Created specifically to aid working experts in the areas of sports digital photography and photojournalism, the brand new Sony a9 II mirrorless camera has a 35mm full-body 24.2MP stacked Exmor RS CMOS sensor and an up-to-date BIONZ X processor chip, and it offers silent continuous shooting up to 20 fps at full 24.2MP quality (RAW+JPEG) with up to 60 AF/AE monitoring calculations per second without EVF or LCD blackout, and constant shooting at up to 10 fps with a mechanical shutter.

Furthermore, to stills, UHD 4K video recording is backed up to 30 fps, and Quick and Slow Movement recording is also obtainable. The Sony a9 II is usually made up of 693 focal-plane phase-recognition AF points covering around 93% of the image area, in addition to 425 contrast AF factors. Additional notable focusing features include Real-time Vision AF with right eyes / left eye selection, Real-time Attention AF for pets – augmented with a fresh algorithm, Real-Time Eyesight AF for film, Real-time Tracking, selectable concentrate frame color, Contact Pad focus stage control with all the viewfinder and even more. Additionally, 5-axis SteadyShot INSIDE sensor-shift picture stabilization is available, which minimizes camera shake looks by up to 5.5 stops.

So, if you are the lucky person who already has the Sony a9 II, you might be considering which lenses are also well worth increasing your gear bag. To help you get a professional-like shot, I’ve read and watched a huge selection of E-mount lens evaluations. I also have a significant collection myself. We list the very best recommended & most suitable native full-frame E-mount lenses for the Sony a9 II mirrorless camera, which includes leading primary and zoom choices from wide-position to telephoto, which can help you choose the exact zoom lens of your demanding scenario. You can pick the one you need.

Best Sony a9 II Lenses Mirrorless Camera

Full List of Recommended Sony a9 II Lenses

Wide-angle Zoom Lenses | Wide-angle Prime Lenses | Ultra Wide Angle Primes | Standard Zoom Lenses | Standard Prime Lenses | Telephoto Zoom Lenses | Telephoto Prime Lenses | Portrait Lenses | Macro Lenses | Street & Walk Around Lenses | All-in-One Lens

Best Wide-angle Zoom Lenses for Sony a9 II

1. Sony FE 16-35mm f/2.8 GM

Amazing wide-angle zoom lens, fast and versatile! This lens delivers consistent output over the zoom range and profits operating in low-light settings, characterized by its steady f/2.8 maximum aperture. This lens delivers consistently superb resolution from corner to corner, with incredible background bokeh when needed, no matter what zoom setting or focus distance you shoot at. For aggressive shooting, a small lightweight build renders it manageable. Shooting up close at F2.8 will create some exceptional bokeh in the context. Although retaining excellent optical efficiency, class-leading size and weight reductions have been achieved. Ideal for scenery, art, images in close up, sports, action and much more.

2. Sony FE 12-24mm f/4 G

The Sony FE 12-24mm f/4 G lens is the largest full-frame E-mount lens currently available from Sony, and is the right lens for nature, travel, architecture and astrophotography. The ultra-wide 12-24 mm range features cutting-edge refinements at all apertures for breathtaking corner-to-corner G Lens clarity, while silent, quick, reliable autofocus makes it perfect for both movies and stills. A sophisticated optical architecture that integrates aspherical and low dispersion glass components to regulate both spherical and chromatic aberrations for enhanced sharpness and clarity is advantageous to the wide field of view, and is small, lightweight and mobile so that it can go anywhere the great shots are without slowing you down.

3. Sigma 14-24mm f/2.8 DG DN Art

E-mount Wide full-frame lens with f/2.8 maximum aperture! The Sigma 14-24mm f/2.8 DG DN Art Lens, created for full-frame Sony E-mount mirrorless cameras, offers a versatile selection of wide-angle focal lengths with exceptional image quality while minimizing size and weight. This lens is also characterized by its fast f/2.8 constant maximum aperture, which is an Art-series zoom, to suit operating under available lighting conditions. A collection of low dispersion and aspherical components are used in an advanced optical architecture to reduce all chromatic and spherical aberrations in the zoom range in order to obtain high sharpness, transparency and color accuracy.

