Best Lenses for Panasonic Lumix GH5 II

The Panasonic Lumix GH5 II is a powerful and feature-rich mirrorless camera that was designed to meet the requirements of professional videographers as well as professional photographers. The Panasonic GH5 II is a flexible piece of equipment that is able to handle a wide variety of shooting scenarios thanks to its durable construction, remarkable picture quality, and sophisticated video capabilities.

List of The Best Lenses for Panasonic Lumix GH5 II

It is essential to fit this great camera with the very best lenses that are now on the market in order to make the most of its capabilities. In this post, we will discuss some of the best lenses that have been developed exclusively for the Panasonic Lumix GH5 II. These lenses provide excellent performance and picture quality across a variety of photographic and video graphic subgenres.

Best All-in-one Lenses for Panasonic GH5 II

1. Olympus 12-100mm f/4 IS PRO

With a focal length range comparable to 24-200 millimeters, a constant aperture of F4 throughout the whole zoom range, and built-in optical image stabilization, the Olympus 12-100mm f/4 IS Pro lens is an excellent all-in-one zoom lens that can be utilized for a wide variety of photographing scenarios. It weighs only 21 ounces, light enough to carry all day, yet compact enough to be readily stored in a purse or other small bag.

Amazing photographs may be captured with this lens thanks to its constant aperture of f4.0, its clarity from edge to edge, and its little distortion at all focal lengths. This lens is distinguished by its continuous maximum aperture of f/4, and it provides consistent performance over the entirety of its zoom range, making it suitable for use in both still photography and video recording.

A large number of low-dispersion and aspherical elements have been incorporated into its optical design in order to decrease both chromatic and spherical aberrations. Additionally, a ZERO coating and a Z Coating Nano have been applied in order to significantly reduce lens flare and ghosting in order to increase contrast.

Managing the extensive zoom range is made more accessible by an optical image stabilization technology that forms Sync IS by combining forces with the 5-axis image stabilization found in some cameras. Sync IS can adjust for up to 6.5 stops of camera wobble. This is a significant benefit for handling the broad zoom range.

A Movie and Still Compatible (MSC) high-speed imager AF system delivers fast, accurate, and silent focusing performance that is well-suited to both picture and video applications. Additionally, a manual focus clutch allows for rapid switching to MF for more exact control. The Olympus 12-100mm f/4 IS PRO is a fantastic performer and is worth considering if you are searching for a superb all-in-one zoom for your camera.

2. Olympus 12-200mm f/3.5-6.3

The Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 lens is one of the most versatile lenses currently on the market due to its splashproof and dustproof design. It also has the most extensive zoom range (24-400mm equivalent) of any mirrorless interchangeable lens. Its focal range of 24 to 400mm, which is comparable to 35mm, covers everything from wide-angle to super-telephoto, and it provides exceptional picture quality as well as unparalleled system mobility. The lens has a long reach, but it also has a portable form factor, a close minimum focusing distance of 8.7 inches, and a sophisticated optical design.

This design uses a variety of aspherical, low dispersion, and high refractive index components to generate a picture that is well-corrected. In order to restrict spherical aberrations and provide increased sharpness while minimizing distortion, the optical design incorporates three aspherical elements, one Super HR (high refractive index) element, and two HR elements. Together, these elements make up the HR category.

In addition, two Super ED elements, also known as extra-low dispersion elements, and two ED elements are utilized in order to suppress chromatic aberrations and color fringing with the purpose of achieving improved clarity and color fidelity. When operating in circumstances with intense illumination, the individual elements have each been coated with a ZERO (Zuiko Extra-low Reflection Optical) coating to reduce the amount of lens flare and ghosting that occurs.

This results in increased contrast and color accuracy. In addition, this lens makes use of a Movie & Stills Compatible AF technology to provide a focusing performance that is silky smooth, lightning quick, and nearly silent, which is beneficial for both still photography and videography. This lens will allow you to capture anything from vast vistas and architecture to animals and sports, regardless of where you go in the world.

