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The Panasonic Lumix G9 is a great mirrorless camera, delivering 4k video, 6k stills, impressively fast burst shooting, and a fantastic autofocus system. The camera uses Panasonic and Olympus’ 2008 Micro Four Thirds program, or M4/3 system.

The system includes a crop factor of 2.0 but ‘s been around long enough there are more lenses created for this camera compared to the mirrorless camera bodies Nikon and Canon are releasing, making it a slightly more desired investment right now.

There is a selection of lenses that are small, lightweight, and sharpened that are compatible with the Lumix G9. We’ve selected our best six, predicated on factors like size, overall performance, price, and more.

What lens to get for your Panasonic Lumix G9 in 2021?

Full List of Recommended Panasonic G9 Lenses: To help you decide on the best lens for your intended use, I have categorized the lenses into the following groups. You can click any of the below links to jump to the type of lens that interests you the most.

1. Panasonic Lumix S PRO 24-70mm f/2.8 Lens

Panasonic Lumix S Pro 24-70mm F2.8 L-Mount Interchangeable Lens for Lumix S Series Full-Frame Digital Cameras - S-E2470 (USA)
  • Professional build quality - features stunningly high resolution and high contrast at each focal length point with F/2.8 constant aperture
  • Video support – excels in video recording performance with a mechanism to suppress focus breathing
  • Depth expression and beautiful bokeh – full-range, 11-blade aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image
  • Rugged design – dust/splash*/freeze-resistant design withstands heavy field use under harsh conditions for high mobility
  • Focus Clutch Mechanism– enables instant AF/MF switching, accurate manual focusing and suppressed focus breathing

The Panasonic Lumix S PRO 24-70mm f/2.8 is an L-mount wide-angle to the short-telephoto lens with a steady f/2.8 maximum aperture and advanced optical construction, rendering it a new take on the traditional fast standard zoom. To achieve well-corrected imagery with high sharpness, precise color representation, and noteworthy resolution in the zoom and focus ranges, aspherical, UHR and ED components are used.

A double focus system, which uses both a linear and a stepping motor to provide particularly quick and precise focusing efficiency, complements the optics. A rounded 11-blade diaphragm contributes to a pleasing bokeh quality with smooth transitions between the in-focus and out-of-focus regions of the shot, and the lens is weather-sealed for use in harsh environments.

2. Panasonic Lumix S PRO 16-35mm f/4 Lens

Panasonic Lumix S Pro 16-35mm F4 Wide Zoom Lens, Full-Frame L Mount, Dust/Splash/Freeze-Resistant for Lumix S Series Mirrorless Cameras - S-R1635 (USA)
  • Lumix S Pro camera lens – 16-35mm wide angle zoom l-mount lens for Lumix S Series full-frame digital Mirrorless cameras
  • Video support – excels in video recording performance with a mechanism to suppress focus breathing and micro-step aperture control for smooth exposure change
  • Lens elements – 12 elements in 9 groups, the use of 3 aspherical lenses, An ED (extra-low dispersion) lens and a UHR (ultra-high refractive Index) lens with optimum alignment to achieve high mtf performance
  • Rugged lens design – dust/splash*/freeze-resistant design withstands use under harsh conditions for high mobility
  • Focus Clutch Mechanism - enables instant AF/MF switching, accurate manual focusing and suppressed focus breathing

Panasonic’s Lumix S PRO 16-35mm f/4 is an L-mount wide zoom with an f/4 constant maximum aperture, making it a staple of wide-angle versatility. A collection of aspherical, low dispersion, and high refractive index components are used in an integrated optical architecture to monitor a number of aberrations, color fringing, and distortion for sharp, transparent, and well-corrected imagery within the zoom range.

A special double-magnet linear motor focus system complements the lenses, providing high-speed response and power while staying compact in size. A rounded nine-blade diaphragm adds to the quality of bokeh, and the lens is weather-sealed to accommodate operating in a range of weather conditions.

3. Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. Lens

Panasonic LUMIX S PRO 70-200mm F2.8 Telephoto Lens, Full-Frame L Mount, Optical Image Stabilizer and Dust/Splash/Freeze-Resistant for LUMIX S Series Mirrorless Cameras - S-E70200 (USA)
  • Lumix S Pro camera lens – 70-200mm telephoto zoom F2. 8 l-mount lens for Lumix S Series full-frame digital Mirrorless cameras
  • O. I. S. Stabilization – complies with Lumix camera body I. S. ; 5-axis Dual I. S. 2 makes it possible to use 7-stops slower shutter speed
  • Lens elements – 22 lenses in 17 groups; 2 UED (ultra-low Dispersion) and 3 ED (extra-low dispersion) lenses effectively suppress both axial chromatic aberration and chromatic aberration of magnification
  • Lens focusing – a double focus system combines a linear motor and stepping motor to achieve sensor Drive At a maximum speed of 480 FPS for fast, high-precision autofocus
  • Rugged lens design – dust/splash*/freeze-resistant design withstands use under harsh conditions for high mobility

The Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. is an L-mount telephoto zoom with a bright f/2.8 constant maximum aperture and advanced optical and focusing performance, designed to be the workhorse for activities, portraiture, and other mid-length subjects. Several aspherical and low dispersion components are used in the optics layout to reduce chromatic and spherical aberrations in the zoom range, resulting in improved resolution, sharpness, and precise rendering.

A unique double focus system, which uses both a linear and a stepping motor to provide particularly quick and precise focusing efficiency, complements the optics. A concentrate clutch allows for fast switching between AF and MF settings for more precise power. An Optical Image Stabilizer eliminates the impact of camera shaking for sharper handheld photography, and the lens is weather-sealed for use in inclement weather.

4. Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens

Panasonic LUMIX S 24-105mm F4 Lens, Full-Frame L Mount, Optical Image Stabilizer and Rugged Dust/Splash/Freeze-Resistant S-R24105 (USA), Black
  • Lumia S camera lens – 24-105mm standard focal macro zoom F4 l-mount for Lumia S Series full-frame l-mount digital Mirrorless cameras.
  • O. I. S. Stabilization – complies with Lumia camera body I. S. ; 5-axis Dual I. S. 2 [1] makes it possible to use 6-STOP slower shutter speed [2]
  • Lens elements – 16 lenses in 13 groups; 2 aspherical lenses and 2 ED (extra-low dispersion) lenses effectively suppress chromatic aberration and achieve high resolution.
  • Macro Lens – 0. 5x macro shooting with a minimum focusing distance of 0. 3M so you can photograph small subjects at very close distances.
  • Rugged lens design – dust/splash*/freeze-resistant design withstands use under harsh conditions for high mobility.

The Panasonic Lumix S 24-105mm f/4 Macro O.I.S. is a flexible zoom lens with a constant f/4 maximum aperture for L-mount mirrorless cameras that covers a wide-angle to short-telephoto range. To achieve a high degree of sharpness, resolution, and colour fidelity, a number of low dispersion and aspherical elements are used in the optical system to monitor a range of aberrations, colour fringing, and distortion.

This zoom’s optical efficiency is balanced by its 1:2 high magnification ratio and 11.8″ minimum focusing distance, making it ideal for dealing with close-up objects. Furthermore, an Optical Image Stabilizer eliminates the impact of shutter shaking for sharper handheld photography, and the lens is weather-sealed for use in inclement weather.

5. Panasonic Lumix S PRO 50mm f/1.4 Lens

Panasonic LUMIX S PRO 50mm F1.4 Lens, Full-Frame L Mount, LEICA Certified, Dust/Splash/Freeze-Resistant for Panasonic LUMIX S Series Mirrorless Cameras - S-X50 (USA),Black
  • Lumix S Pro camera lens - 50mm fixed focal F1. 4 l-mount lens, Leica Certified for Lumia S Series full-frame L mount Mirrorless cameras
  • Lens elements – 13 lenses in 11 groups; 2 aspherical lenses and 3 ED (extra-low dispersion) lenses effectively suppress both axial chromatic aberration and chromatic aberration of magnification
  • Lens focusing – a double focus system combines a linear motor and stepping motor to achieve sensor Drive At a maximum speed of 480 FPS for fast, high-precision autofocus
  • Lens filter size – 77mm diameter filter with an 11-blade circular aperture diaphragm
  • Rugged lens design – dust/splash*/freeze-resistant design withstands use under harsh conditions for high mobility

The Panasonic Lumix S PRO 50mm f/1.4 is a sophisticated normal-length prime for L-mount mirrorless cameras that incorporates incredible speed and optics. This lens excels in low-light conditions due to its quick f/1.4 maximum aperture, as well as increased depth of field control for isolating subject matter.