4. Tamron 17-28mm f/2.8 Di III RXD

The 17-28mm f/2.8 Di III RXD from Tamron comprises of a flexible wide-angle range and is a robust zoom for full-frame Sony E-mount mirrorless cameras. This lens is especially suited for landscape, astrophotography, and architectural shooting and spans ultra-wide to wide focal lengths. Complementing this set, its bright f/2.8 constant maximum aperture offers enhanced power over field depth along with improved low-light efficiency. The optical architecture integrates both XLD and LD components, which create a strongly corrected picture for enhanced visibility and color precision with reduced chromatic aberrations and color fringing. The best lens for environments, art, close-up images, and architectural photography at a reasonable price.

5. Sony Zeiss FE 16-35mm f/4

Excellent lens for shooting of landscape! This Sony Zeiss FE 16-35mm f/4 is one of the best FE-mount lenses for anyone from landscape professionals to those who want to only dabble in wide-angle photography: amazing sharpness, quick focusing, fair distortion speeds, and a weather-sealed design for element safety. Try the Sony FE 16-35mm f/2.8 GM Lens if you want a quicker wide-angle lens.

Best Wide-Angle Prime Lenses for Sony a9 II

6. Sony FE 24mm f/1.4 GM

Strongly recommended! The FE 24mm f/1.4 GM from Sony is a quick, flexible lens that is well-suited for landscape, wildlife, and street photography, combining a preferred wide-angle focal length with a particularly bright build. And when wide open at its full aperture of f/1.4, this lens is exceptionally sharp throughout the picture. The bokeh is silky smooth and also provides quick, accurate AF drive, plus top-level control and reliability, making it an outstanding technical option. The f/1.4 maximum aperture complements its wide-but-usable viewpoint, which excels in low-light conditions and also provides improved power over field depth. To minimize image distortion, the optical architecture integrates three extra-low dispersion elements and two XA (extreme aspherical) elements, which dramatically regulate spherical aberrations for a high degree of sharpness and clarity of the signal. We think it would be enjoyed by you!

7. Zeiss Batis 25mm f/2

Ideal for architectural, nature, and interior photography, the 82° angle of view of this lens combines with a minimum focusing distance of 7.9 ‘for innovative views and exclusive close-up photos. Bright f/2 maximum aperture benefits operating in low-light environments which by utilizing selective focus or shallow depth of field strategies, often allows power over the focus position.

8. Rokinon 24mm f/1.4 Manual Focus

Best Ultra-Wide Angle Prime Lenses for Sony a9 II

9. Sigma 14mm f/1.8 DG HSM Art

The Sigma 14mm f/1.8 DG HSM Art lens, available in a Sony E mount, is one of the best ultra-wide-angle lenses ever produced to date. The 14mm F1.8 Art launches the world’s first 1.8 wide-angle lens with the same revolutionary aspherical component as the highly praised 12-24mm F4 Art by Sigma. With excellent picture clarity from middle to end, the 14mm F1.8 Art features the industry’s widest glass mold (80mm), providing an ultra-wide prime with absolutely no blur, glare or ghosting to shooters. This lens is well-suited for astrophotography and low-light outdoor shooting, and offers a unique combination of a wide perspective and quick, versatile efficiency.

10. Rokinon AF 14mm f/2.8 FE

An exceptional performer! Nice value and a much better price than the native lenses. This 14mm lens is a perfect choice for Sony shooters seeking to get a unique viewpoint that is well matched to design, landscapes, and more, combining an ultra-wide view angle with a reasonably short f/2.8 aperture. UMC anti-reactive coatings, three Aspherical and two ED lens components combine to attenuate chromatic and spherical aberrations of high resolution from the middle to the corners of the picture for excellent image quality, contrast and color fidelity.

