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The Canon EOS 5D Mark III DSLR Camera wins an overall score of 82 percent and a Gold Award from DPReview experts: “The Canon EOS 5D Mark II is not only a really capable photography instrument in almost all fields, but it is also enjoyable and thrilling to shoot with.” So it is very important to select lenses that will optimize the camera’s ability.

Here are the top suggested lenses for the Canon EOS 5D Mark II DSLR camera, including leading prime and zoom options from wide-angle to telephoto. You can choose the one you need.

Best Canon 5D Mark II Lenses

Full List of Recommended Canon EOS 5D Mark II Lenses

Kit Lenses | Travel and Portrait Lenses | Standard Prime Lenses | Telephoto Prime Lenses | Wide-angle Prime Lenses | Standard Zoom Lenses | Telephoto Zoom Lenses | Wide-angle Zoom Lenses | Macro Lenses

Best Travel and Portrait Lenses for Canon 5D Mark II

1. Canon EF 85mm f/1.2L II USM

Ultimate quality lens for a portrait! Highly advised! The Canon EF 85mm f/1.2L II USM is a medium telephoto prime lens that, owing to its exceptionally wide aperture, is considered the ultimate professional portrait photography lens, resulting in a narrow depth of field and a dramatic fall-off of focus.

With minimal reflections, glare and ghosting, its excellent floating optical device and aspherical lens feature create outstanding resolution images. It is the widest 85mm aperture lens available and is suitable for general indoor low-light shooting without flash, as well as for portraits in particular. This is considered the ultimate portrait lens by many pros.

2. Sigma 85mm f/1.4 DG HSM Art

Portrait Lens Qualified! Greatly Recommended! It is possible to concentrate on the pupils of the target eyes while blurring the eyelashes with an ultimate portrait lens that provides enticing booked effect and precise focus. This Sigma 85mm f/1.4 Art lens received an outstanding overall score of 93 percent and a Gold Award from the DPReview experts.

Ideal for experienced photographers and discerning lovers in photography for portrait photography, low-light photography, night photography, nature photography, photojournalism, wedding photography, and events.

3. Canon EF 24-70mm f/2.8L II USM

With a zoom range spanning focal lengths from landscapes to portraits, the EF 24-70mm f/2.8L II USM is flexible, exceptionally sharp, and has fast, silent and precise autofocus. It’s a near-flawless lens with optics that complement a collection of top-quality primes very closely.

It’s hard to find any very serious faults at all with quick, precise autofocus and weather sealed construction. The Canon EF 24-70mm f/2.8L II USM has an average score of 87 percent and a Gold Award at DPReview. In a ‘everyday’ style zoom lens, it is recommended for experienced and extreme amateur photographers searching for the finest possible lenses.

4. Canon EF 35mm f/1.4L II USM

Look no further than the EF 35mm f/1.4L II USM for brilliant landscapes, portraits and close-up imagery. This helps provide a degree of precision and resolving power that can be an ideal compliment to the high-resolution SLRs of Canon’s new generation. For amazing production in low-light conditions and stunning, soft backgrounds, it has a quick, 9-blade maximum aperture of f/1.4.

And the EF 35mm f/1.4L II USM has dust and water sealing, like other L-series lenses. The EF 35mm f/1.4L II USM, compact, speedy and stylish, would please photographers looking for their most significant photographs with a vivid, sharp and sensitive lens. The original EF 35mm f/1.4L ($999) is still a perfect option, by the way, except it’s far less costly.

5. Canon EF 50mm f/1.4 USM

6. Sigma 35mm f/1.4 DG HSM Art

Best Standard Prime Lenses for Canon 5D Mark II

7. Sigma 50mm f/1.4 DG HSM Art

A pro-level performer for full-frame DSLRs, the Sigma 50mm F1.4 DG HSM Art is suitable for many styles of videography and photography, including portraits, landscapes, studio work and still-life. The 50mm 1.4 is a high-performance lens for advanced DSLR sensors, with a Hyper Sonic Motor (HSM) ensuring silent, smooth and precise auto-focusing and combined with unique low dispersion (SLD) glass and ultra multi-layer coating. I would have this one if I were you.

8. Canon EF 50mm f/2.8 STM

9. Canon EF 50mm f/1.2L USM

Excellent! Brilliant! It’s all the way sharp and has decent performance in low light. For both experienced and advanced amateur photographers, the EF 50mm f/1.2L USM lens is also the fastest autofocus lens in its range, which makes it an important weapon.

The lens is ideal for any shooting situation, with a lens coating and style of design designed to eliminate the ghosting and flare that happens often when digital cameras use lenses. From its large 72mm philtre diameter to its dust and moisture-sealed construction, every component of this lens exudes professional consistency.