Best Wide-angle Prime Lenses for Panasonic GH5 II

3. Olympus 17mm f/1.2 PRO

Because of its huge maximum aperture of F1.2 and 34mm equivalent focal length, the Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens is an excellent choice for a wide variety of photographic applications, including landscape and street photography, astrophotography, and portraiture. The lens’s fast maximum aperture of f/1.2 is its most notable feature since it allows for better control over depth of focus and is useful for working in challenging lighting circumstances.

Additionally, a sophisticated structure consisting of 15 components and 11 groups combines aspherical, high refractive index, and extra-low dispersion elements in order to minimize both chromatic and spherical aberrations considerably. This results in a picture that is noteworthy for its clarity, sharpness, and color accuracy. Additionally, it includes a nine-blade aperture, which helps produce a smooth bokeh quality when dealing with narrow depth-of-focus techniques.

Additionally, a Z Coating Nano has been applied to individual parts in order to prevent flare and ghosting, which improves contrast. In addition to that, it has a Movie and Still Compatible (MSC) autofocus technology that provides a focusing performance that is smooth, quiet, and quick. This makes it suited for both still photography and video recording. The lightweight focusing mechanism is silent, quick, and precise, and the innovative ED-DSA element is genuinely one of a kind.

It helps to reduce the size of the lens while simultaneously boosting its performance. This versatile pro prime lens will quickly become one of your go-to lenses for capturing every task and experience thanks to its dustproof and splashproof metal construction as well as its outstanding performance in low light.

4. Panasonic Leica 12mm f/1.4 ASPH

The Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens has a maximum aperture of 1.4. This lens has an equivalent focal length of 24 millimeters and was designed specifically for capturing dramatic detail and resolution in landscape photography. Because it displays each point of light with such detailed precision and clarity, it is ideally suited for photographing individual stars and tiny lights. Metal is used in the construction of the lens mount, barrel, and hood to create an elegant and long-lasting design that elevates the experience of photography for both amateurs and experts alike.

This lens is perfect for working in low-light circumstances since it has a maximum aperture of f/1.4, which is exceptionally bright. Additionally, it provides an excellent level of focus placement adjustment, which is helpful for employing methods that need a small depth of field. The optical design makes use of a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to manage both spherical and chromatic aberrations. This results in a high degree of sharpness and clarity from edge to edge throughout the whole image.

This flexible wide-angle prime lens is characterized not only by its optical qualities but also by its user-friendly handling and modern functionality. It is the result of a partnership between the design tradition of Leica and the technological innovation of Panasonic. In addition, the lens’s structure, which is entirely made of metal, is weather-resistant, which enables it to be used even when working in difficult climatic circumstances.

Best Wide-angle Zoom Lenses for Panasonic GH5 II

5. Panasonic Leica 10-25mm f/1.7

Very strongly suggested! The Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. Lens is an ultra-wide-angle zoom lens. This lens is designed for use with mirrorless cameras that use the Micro Four Thirds mount. It has a maximum aperture of F1.7 over the whole 20-50mm (35mm camera equivalent) zoom range, delivering an extraordinarily high optical performance that satisfies the demanding LEICA criteria. Compatible not only with the taking of photographs but also with the recording of videos, so as to meet the needs of professional photographers and videographers.

The extraordinarily bright f/1.7 constant maximum aperture performs exceptionally well in low-light circumstances over the whole zoom range and also provides enhanced control over the depth of focus. The lens system has 17 elements organized into 12 groups, and it has three aspherical lenses and four ED (Extra-low Dispersion) lenses. These lenses work together to efficiently reduce axial chromatic aberration as well as magnification chromatic aberration. Aspherical lenses also correct spherical aberration and distortion, which contributes to the astoundingly high resolution offered by these lenses.

Despite having exceptional optical performance, the size and weight of the lens system have been reduced thanks to the utilization of aspherical lenses and the utilization of an optimal design for the lens system. This lens is distinguished not only by its optics but also by its rugged, weather-sealed physical construction, its quick autofocus mechanism, its adaptable focusing clutch design, and its stepless, de-clicked aperture ring, all of which are designed to make it suitable for use in video applications. This lens will be your best pick if you’re seeking a wide-angle zoom lens to add to your collection.