11. Zeiss Batis 18mm f/2.8

The Zeiss Batis 18mm f/2.8 lens, an exceptional ultra wide angle prime lens exclusively developed for Sony E-mount full-frame mirrorless cameras, promises impressive sharpness and color rendition. The Batis 18mm f/2.8 combines its incredibly wide 99 ° angle of view with a strong degree of functionality and is extremely sharp all the way to the corners, ideally matched to interior, architectural, and astrophotography applications. This ultra wide-angle lens’s very high field angle is ideal for imaginative images with uncommon viewpoints. Right in the corners, reliably outstanding picture consistency renders the lens ideal for the demands of landscape, astro and architectural imagery, for example.

12. Zeiss Loxia 21mm f/2.8

Excellent Wide Angle Prime Lens Manual Focus! The ultra wide-angle Zeiss Loxia 21mm f/2.8 Lens delivers excellent picture efficiency considering its compactness, and it is incredibly sharp all the way to the corners. This focal length, with its wide picture angle, is an excellent addition to the Loxia lens family, whether architecture, landscape or even three-dimensional objects in close-up against a spacious backdrop. For wide-angle enthusiasts who always attempt manual focus and want to catch even the tiniest specifics of a special moment in a picture or on video, it is an utter must.

13. Tokina FiRIN 20mm f/2 FE MF

14. Rokinon 12mm f/2.8 Fisheye MF E Mount

15. Rokinon 20mm f/1.8 MF E Mount

16. Venus Optics Laowa 12mm f/2.8 Zero-D

17. Venus Optics Laowa 15mm f/2 FE Zero-D

Best Standard Zoom Lenses for Sony a9 II

18. Sony FE 24-70mm f/2.8 GM

The finest 24-70mm lens and suitable for photography of portraits, travel and activities or even easy regular shooting! For those searching for the best possible optical output for portrait, travel and event photography, or even basic daily shooting, the Sony FE 24-70mm F2.8 GM Zoom Lens is the perfect option. This lens also has a dust/moisture resistant build, AF/MF switch, circular aperture, Nano AR coating, lightweight, a direct drive SSM (Super Sonic Wave Motor) focusing mechanism that is super smooth and quiet to optimize versatility, making it an excellent option for both still photographs and movies to be taken.

19. Tamron 28-75mm f/2.8 Di III RXD

A useful addition to the E-Mount full-frame market. The Tamron 28-75mm F2.8 for Sony E-Mount is easily lightweight (19.4 oz.) and small, offering outstanding optical performance, including superior picture clarity and stunning background blur effects (bokeh) produced by a fast F/2.8 aperture. Its small size and light weight, standing just 4.6 in and weighing 19.4 lb, increases usefulness and flexibility. A collection of low dispersion and aspherical components are used in the optical architecture, creating a strongly corrected picture for enhanced sharpness and transparency with decreased spherical and chromatic aberrations. An RXD stepping motor, which makes quick, almost silent autofocus output to suit stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5′′, benefits the optical design. An perfect lens for photography of travel and activities, walkarounds and family shots.

20. Sony FE 24-70mm f/4 ZA OSS

The Walkaround Lens and Perfect Travel. The latest FE 24-105mm F4 G OSS lens from Sony offers outstanding corner-to-corner sharpness over its entire zoom range, although at all focal lengths it also creates wonderfully made ‘bokeh’ or background defocus. In both still and video photography, this lens also features quick, precise and quiet autofocus capability, making it an ideal complement for flexible shooting such as landscape, portrait, wedding, etc.

21. Sony FE 28-70mm f/3.5-5.6 OSS

The FE 24-70mm f/4 ZA OSS lens would be a perfect alternative for you if you can’t afford the FE 24-70mm f/2.8 GM lens! Superlative picture quality is given by this premium lens, and dust/moisture tolerance implies reliably stable results.