A pair of aspherical elements and three extra-low dispersion elements are used in the optical architecture to minimize spherical and chromatic aberrations for high sharpness and transparency around the aperture spectrum. A unique double focus system, which uses both a linear and a stepping motor to provide particularly quick and precise focusing efficiency, complements the optics. A rounded 11-blade diaphragm also aids in the development of smooth, appealing bokeh, and the lens is weather-sealed for use in inclement weather.

6. Panasonic Lumix S PRO 70-200mm f/4 O.I.S. Lens

Panasonic LUMIX S PRO 70-200mm F4 Telephoto Lens, Full-Frame L Mount, LEICA Certified, Optical Image Stabilizer and Dust/Splash/Freeze-Resistant for LUMIX S Series Mirrorless Cameras - S-R70200 (USA)
  • LUMIX S PRO CAMERA LENS – 70-200mm telephoto zoom F4 L-mount lens, LEICA certified for LUMIX S Series Full-Frame digital mirrorless cameras
  • O.I.S. STABILIZATION – Complies with LUMIX camera Body I.S.; 5-Axis Dual I.S. 2 [1] makes it possible to use 6-stop slower shutter speed [2]
  • LENS ELEMENTS – 23 lenses in 17 groups; an aspherical lens and 3 ED (Extra-low Dispersion) lenses effectively suppress both axial chromatic aberration and chromatic aberration of magnification
  • LENS FOCUSING – A double focus system combines a linear motor and stepping motor to achieve sensor drive at a maximum speed of 480 fps for fast, high-precision autofocus
  • RUGGED LENS DESIGN – Dust/splash*/freeze-resistant design withstands use under harsh conditions for high mobility

The Panasonic Lumix S PRO 70-200mm f/4 O.I.S. is an L-mount telephoto zoom with an f/4 constant maximum aperture that covers a wide range of focal lengths. A sophisticated optical architecture with aspherical, low dispersion, and high refractive index components is used to monitor a variety of aberrations, colour fringing, and distortion for sharp, transparent, well-corrected photography within the zoom range.

A unique double focus system, which uses both a linear and a stepping motor to provide particularly quick and precise focusing efficiency, complements the optics. An Optical Image Stabilizer eliminates the impact of camera shaking for sharper handheld photography, and the lens is weather-sealed for use in inclement weather.

7. Panasonic Lumix S PRO 24-70mm f/2.8 Lens

Panasonic Lumix S Pro 24-70mm F2.8 L-Mount Interchangeable Lens for Lumix S Series Full-Frame Digital Cameras - S-E2470 (USA)
  • Professional build quality - features stunningly high resolution and high contrast at each focal length point with F/2.8 constant aperture
  • Video support – excels in video recording performance with a mechanism to suppress focus breathing
  • Depth expression and beautiful bokeh – full-range, 11-blade aperture provides smooth defocus gradation from the focus peak to the neighboring area of the image
  • Rugged design – dust/splash*/freeze-resistant design withstands heavy field use under harsh conditions for high mobility
  • Focus Clutch Mechanism– enables instant AF/MF switching, accurate manual focusing and suppressed focus breathing

The Panasonic Lumix S PRO 24-70mm f/2.8 is an L-mount wide-angle to the short-telephoto lens with a steady f/2.8 maximum aperture and advanced optical construction, rendering it a new take on the traditional fast standard zoom. To achieve well-corrected imagery with high sharpness, precise color representation, and noteworthy resolution in the zoom and focus ranges, aspherical, UHR and ED components are used.

A double focus system, which uses both a linear and a stepping motor to provide particularly quick and precise focusing efficiency, complements the optics. A rounded 11-blade diaphragm contributes to a pleasing bokeh quality with smooth transitions between the in-focus and out-of-focus regions of the shot, and the lens is weather-sealed for use in harsh environments.

Best Sigma Lenses for Panasonic Lumix G9

8. Sigma 14-24mm f/2.8 DG DN Art Lens

$100.00 Sale
Sigma 14-24mm F2.8 DG DN Art Lens for Leica L
  • The Sigma 14-24mm F2 8 DG HSM Art is the ideal ultra-wide-angle zoom lens for the most demanding photographers
  • Sigma 14-24mm features updated Hyper Sonic Motor (HSM) provides fast and accurate autofocu
  • Outdoor shooters will appreciate the dust- and splash-proof construction with special sealing at the mount Connection manual focus ring zoom ring and cover connection
  • With the growing popularity in multi-camera VR Videography a new front conversion service is available to convert to a round hood for these specialized applications

Sigma’s 14-24mm F/2.8 DG DN Art is a great ultra wide-angle zoom lens. The lens is outstanding. Brightness and sharpness are good, vignetting and distortion are small, and chromatic defects are almost undetectable. Sigma’s success in achieving such results with the lens requiring almost no camera corrections is remarkable.