Best Standard Prime Lenses for Panasonic GH5 II

6. Olympus 25mm f/1.2 Pro

Very strongly suggested! Are you looking for a combination that cannot be topped in terms of speed, brightness, portability, sturdy build quality, and exceptional optical performance? Consider the recently released M.ZUIKO ED 7-14mm f/2.8 PRO ultra-wide-angle zoom lens! This Olympus 7-14mm f/2.8 PRO lens has an equivalent focal length range of 14-28mm and maintains a maximum aperture of f/2.8 throughout the whole zoom range. This ensures that the lens’s performance remains consistent.

This PRO lens is designed with 14 separate lens elements organized into 11 groups, including 3 Super ED lenses, 1 ED lens, and 2 EDA lenses. These lenses work together to minimize chromatic aberration, resulting in landscape photographs that are very crisp. This premium lens has weather sealing in 11 different spots, rendering it immune to moisture and dust. As a result, it is built to survive nearly any kind of weather situation that may be encountered. Because it is compact and resistant to the elements, this lens can go with you wherever.

The Olympus 7-14mm f/2.8 PRO is one of the best ultra-wide-angle zoom lenses for Micro Four Thirds, and it is an outstanding lens for landscapes, cityscapes, and architectural photography. This lens is suitable for both amateur photographers and pros.

7. Panasonic Leica 25mm f/1.4 II

One of the greatest lenses for “walkaround” photography! Because of its pristine optical clarity and one-of-a-kind soft-focusing backdrop effect, the Panasonic Leica 25mm f/1.4 II lens with a 50mm equivalent focal length is an absolute need for any photographer working with a Four Thirds mirrorless camera system. With a focal length that is similar to a 50mm lens on a 35mm camera, the LEICA DG SUMMILUX 25mm/F1.4 II ASPH. Supports a wide range of applications.

Despite having a vast aperture, it has an astoundingly high resolution and a performance that is descriptive from the image’s center to its edges in all directions. It offers a silky defocus for a lovely bokeh effect, which enhances the overall impressiveness of photographs. The use of one ultra-high refractive UHR (Ultra-High Refractive Index) glass lens and two glass-molded aspherical lenses helps to realize uniform rendering from the center of the frame to the edges of the frame.

Additionally, the Nano Surface Coating helps to minimize ghosts, flare, and flare rate, which ultimately helps to boost tonal reproduction and image clarity. In addition, the inner-focus technology ensures consistent and excellent rendering as well as a high-speed and quiet drive over the whole range, which extends from infinity to the closest possible shooting distance. A “general purpose” lens that possesses exceptional quality and can be purchased at an affordable price. Very strongly suggested!

Best Standard Zoom Lenses for Panasonic GH5 II

8. Olympus 12-40mm f/2.8 Pro

Very strongly suggested! It has excellent versatility and is among the most outstanding standard zoom lenses available for Micro Four Thirds cameras. This Olympus 12-40mm f/2.8 Pro lens (24-80mm equivalent) has a maximum aperture of F2.8, a filter at 62mm, and an overall light weight of 13.4 oz. It is capable of handling a wide range of scenes and events with consistent output and sophisticated picture design. It is an ideal lens for landscapes, architecture or nature scenes, low-lighting situations, night photography, weddings, wildlife, and other types of photography.

Its superior optical design, which incorporates a variety of aspherical, low dispersion, and high refractive index components, helps to eliminate chromatic aberrations as well as spherical aberrations over the whole zoom range, resulting in improved clarity, sharpness, and color accuracy throughout the entire zoom range. In order to boost contrast while working in environments with high levels of illumination, a ZERO lens coating has also been added. In addition to its innovative lens design, this zoom is distinguished not only by its continuous maximum aperture of f/2.8 but also by its robust weather-sealed construction, which enables it to function well in a wide range of environments.

It has outstanding optics, a fast maximum aperture over the whole zoom range, and a fully weather-sealed, all-metal design, all of which make it appropriate for professionals and hobbyists with the highest standards. The only drawback is that it is a bit pricey, but if you are genuinely interested in purchasing a high-quality all-purpose lens that will fulfill 95% of your photographic demands, then this is a fantastic option for you to consider.