Best Standard Prime Sony a9 II Lenses

22. Sony Zeiss FE 50mm f/1.4

The Planar T* FE 50mm f/1.4 ZA Lens from Sony is simple to see as a go-to standard optic for full-frame E-mount shooters with its usual viewpoint, fast maximum aperture, and high-end style. For beautiful bokeh, the vivid F1.4 maximum aperture delivers superb low light output and contributes to the 11-blade aperture and aspheric components. It has great low light performance and bokeh compared to Sony Zeiss FE 55mm f/1.8: superior picture clarity, outstanding sharpness, smooth bokeh and well constructed.

23. Sony Zeiss FE 55mm f/1.8

Most of the sharpest ever lenses! Highly common! To help operating in dimly-lit environments and for greater control over focus for shallow depth of field photography, it has a very quick and bright f/1.8 maximum aperture. The Sony Zeiss FE 55mm f/1.8 is remarkably impressive from a picture quality perspective. And it’s narrower in scale and lower in price than the 50mm f/1.4 Sony.

24. Rokinon AF 50mm f/1.4 FE

This latest high-speed prime, specifically developed for Sony full frame E-mount cameras, blends advanced optical technology with a fast, quiet and precise auto focus system. The full bright f/1.4 aperture takes the tension out of operating in lighting environments and allows shallow field depth for greater concentrate control points. UMC anti-reflective coatings and three aspherical lens components combine for excellent picture visibility, contrast and color accuracy to restrict chromatic and spherical aberrations. Smooth, satisfying bokeh at all settings is delivered by the specifically configured 9-blade aperture.

25. Sony FE 50mm f/1.8

Best Telephoto Zoom Lenses for Sony a9 II

26. Sony FE 70-200mm f/2.8 GM OSS

Pro-grade picture performance and build. This Sony FE 70-200mm f/2.8 GM lens, mixing both the ultimate of sharpness and stunning bokeh, is without a doubt an exceptional lens. It spans portrait-length to telephoto viewpoints and is sharp, focuses rapidly, has limited blur, perfect for photojournalists, sports and wedding photographers. Characterized by both its rapid f/2.8 maximum aperture and OSS (Optical SteadyShot) image stabilization inclusion, this lens is best equipped for distant and fast-moving subjects’ handheld shooting.

27. Sony FE 100-400mm f/4.5-5.6 GM OSS

Highly advised! In Sony’s flagship G Master series, the first super-telephoto zoom spans a flexible 100mm to 400mm spectrum with outstanding sharpness, fast AF and lightweight style. For a number of enthusiastic and experienced shooters, it is an extraordinarily effective photography instrument, especially those who typically shoot sports or wildlife. Look no farther than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens if you are hunting for the right native 100-400mm telephoto zoom lens for capturing nature, sports and action.

28. Sony FE 200-600mm f/5.6-6.3 G OSS

The Sony FE 200-600mm f/5.6-6.3 G OSS Lens would please many photographers and videographers who are searching for a bit of extra scope for their full-frame E-mount camera, targeting beginner, passionate, and experienced nature, airplane, rail, and sports shooters. In order to eliminate chromatic aberrations thus enabling you to have improved picture quality and create stunning bokeh, the FE 200-600mm features an aspherical element and five Extra-low Dispersion glass components, and it can monitor and accurately capture all forms of moving objects, including animals, animals, athletes in motion and much more. Compatible with 1.4x and 2.0x Sony teleconverters, expanding the scope with excellent picture quality and AF output to a limit of 840mm at F9 or 1200mm at F13. At extended super-telephoto focal distances, built-in optical stabilisation with three separate mode configurations enables photographs to remain sharp and in-focus.

29. Sony FE 70-200mm f/4 G OSS

This lens’s tiny size, robust 35mm focal length, and excellent overall output render it a perfect fit for E-mount lightweight 35mm full frame format bodies. This makes it handy anytime you want to distinguish the focus from the backdrop for portraits and sports photography. For less than half the rate, it is as bright as the f/2.8 edition, but not perfect when natural light is poor.