9. Sigma 24-70mm f/2.8 DG DN Art Lens

Sigma 24-70mm f/2.8 DG DN Art Zoom Full Frame L-Mount Lens
  • Lens hood with a lock and Dust- and splash-proof structure
  • Compatible with the Lens Aberration Correction and Designed to minimize flare and ghosting
  • Evaluation with Sigma’s own MTF measuring system: A1 with 11-blade rounded diaphragm
  • High-precision, rugged brass bayonet mount

The Sigma 24-70mm f/2.8 DG DN Art, positioned as a workhorse lens among Panasonic L-mount full-frame mirrorless systems, is a flexible wide-angle to portrait-length zoom distinguished by its f/2.8 constant maximum aperture. The bright style is ideal for operating in low-light situations and gives you more control over the depth of view.

To achieve high sharpness, enhanced transparency, and increased color accuracy, the optical architecture combines a collection of low dispersion and aspherical components that significantly minimize a range of aberrations. When operating under bright lighting environments, both Super Multi-Layer and NanoPorous Coatings have been used to increase contrast and color rendering by eliminating lens flare and ghosting.

10. Sigma 45mm f/2.8 DG DN Contemporary Lens

Sigma 45mm F2.8 Contemporary DG DN Lens for Sony E Mount
  • With Mirrorless cameras emerging at an accelerated Pace, expectations towards lenses suited for high-performance full-frame Mirrorless cameras are growing. Unfortunately, many photographers may feel that they have little choices for mirrorless lens systems in terms of performance, size, extensive lineup, and due to the burden of having to use multiple systems

The swift and flexible Sigma 45mm f/2.8 DG DN Contemporary Lens, designed for full-frame Leica L-mount mirrorless cameras, is a normal-length prime that optimises size and weight while making notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. Its 9.5″ minimum focusing distance, combined with its ability to smooth the periphery of blurred images while maximising the three-dimensional impression of an object, makes it ideal for selfies to tabletop portraits, or any imagery where you want to make your subject stand out.

11. Sigma 35mm f/1.4 DG HSM Art Lens

$100.00 Sale
35mm F1.4 Art DG HSM L-Mount
  • F1.4 wide-angle lens with the highest levels of sharpness and creative blurring
  • . Features FLD optical glass lenses and SLD optical glass lenses that optimize the operation of the lens
  • Floating internal focus system compensates for astigmatic and spherical aberration

The Panasonic L-mount 35mm f/1.4 DG HSM Art Lens from Sigma is a wide-angle prime with an innovative optical architecture that combines an extremely flexible focal length with a bright maximum aperture. A combination of one F Low Dispersion (FLD) element and four Special Low Dispersion (SLD) elements reduces chromatic aberrations significantly, whereas a pair of aspherical elements, one in the rear of the lens, reduce a host of additional distortions and aberrations.

Lens components have now been treated with a Super Multi Coating to minimize flare and ghosting for improved contrast and color fidelity. Furthermore, the f/1.4 maximum aperture helps to operate in low-light environments and allows a better depth of field power for isolating subject matter.

12. Sigma 50mm f/1.4 DG HSM Art Lens

$150.00 Sale
Sigma 50mm F1.4 Art DG HSM Lens for L Mount (311969)
  • Ideal for studio shooting, it offers maximum expressiveness even in architecture, starry sky and many other photographs.
  • The lens offers high focus resolution and smooth creative blurring
  • Super Multi Layer coating reduces flare and ghost images and ensures well-etched images even when backlit

The Sigma 50mm f/1.4 Art, like the outstanding Sigma 35mm f/1.4 Art that I have previously admired here at Photography Life, is deserving of high praise. Unlike its ancestor, which falls short in a variety of places as compared to other 50mm primes, the current Sigma 50mm f/1.4 DG HSM is a radically different lens with a greatly better optical performance. The lens is optically superior to other quick aperture prime lenses of comparable focal lengths, as can be seen in the Lens Comparisons portion of this article.

