conditions.
Types of Lenses
- Standard – usually ranges from 35 to 85mm and used by most photographers
- Wide-angle – to capture usually from 8 to 35mm in scenery
- Macro – 1:1 ratio to magnifies your subject to real life size usually from 60 to 180m
- Telephoto – For subjects far away from 85 to 600mm which a few lenses can manage
Wide-angle Lenses Nikon D750
Many of these are used for shooting photographs of nature, indoors, architecture, landscape, group shots and day or night.
Standard Lenses Nikon D750
It is what most of us have and use on a daily basis. We use these as 35 to 85mm a range that’s perfect for people, streets, traveling, weddings, and food. Prime lenses in this range are pocket-friendly and have a big aperture. You can easily blur the background.
These allow you to get close to your subject. They are ideal for sports, concerts, wildlife. Sure you can get close to your subject, but sometimes that’s impossible or not worth the risk. Telephoto lenses can be used for other types we mentioned. However, don’t let the numbers limit your creative mind.
Macro lenses Nikon D750
If you want to shoot small products, bugs, details or just want to explore the world that you don’t usually see? Macro lenses will make your subject more significant as it is in real life.
Zoom and Prime Nikon D750
Zoom lenses – changeable focal length
Prime lenses – Fixed focal length, cannot be changed
A zoom lens lets you get closer to your subject through the rotation of the zoom ring like the 55-200 mm that goes from 55 mm, everything between, and 200 mm.
A prime lens, comes with the same focal length, for example, 50 mm. Thus, quality is better, and the maximum aperture can become bigger minus making the lens massive in size.
Which Nikon D750 lens to buy?
If you’re not sure what lens to purchase first, it all comes down to whether your current gear allows you to take pictures as you want.
These are the four most important features you need to consider before purchasing a Nikon D750 lens
- Enhanced performance in low-light
- Longer focal length
- Improved quality
Further, you have to get a lens when you want better performance at what you’re already shooting. Do you require sharpness, length, zoom, aperture, etc.? Or to start taking pictures that excite you but are hard to get with modern equipment.