30. Sony FE 70-300mm f/4.5-5.6 G OSS

The recently announced FE 70-300mm f/4.5-5.6 G OSS lens is suitable for travel, landscape and wildlife photography and has a state-of-the-art optical architecture that comprises four aspherical glass components, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, both of which function together to efficiently eliminate spherical aberration, distortion and chromatic aberration. It guarantees stunning high-resolution results for both still and video recording in combination with Optical SteadyShot image stabilization.

31. Sony FE 1.4x Teleconverter

32. Sony FE 2.0x Teleconverter

Best Telephoto Prime Lenses for Sony a9 II

33. Sony FE 400mm f/2.8 GM OSS

This FE 400mm f/2.8 GM OSS lens for Sony E-mount cameras incorporates a mega telephoto range, vivid aperture, and lightweight construction, making it suitable for sports, wildlife, and nature photographers. For isolating objects and optimizing efficiency for low-light shooting conditions, the quick 2.8 aperture offers great depth of field power. Three fluorite components decrease chromatic aberration and one ED component further enhances efficiency and picture quality by decreasing flare and ghosting in rough environments when filming. With a weight of just 6.4 lb, this lens is remarkably lightweight for its glass form. Strongly recommended!

34. Sony FE 600mm f/4 GM OSS

The FE 600mm f/4 GM OSS Lens by Sony is designed for their E-mount cameras and is suitable for sporting, news, wildlife, and nature photographers, combining super telephoto length, bright aperture, and lightweight construction. The lightest in its rank, weighing just approx. The FE 600mm F4 GM OSS is 3040g and has an exceptionally balanced build to provide the greatest shooting experience possible. The latest 600mm, along with the renowned FE 400mm F2.8 GM OSS lens, offers professional athletes, nature and news photographers more opportunities with extreme precision and information for catching objects at great distances.

Best Portrait Lenses for Sony a9 II

35. Sony FE 85mm f/1.4 GM Lens

The absolute Prime Portrait Lens! The latest Sony FE 85mm f/1.4 GM Lens is the lens you need and you won’t find a great FE-mount lens for experienced portrait photographers and others who want the best standard! The latest Sony FE 85mm F1.4 GM telephoto prime lens, designed as the ultimate portrait lens, in a lightweight box, strikes a fine balance between resolution and bokeh. A natural lens for portrait photography and suitable for a wide range of topics! Try the Zeiss Batis 85mm f/1.8 anytime you want a less costly 85mm lens.

36. Zeiss Batis 85mm f/1.8 Lens

Specifically built for full-frame E-mount mirrorless cameras, this Zeiss Batis 85mm short telephoto is an ideal portrait-length lens: superb sharpness, quick & quiet autofocus and sealed with dust and temperature. For selective focus applications, Rapid f/1.8 maximum aperture benefits operating in low-light environments and also provides considerable control over field distance.

37. Sony FE 135mm f/1.8 GM

This Sony FE 135mm f/1.8 GM lens is part of the G Master series which can make high-resolution photographs around the frame and create fun bokeh that is ideal for portraits. In order to withstand dust and moisture, this lens has a lightweight, weather-sealed magnesium alloy body weighing approximately 950g and a fluorine-coated front part. Also in low-light settings, the maximum f1.8 aperture produces sharp and accurate images, although the newly rearranged dual-autofocus groups qualify for a minimum focus gap of 0.7 metres and a maximum magnification of x0.25. Using Sony’s Intense Aspherical (XA) and Super ED elements together with a swift f1.8 focal ratio and longer focal length for a shallower field depth, it can accomplish this. In order to reduce lens flares, surface reflections, glare, and ghosting thus increasing color fidelity and contrast while filming in intense lighting environments, nano AR coating is often used on the lens. The latest Sony FE 135mm f/1.8 GM lens features fast autofocus acquisition with high resolution and impressive bokeh, all in a compact and lightweight size that is suitable for carrying every image, wedding, or sports photography work.