9. Panasonic 12-35mm f/2.8 II

This newly updated Panasonic 12-35mm f/2.8 II lens has a focal length range of 24-70mm (35mm Equivalent), as well as a bright F2.8 aperture. As a result, it is not only great for photographing landscapes while traveling, but it is also capable of producing high-quality inside images. A maximum aperture that remains constant at f/2.8 offers consistent performance throughout the whole zoom range, which is beneficial when working in challenging lighting circumstances and also gives more control over the amount of depth that is captured in the image.

The complex optical design makes use of a succession of aspherical, low dispersion, and high refractive index glass components to regulate a range of aberrations and distortions with the purpose of producing an image that is clear and crisp. Additionally, a Nano Surface Coating has been added in order to eliminate ghosting and flare.

The appearance of camera wobble may be reduced with the use of a POWER Optical Image Stabilizer, which makes handheld photography more suitable; in addition, this O.I.S. system is compatible with Dual I.S. for the improved overall performance of the stabilizers. Additionally, the lens has a dustproof, splashproof, and freezeproof housing made entirely of metal, which enables it to be used in environments with extreme weather conditions.

Best Portrait Lenses for Panasonic GH5 II

10. Panasonic Leica Nocticron 42.5mm f/1.2

The Leica DG Nocticron 42.5mm ASPH. f/1.2 is a lens that stands out thanks to the speed and sophistication of its optical design. The Panasonic POWER O.I.S. is a prime lens with an equivalent focal length of 85 millimeters that is designed for use with mirrorless cameras compatible with the Micro Four Thirds format. This lens is an excellent choice for portraiture due to the rich stereoscopic effect it produces. You are able to make use of the stunning soft focus in conjunction with the fast aperture to create photographs that are both more impressive and innovative.

When shooting at more extensive aperture settings, the rounded form of the gap, which is produced by the nine blades, creates a seamless effect in the areas that are out of focus. The lens’s optical design utilizes a pair of aspherical elements, one UHR element, and one extra-low dispersion element to reduce both spherical and chromatic aberrations for improved sharpness and clarity. The lens’s maximum aperture is an exceptionally fast f/1.2, which offers significant control over depth of field for working with selective focus techniques and also benefits shooting in low-light conditions.

Additionally, a Nano Surface Coating reduces lens flare and ghosting, which contributes to an improvement in contrast as well as color accuracy. In addition to its optical qualities, this lens is distinguished by its inclusion of a POWER Optical Image Stabilizer. This feature reduces the apparent movement of the camera during handheld photography, resulting in crisper images.

A stepping autofocus motor and an internal focus design also give a focusing performance that is both quick and nearly silent, making it an excellent choice for use in video as well as photography. The one and only drawback is that it is a little bit pricey! In the event that you are unable to purchase it, the Panasonic 42.5mm f/1.7 is an affordable alternative that offers a stunning bokeh effect in the backdrop of the photograph.

11. Olympus 45mm f/1.2 Pro

The Olympus M.Zuiko Digital ED 45mm f/1.2 PRO is a popular portrait-length lens for Micro Four Thirds photographers because it combines a desirable focal length (the equivalent of 90mm) with an extremely fast maximum aperture (f/1.2). The M.Zuiko Digital ED 45mm F1.2 PRO lens produces stunning feathery bokeh that blends the image from focused areas to out-of-focus sections and creates a smooth impression of the defocused background. This adds extra depth to the image by letting the subject stand out even more than it would otherwise.

Producing a crisp picture with a shallow depth of field is made possible by the combination of the slightly restricted field of view and the bright aperture, which also makes it suitable for working in challenging lighting circumstances. This lens is also distinguished by its highly developed optical design, which consists of 14 components in 10 groups and combines low dispersion, aspherical, and high refractive index glass elements. These elements work together to manage a variety of aberrations and distortion, resulting in images that are exceptionally crisp, clear, and true to color.

Additionally, it includes a nine-blade aperture, which helps produce a smooth bokeh quality when dealing with narrow depth of focus techniques. Additionally, a Z Coating Nano has been applied to individual parts in order to prevent flare and ghosting, which improves contrast. In addition to its image capabilities, the lens has a weather-sealed construction, which is advantageous for use in environments where the weather can be very severe. In addition to that, it has a Movie and Still Compatible (MSC) autofocus technology that provides a focusing performance that is smooth, quiet, and quick.