Sigma did an excellent job of optically correcting lens aberrations such as distortion, field curvature, and chromatic aberration, allowing you to use images “as is” without having to think about post-processing lens corrections. Vignetting is also well handled until you shoot the lens at infinity. Because of its outstanding handling of both ghosting and glare, this lens would be a delight to use in high contrast conditions with the sun on the back of your subjects.

Best Leica Lenses for Panasonic Lumix G9

13. Leica Vario-Elmarit-SL 24-90mm f/2.8-4 ASPH. Lens

Leica Standard Vario-Elmarit-Sl 24-90mm F/2.8-4 ASPH. Lens
  • Front and rear Lens caps
  • Lens hood
  • Limited 2-year warranty

The Leica Vario-Elmarit-SL 24-90mm f/2.8-4 ASPH. is a short standard zoom optimised for full-frame L mount mirrorless cameras with a compact wide-angle to portrait-length range. Four aspherical elements and 11 anomalous partial dispersion elements are used in the 18 elements in 15 groups lens design, which help to minimise chromatic aberrations and distortions within the zoom range for notable picture sharpness and transparency.

Working under a variety of lighting conditions is better with the f/2.8-4 maximum aperture, which also allows you more control over the target location by using shallow depth of field techniques. The flexibility of this lens, which is designed for consistent results at all focal lengths and focusing distances, makes it well-suited to virtually every photographic use.

14. Leica Summilux-TL 35mm f/1.4 ASPH Lens

Leica Summilux-TL 35mm f/1.4 ASPH Lens (Black Anodized)
  • Front and Rear Lens Caps
  • Lens Hood
  • Limited 2-Year Warranty

The Summilux-TL 35mm f/1.4 ASPH Lens is designed as the reference lens for APS-C-format Leica mirrorless digital cameras, with a classic focal length and bright maximum aperture. It works for all L mount mirrorless cameras, including all T-series models and SL-series cameras in APS-C crop mode, giving you a normal-range 52.5mm equivalent focal length. The swift f/1.4 maximum aperture aids when operating in low-light environments and allows you a lot of depth of field power for selective focus applications.

In addition, four aspherical components are used in the 12 elements in eight groups of optical architecture to monitor chromatic and spherical aberrations and distortions for better visibility and sharpness. The autofocus system allows for full-time manual focus override for fine-tuning your point of focus down to 1.3′, and an inner focusing mechanism keeps the lens’s maximum length constant when in operation.

15. Leica Elmarit-TL 18 mm f/2.8 ASPH. Lens

Leica Elmarit-TL 18 / f2.8 ASPH Lens (Black)
  • Leica 18mm f/2.8 Elmarit-TL Lens - Black

The Elmarit-TL 18 mm f/2.8 ASPH., a 27mm comparable wide-angle prime designed for APS-C-format Leica L-mount mirrorless cameras, is a particularly compact lens. It has a pancake appearance and is just 0.8″ thick, making it suitable for daily use and travel. Four aspherical surfaces are used in the optical architecture to help eliminate spherical aberrations and distortion for improved visibility and sharpness. Additionally, when dealing with selective focus strategies, the autofocus nature allows for full-time manual focus override for better power.

16. Leica Summicron-T 23mm f/2 ASPH Lens

Leica 011-081 Summicron-T 23/f2 ASPH Lens
  • Equivalent to 35mm in 35mm format
  • Compact in size
  • Maximum aperture of f/2

Leica’s Summicron-T 23mm f/2 ASPH Lens is a prime lens with a 35mm equivalent focal length of 35mm. It has an f/2 maximum aperture and an f/16 minimum aperture. With two aspherical surfaces, there are nine elements in six classes. To better secure your glass, front and rear lens caps, as well as a bag, are included.

17. Leica APO-Summicron-SL 90mm f/2 ASPH. Lens

Leica APO-SUMMICRON-SL 90mm f/2 Aspherical Lens for SL & T System Cameras
  • Leica APO-SUMMICRON-SL 90mm f/2 Lens - Front and Rear Lens Caps - Lens Hood - Lens Case - Leica 2 Year Limited Warranty
  • AF System with Dual Syncro Drive - From zero to sharp in no time at all. The Dual Syncro Drive Precision Autofocus allows the Summicron-SL lenses to focus from infinity to the closest focusing distance with exceptional speed and achieving top performance, features important in the professional camera segment.
  • Two aspherical elements are included in the design to ensure optimum imaging performance across the entire image field.
  • From the closest focusing distance to infinity, optimum imaging performance is ensured due to the floating lens element.
  • Each lens offers a special look synonymous with Leica photography with the shallow depth of field, exceptional imaging performance and the 3D "pop" that separates subjects from the background.