10. Canon EF 50mm f/1.4 USM

The f/1.2L version will be preferred by the Serious photographers, but Canon 50mm f/1.4 is an excellent lens for most people and just a fantastic value. The Canon EF 50mm f/1.4 USM wins an average score of 87 percent and a Gold Award from DPReview experts. In a compact, light and comparatively inexpensive box, it offers a significantly better optical performance than all but the most robust zooms. Normal lenses with excellent performance and portability.

11. Canon EF 50mm f/1.8 STM

Best Telephoto Prime Lenses for Canon EOS 5D Mark II

12. Canon EF 85mm f/1.8 USM

13. Canon EF 100mm f/2.8L Macro IS USM

“The Canon EF 100mm f/2.8L Macro IS USM lens wins an outstanding 92 percent overall score and Gold Award from DPReview experts: “There is no question that this is one of the best lenses we have seen-optically excellent, with fast and positive autofocus, and one of the most powerful image stabilisation systems available at the moment.

14. Canon EF 100mm f/2.8 Macro USM

It also acts as a very sharp prime telephoto lens for portraiture and other uses, suitable for photographing details and limited subject matter. It offers a mix of versatility, consistency of picture and excellent handling.

15. Canon EF 135mm f/2L USM

In its category, the best 135mm telephoto lens. Ideal for indoor activities and background-blur portraits. For excellent sharpness and colour, two UD-glass elements correct the secondary spectrum. The Extender EF 1.4x II and 2x II are compatible.

16. Canon EF 200mm f/2L IS USM

17. Canon EF 400mm f/2.8L IS II USM

18. Canon EF 400mm f/4 DO IS II USM

Best Wide-angle Prime Lenses for Canon EOS 5D Mark II

19. Canon EF 14mm f/2.8L II USM

This EF 14mm f/2.8L II USM large aperture lens is the perfect option for architectural, wedding, or other pro-level photography applications with excellent optics and almost no distortion, and its moisture proof and dustproof sealing helps ensure its longevity. The EF 14mm f/2.8L II USM goes beyond the human viewpoint, with a wide field of view of 114 degrees. A maximum f/2.8 aperture makes it easier for photographers to take hand-held photographs in low-light settings without thinking about camera shake blur.

20. Zeiss Milvus 21mm f/2.8 ZE

In the wide angle niche, Zeiss is known for their high-quality lenses. The ZEISS Milvus 2.8/21 ZEISS Distagon style ultra wide-angle lens is the best of its class. ZEISS has the proper focal length and the highest photographic efficiency for any scenario, from portraits and landscapes to architectural and street photography. All the way to the edges, the Zeiss Milvus 21mm f/2.8 is exceptionally sharp and has absolutely no distortion. For many talented photographers, it is a perfect alternative.

21. Canon TS-E 17mm f/4L Tilt-Shift

Excellent! Absolutely brilliant! In the Canon lineup, it is the widest tilt-shift lens. Edge to edge, very sharp, also wide open. Practically no flares. For ultra wide-angle applications, including architectural, landscape and product imagery, the 104° diagonal angle of view (without tilt or shift) is suitable.

22. Canon EF 24mm f/1.4L II USM

Best Standard Zoom Lenses for Canon EOS 5D Mark II

23. Canon EF 24-70mm f/2.8L II USM

With a zoom range spanning focal lengths from landscapes to portraits, the EF 24-70mm f/2.8L II USM is flexible, exceptionally sharp, and has fast, silent and precise autofocus. It’s a near-flawless lens with optics that complement a collection of top-quality primes very closely. It’s hard to find any very serious faults at all with quick, precise autofocus and weathersealed construction. The Canon EF 24-70mm f/2.8L II USM has an average score of 87 percent and a Gold Award at DPReview. In a ‘everyday’ style zoom lens, it is recommended for experienced and extreme amateur photographers searching for the finest possible lenses.

24. Sigma 24-35mm f/2 DG HSM Art

Another superb lens! The Sigma 24-35mm f/2 DG HSM Art lens, launched in June 2015, is the world’s first full frame F2 zoom lens and integrates the new Sigma technology, including an integrated autofocus (AF) algorithm for smooth, fast, and precise focusing, as well as manual focus (MF) override features. Combined with the flexible wide-angle 24-35mm focal range, the revolutionary aperture enables photographers to quickly replace three traditional lenses with one piece of hardware, the 24mm, 28mm, and 35mm. It’s perfect for close-up shooting, deep-focus nature imagery and portraits.

25. Tamron SP 24-70mm f/2.8 DI VC USD

Best Telephoto Zoom Lenses for Canon EOS 5D Mark II

26. Canon EF 100-400mm f/4.5-5.6L IS II USM

The EF 100-400mm f/4.5-5.6L IS II USM lens offers a fantastic mix of cutting-edge performance, lightweight size and brilliant resolution strength that is perfect for images of sports and wildlife. To help provide impressive contrast and clarity with decreased chromatic aberration across the entire zoom range, the lens features one fluorite and one super UD part. If you are able to afford it, have it right now!