This makes it suited for both still photography and video recording. In addition to a manual focus clutch that enables a speedy transition to MF control, the lens barrel has a printed depth of field scale that may be used for pre-focusing as well as hyper-focal focusing methods. This Olympus 45mm f/1.2 Pro lens is an excellent choice for portrait photography. The 45mm f/1.8 variant is likewise a high-speed and extremely light portrait lens that is compact in size and priced inexpensively, in case you are unable to afford the more expensive option.

Best Macro Lenses for Panasonic GH5 II

12. Olympus 60mm f/2.8 Macro

This Olympus M.Zuiko Digital ED 60mm f/2.8 Macro lens is designed specifically for macro photography and has a minimum focusing distance of 7.5 inches, a 120mm equivalent focal length, a maximum magnification of life-size 1:1, and a life-size 1:1 maximum magnification. It is ideal for dealing with close-up subjects. In addition, the lens barrel features an indication window with scales that allow for working at 1:1.3, 1:2, and 1:4 magnifications. Additionally, the lens barrel features a Focus Limit Switch that may be used to confine the useable focusing range in order to achieve quicker and more controlled performance.

In addition to these attributes, it has a maximum aperture of f2.8, which is quite bright, and allows it to perform very well in low-light conditions. Additionally, it has an innovative design that employs no fewer than 13 different lens elements in 10 groups, including some high-end glass materials, which help avoid chromatic aberrations. A Movie & Still Compatible system is utilized, which offers a rapid, silent, and smooth AF that is ideal for both picture and movie applications.

This system is another factor that contributes to the focusing performance of the camera. Regarding the optical design, extra-low dispersion and high refractive index glasses are utilized in order to regulate a range of aberrations. In addition, a ZERO coating has been applied in order to reduce flare and ghosting, which results in an improvement in contrast and color accuracy—excellent lens for taking close-up photographs.

13. Panasonic Leica 45mm f/2.8 Macro

The Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. Lens is designed to take photographs from a very close range. The MEGA O.I.S. lens has a minimum focusing distance of 5.9 inches, a life-size maximum magnification ratio of 1:1, and a focal length comparable to 90 millimeters. These features make it ideal for dealing with close-up subjects.

The optical design of this lens, which was developed in partnership with Leica and adhered to stringent specifications, makes use of aspherical and extra-low dispersion glass components to minimize aberrations and distortion, resulting in noticeable improvements in sharpness, clarity, and color accuracy. The use of multi-coated elements and a floating elements system both contribute to the reduction of lens flare, and the use of the latter helps to maintain consistent picture quality over the whole focusing range.

During operation, the entire length of the lens is kept the same thanks to an internal focusing mechanism, and the lens also comes equipped with MEGA O.I.S., which helps decrease the appearance of camera shake when shooting handheld. A lens that excels in close-up and macro photography.

Best Telephoto Prime Lenses for Panasonic GH5 II

14. Panasonic Leica 200mm f/2.8

The Panasonic Leica DG Elmarit 200mm f/2.8 POWER O.I.S. Lens is a large lens for the Micro Four Thirds system. It is a 400mm-equivalent super-telephoto prime that was created in conjunction with Leica and offers clear pictures and excellent handling. Users will have the ability to operate in low-light circumstances and generate photographs with a small depth of focus if the maximum aperture has a fast f/2.8 setting. The design features two Ultra Extra-Low Dispersion (UED) elements that work to battle aberrations, and a Nano Surface Coating is used to reduce flare in order to ensure that the image quality is of the highest possible standard.

Its extreme telephoto focal length, which is comparable to 400 millimeters, and its remarkable descriptive performance make it an excellent choice for photographing animals or sports. This lens is designed to be used for the photography of subjects that are far away and moving quickly. It features a 240 fps sensor drive and a silent triple linear motor focusing technology, allowing for speedy performance in both still photography and videography. Additionally, the POWER Optical Image Stabilizer lessens the impression of camera shake, allowing for crisper handheld photography, and it also supports the Dual Image Stabilization feature. as well as Dual I.S. 2.0 functionalities for improved overall performance in terms of stabilizing. In addition to this, there are fast access lens controls accessible, which allow for tactile control over a variety of settings.