The APO-Summicron-SL 90mm f/2 ASPH. from Leica is an optically refined short telephoto prime designed for full-frame L-mount mirrorless cameras with a preferred focal length for portraiture. A vivid f/2 maximum aperture complements the convenient focal length, allowing for great control over depth of field for isolating subject matter in low-light situations. The apochromatic optical architecture of the lens employs anomalous partial dispersion glass to minimise colour fringing and chromatic aberrations for better visibility and colour precision, as well as one aspherical feature to reduce spherical aberrations for improved sharpness.

When operating in bright sunlight, multi-layer coatings have been added to reduce flare and ghosting and improve contrast. A Dual Syncro Drive stepping motor complements the optical properties, providing fast and quiet autofocus output, and a floating elements system ensures stable imaging efficiency across the focusing range. In addition, an AquaDura coating has been added to the exposed components, and seals have been integrated into the lens construction to help with operating in harsh environments.

Best KIPON Lenses for Panasonic Lumix G9

18. KIPON Iberit 75mm f/2.4 Lens

KIPON IBERIT 75mm F2.4 Full Frame Lenses for Panasonic L Leica SL TL Mount Camera (Black)
  • KIPON IBERIT Lenses are Ideally Suited for Mirrorless Cameras
  • With a Constant Speed of 2.4 and Focal Length of 75mm
  • Initially Available for Leica L Mount Systems
  • Small and Fast Enough to Handle Any and All Photographic Situations
  • Can Be Used on Cameras with Full Fame Sensors as well as Cameras with APS-C Sensors

The Iberit 75mm f/2.4 from Kipon is an elegant, lightweight lens designed for FUJIFILM X-mount mirrorless cameras with a portrait-length field of view. It has a classic optical architecture of five components in five sets, and its accurate manual focus control allows you to deal with objects as near as two feet apart. The lens barrel’s exterior combines both depth of field and focusing distance scales for more precise focus power, and the all-metal structure creates a robust physical build.

19. KIPON Iberit 90mm f/2.4 Lens

KIPON IBERIT 90mm F2.4 Full Frame Lenses for Panasonic L Leica SL TL Mount Camera (Black)
  • KIPON IBERIT Lenses are Ideally Suited for Mirrorless Cameras
  • With a Constant Speed of 2.4 and Focal Length of 90mm
  • Initially Available for Panasonic Leica L Mount Systems
  • Small and Fast Enough to Handle Any and All Photographic Situations
  • Can Be Used on Cameras with Full Fame Sensors as well as Cameras with APS-C Sensors

The Kipon Iberit 90mm f/2.4 is a short telephoto prime designed for Panasonic L-mount mirrorless cameras with an elegant, and sturdy construction. It has a basic four elements in four groups optical architecture that creates classic-looking imagery, and it has accurate manual focus control that helps you to work with objects as near as 2.3 feet apart. The lens barrel’s exterior combines both depth of field and focusing distance scales for more precise focus power, and the all-metal structure creates a robust physical build.

20. KIPON Iberit 50mm f/2.4 Lens

KIPON IBERIT 50mm F2.4 Full Frame Lenses for Panasonic L Leica SL TL Mount Camera (Black)
  • KIPON IBERIT Lenses are Ideally Suited for Mirrorless Cameras
  • With a Constant Speed of 2.4 and Focal Length of 50mm
  • Initially Available for Leica L Mount Systems
  • Small and Fast Enough to Handle Any and All Photographic Situations
  • Can Be Used on Cameras with Full Fame Sensors as well as Cameras with APS-C Sensors

The Kipon Iberit 50mm f/2.4 is a normal-length prime optimised for Leica L-mount mirrorless cameras. It is small and lightweight, as well as rugged and stable for long-term use. The optical architecture, which incorporates six components in six groups and delivers a classic image consistency, is housed in a slim form factor, and the manual focus operation allows dealing with objects as near as 2′ apart. The lens barrel’s exterior combines both depth of field and focusing distance scales for more precise focus power, and the all-metal structure creates a robust physical build.