27. Canon EF 70-300mm f/4-5.6L IS USM

Outstanding! Excellent! The new Canon EF 70-300 f/4-5.6L IS USM telephoto zoom lens is designed to offer ultra-high quality images along with lightning fast action and adds a favourite zoom range to the celebrated Canon L-series of lenses. You should recommend the Canon 70-200mm f/2.8 if you aim regularly in low light conditions. It is ideal for nature, scenery, sports and travel photography.

28. Canon EF 70-200mm f/4L IS USM

The iconic sharpness and clarity of the Canon ‘L’ series lenses are offered by the EF 70-200mm f/4L IS USM lens in a compact and lightweight build that is simple to use for hand held photography, making it a versatile lens for any photographer. Go for the f/2.8 variant if you need the extra low light capabilities. Otherwise, approximately half of the price and half of the weight is the f/4 L IS.

29. Sigma 150-600mm f/5-6.3 DG OS HSM Sports

Designed and implemented for the most demanding forms of shooting, the latest standard for telephoto zooms is the Sigma 150-600mm 5-6.3 DG HSM OS Sports lens. The new Sigma 150-600mm Sport creates extremely sharp images across the whole zoom spectrum, boasting 2 FLD glass elements (performance equivalent to fluorite) and 3 SLD glass elements. Via the optimised configuration of the glass components, chromatic aberration is regulated at the long end of the focal length and a dust and splash proof structure provides a high degree of toughness.

30. Canon EF 200-400mm f/4L IS with 1.4x Extender

Best Wide-angle Zoom Lenses for Canon EOS 5D Mark II

31. Canon EF 16-35mm f/2.8L III USM

The best Canon wide-angle zoom lens ever made! Highly recommended! The EF 16-35mm f/2.8L III USM achieved an excellent overall score of 91 percent and a Gold Award from the DPReview experts. For skilled and passionate photographers who require superlative operation and efficiency, it is a necessary wide-angle zoom lens, in virtually any condition. The EF 16-35mm f/2.8L III USM blends outstanding image quality, a quick, steady aperture and a sturdy architecture, delivering eye-catching results whether it captures complex, intricate landscapes, dramatic interiors, and much more.

32. Canon EF 11-24mm f/4L USM

In ultra wide-angle photography, Supreme Lens! Best wide-angle ultra zoom lens! Most of the best ever lenses! This is an excellent lens for landscapes, interior shots and unusual viewpoints on topics near and far with an expansive wide-angle length of 11-24 mm. Its new optical architecture features Super UD and UD lenses that correct chromatic aberration. It offers users access to the widest view angle 5 yet reached for a full-frame rectilinear DSLR zoom lens.” And at TIPA awards 2015, Canon EF 11-24mm f/4L USM lens won “Best Technical DSLR Lens” award.

33. Tamron SP 15-30mm f/2.8 Di VC USD

A truly appealing, more affordable alternative to similar Canon and Nikon wide-angle zoom lenses is the Tamron SP 15-30mm f/2.8 Di VC USD. Although stabilisation, wide aperture and ultra-wide focal length range are excellent characteristics, Tamron SP 15-30mm f/2.8 offers outstanding image quality and is much cheaper than Canon EF 11-24mm f/4L USM.

34. Canon EF 16-35mm f/2.8L II USM

35. Canon EF 16-35mm f/4L IS USM

36. Canon EF 17-40mm f/4L USM

Best Macro Lenses for Canon EOS 5D Mark II

37. Canon EF 100mm f/2.8L Macro IS USM

“The Canon EF 100mm f/2.8L Macro IS USM lens wins an outstanding 92 percent overall score and Gold Award from DPReview experts: “There is no question that this is one of the best lenses we have seen-optically excellent, with fast and positive autofocus, and one of the most powerful image stabilisation systems available at the moment.

38. Tamron SP 90mm f/2.8 Di VC USD Macro

39. Canon EF 100mm f/2.8 Macro USM

It also acts as a very sharp prime telephoto lens for portraiture and other uses, suitable for photographing details and limited subject matter. It offers a mix of versatility, consistency of picture, and excellent handling.

The allure of a full-frame DSLR has always been there for me. Not saying that cropped sensor DSLRs are no good or inferior in any way but the fact you are using all of your EF lenses along with getting the same focal lengths as when shooting film, it just seems more ”complete”.

Of training course, shooting full-frame means that a lot of the so-called digital lenses which are designed for APS-C sized sensors won’t work anymore and in fact, can’t be mounted at all. This means that a lot of high-performance budget lenses are no longer an option. So do you have to splash out on the best lenses to match a complete body? Well no but then I wouldn’t suggest buying cheap lenses without thought for image quality.

In a Lens vs Body argument, I would constantly say that the zoom lens is the more important element in the system. That’s why the choice is based on choosing the most useful set of the lens covering the general range of shooting in the most cost-effective way possible.

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