These controls include a focus limiter, a focus button, and a focus memory switch. This optic features a construction that makes it resistant to water, dust, and freezing temperatures, making it an excellent choice for usage in environments where the weather is less than ideal. The teleconverter is built into the lens and comes standard, giving users the ability to achieve a focal length equivalent to 560 millimeters at the expense of one stop of light. An optional teleconverter that multiplies the focal length by two gives the camera the reach of an 800mm lens without the bulk.

15. Olympus 300mm f/4 IS PRO

The M.Zuiko 300mm f4.0 IS PRO (600mm equivalent) is agile enough for hand-held shooting and small enough to carry on even the most rigorous of journeys due to its size and weight, which are each one-third of what they are for standard 600mm DSLR lenses. The groundbreaking 5-Axis Sync IS technology combines in-body and in-lens image stabilization to give six shutter speed steps of correction while simultaneously producing images that are extraordinarily sharp and detailed.

The extravagant design of the M.Zuiko 300mm f4.0 IS PRO incorporates 3 Super ED lenses, 3 HR lenses, and 1 E-HR lens in order to significantly minimize the incidence of color bleeding and chromatic aberrations, both of which are common problems associated with super-telephoto lenses. The use of a new coating technique known as Z Coating Nano results in a considerable reduction of ghosts and flares, as well as an improvement in the image quality’s sharpness and clarity.

In addition, a Movie and Still Compatible (MSC) autofocus technology is used to achieve rapid and silent focusing performance. Additionally, a manual focus clutch allows for seamless changeover between focusing techniques, making the camera’s use more intuitive. This extreme telephoto lens is equally excellent in close quarters, giving spectacular high-magnification macros images. It has a minimum focusing distance of only 4.5 feet (1.4m) and a maximum magnification of 0.48x (35mm equivalent). Both of these specifications make it possible.

The highest magnification is increased to 0.67x with the installation of the MC-14 1.4x Teleconverter. However, the minimum focus distance remains the same. Working in severe environments will be made easier thanks to the lens’s weather-sealing feature, which protects it from dust, moisture, and freezing temperatures. Additionally, the lens is outfitted with a tripod collar that can be removed and rotated, providing enhanced stability and excellent balance. Ideal for those who shoot both wildlife and sports!

Best Telephoto Zoom Lenses for Panasonic GH5 II

16. Olympus 40-150mm f/2.8 PRO

The Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO is a telephoto zoom lens that is designed for professional use and maintains a constant aperture of f/2.8 throughout its range. The Olympus 40-150mm f/2.8 PRO is an excellent lens for portraits and street photography thanks to its comparable coverage of 80-300mm. It is also great for photographing close sports and animals.

It weighs only 1.67 pounds, is completely sealed to protect it from the elements, has the world’s first Dual VCM focusing system, and produces super-sharp image quality from edge to edge. The premium metal lens body has 16 features organized into ten groups. These elements include Olympus ZERO-coated HD, ED, and EDA glass, as well as Super EDA glass, which is making its debut in an M.ZUIKO lens for the first time. These elements greatly minimize chromatic aberration, ghosting, and flares.

17. Panasonic 35-100mm f/2.8 II

Additionally, it has a fixed aperture of f2.8, which is sufficiently bright to take photos that are crisp across the entirety of the zoom range. Because there are no gears involved in the autofocus system, it is practically friction-free and wonderfully silent. This is made possible by dividing the focusing mechanism into two lens groups, each of which is driven by its own separate linear drive motor. With a minimum focus distance of only 20 inches, this lens is ideal for wedding and event photography because it offers you the flexibility to zoom in or out to capture stunning portraits and live event photos.

It is also suitable for use in sports photography. For those situations in which you need to take highly long images, the 40-150mm f2.8 PRO may be paired with a 1.4x teleconverter, which increases the focal length of the lens to an astounding 210 millimeters (or the 35mm equivalent of 420 millimeters). You also have the option of purchasing a ZUIKO protection filter, which comes along with the well-known ZERO coating technology developed by Olympus.