21. KIPON Ibelux 40mm f/0.85 Lens

KIPON IBELUX 40mm F0.85 Mark Ⅱ Lens for Fuji XF Mount Mirrorless Camera Black
  • High-speed Mirrorless Lens for Fuji XF Mount
  • The Fastest Lens in the World
  • With the Biggest Aperture of F0.85
  • High-grade Lenses of Metallic Construction with Anodized Aluminum,Brass, and Stainless Steel
  • Standared Cine Lens Mount

The Kipon Ibelux 40mm f/0.85 is a quick prime lens for Panasonic L-mount mirrorless cameras that is characterized by its price. The large f/0.85 maximum aperture allows for a lot of depth of field power when isolating focus, and it also helps when operating in low light. A front concave feature is used of the ten groups in eight elements optical architecture, which aims to minimize color fringing and other aberrations in order to maintain a high degree of sharpness.

The lens barrel’s exterior combines both depth of field and focusing distance scales for more precise focus power, and the all-metal structure creates a robust physical build. A ten-blade diaphragm also leads to a pleasing bokeh quality, which is ideal for using shallow depth of field techniques.

22. KIPON Iberit 35mm f/2.4 Lens

Kipon IBERIT 35mm F2.4 Full Frame Lenses for Panasonic L Leica SL TL Mount Camera (Black)
  • KIPON IBERIT Lenses are Ideally Suited for Mirrorless Cameras
  • With a Constant Speed of 2.4 and Focal Length of 35mm
  • Initially Available for Leica L Mount Systems
  • Small and Fast Enough to Handle Any and All Photographic Situations
  • Can Be Used on Cameras with Full Fame Sensors as well as Cameras with APS-C Sensors

The Kipon Iberit 35mm f/2.4 is a general wide-angle prime lens designed for Panasonic cameras. It is lightweight and compact, but rugged and accurate. It has a classic image quality thanks to its basic six elements in six groups of optical architecture, which is aided by a smooth manual focusing operation for dealing with objects as near as 1.1′ apart. The lens barrel’s exterior integrates both depth of field and focusing distance scales for more precise focus power, and the lens is made entirely of aluminum.

23. KIPON Iberit 24mm f/2.4 Lens

KIPON IBERIT 24mm F2.4 Full Frame Lens for Panasonic L Leica SL TL Mount Camera (Black)
  • KIPON IBERIT Lenses are Ideally Suited for Mirrorless Cameras
  • With a Constant Speed of 2.4 and Focal Length of 24mm
  • Initially Available for Leica L Mount Systems
  • Small and Fast Enough to Handle Any and All Photographic Situations
  • Can Be Used on Cameras with Full Fame Sensors as well as Cameras with APS-C Sensors

The Iberit 24mm f/2.4 Lens from Kipon is a classic wide-angle focal length designed to be lightweight and compact for Panasonic L-mount mirrorless cameras. Its optical architecture, which consists of eight components in seven sections, produces a classic image quality that has been designed for use with today’s image sensors, and this image quality is aided by smooth manual focus operation down to 9.8″ for precise monitoring. The lens barrel’s exterior integrates both depth of field and focusing distance scales for more precise focus power, and it’s constructed of robust all-metal construction for a sturdy physical build.

What lens to get for your Panasonic Lumix G9?

Released in January 2018, the Lumix G9 is normally a hybrid 4/3 micro sensor camera that carefully resumes the wonderful video features of the GH5 however in a devoted camera body. It has a 20MP sensor stabilized on five axes and a continuing AF burst mode at 20 frames/sec. Features add a Pixel Shift mode which allows you to create 80Mpx images, in Natural or Jpeg, and a 4K video setting at 60 fps and Full HD at 180 fps. The autonomy is great since we are able to take (in some recoverable format) about 900 photos with an individual charge.

Ergonomically speaking, the G9 appears like a reflex camera, with a reasonably large size in comparison to most Micro 4/3 sensor cameras. Gleam backlit LCD control display screen on top, an extremely comfortable deal with and a swivel and touchscreen. It also includes a dual Sdcard slot, a 3.6 million stage OLED viewfinder, and considerable online connectivity (headphone, mirco, HDMI, etc.). It’s also totally tropicalized, rendering it ideal for travel. In a nutshell, the Panasonic Lumix G9 is one of the greatest in hybrid technology, both for picture taking and video.

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