38. Sony FE 100mm f/2.8 STF GM OSS

The Sony FE 100mm f/2.8 STF GM OSS mid-range telephoto prime lens, providing both smooth bokeh and fine sharpness, is a splendid artistic instrument that provides outstanding G Master resolution plus revolutionary STF (Smooth Trans Focus) optics for marvelous bokeh. It features fast, reliable, quiet autofocus DDSSM, and up to 0.25x magnification close-up capability. Built-in stabilization of Optical SteadyShot photographs minimizes distortion that can occur during low light or macro shooting. This lens has been specially crafted without vignetting to create exceptionally smooth, realistic bokeh. The focus drive of DDSSM (Direct Drive SSM) provides quick, reliable, quiet autofocus, enabling the user to completely concentrate on capturing superlative stills or movies.

39. Sony FE 85mm f/1.8

Choice to budget with better performance! The Sony FE 85mm f/1.8 lens is a nice option if you are searching for a decent 85mm lens at an inexpensive price! It features a sleek, lightweight versatility architecture with high-performance optics and a wide maximum aperture F1.8 that offers excellent image quality. Although the bokeh is not as smooth as the GM 85mm, it sure comes really similar, and it’s not as wide or heavy as the GM brother 85mm. The double linear AF motor itself provides quick, quiet, and smooth focusing efficiency, and for fine-tuned control, this motor also provides snappy manual focus output. Good lens for portraiture!

40. Sigma 85mm f/1.4 Art

Best Macro Lenses for Sony a9 II

41. Sony FE 90mm f/2.8 Macro G OSS

A fine Sony a9 II macro lens and one of the sharpest lenses ever made by Sony. The Sony 90mm f/2.8 is the very right lens for those who regularly take macro photography and close-up portraits: outstanding sharpness, field depth, and color rendition. When shooting in low light, its maximum aperture of f/2.8 is effective and enables shallow depth-of-field focus. Quick autofocus operation and a short minimum focus distance of 11′′ are given by an internal focus device in which only the middle optical groups shift while aiming. Look no farther than the Sony FE 90mm f/2.8 Macro G OSS lens if you are searching for a dedicated macro lens, or a lens that can merge both macro and portrait photography functions.

42. Voigtlander 110mm f/2.5 Macro

The Voigtlander 110mm f/2.5 Macro Apo-Lanthar features an apochromatic architecture which can generate accurate images with little or no aberration, even with the large resolutions of current digital sensors. Users will get next to subjects with a minimum attention distance of 13.7′′ and a magnification ratio of 1:1. In comparison, a quick f/2.5 aperture ensures that in low-light settings, the lens can establish an extremely shallow field depth as well as perform well. For silky smooth bokeh, a 10-blade diaphragm is also present and the electronic contacts on the rear of the lens transfer Exif data to the body as well as allow stabilization of the in-body image.

43. Rokinon 100mm f/2.8 Macro

This Rokinon 100mm f/2.8 macro lens has a macro specification that offers a 1:1 overall magnification ratio along with a minimum focusing distance of 1′. For shooting under a range of lighting environments, a vivid f/2.8 optimum aperture is helpful and the minimum f/32 aperture allows when working with close-up objects to reach a long depth of field. This macro lens is perfect for producing close-up, informative photographs of surrounding objects and is a long focal length lens with close focusing skills and a high magnification ratio.

44. Venus Optics Laowa 15mm f/4 Macro

Best Street and Walk Around Lenses for Sony a9 II

45. Sigma 35mm f/1.2 DG DN Art

First AF wide-angle lens, maximum aperture F1.2! This Sigma 35mm f/1.2 Art lens allows artwork to be made with astonishing resolution and broad bokeh effects, such as portraits that use a shallow field depth. The rapid f/1.2 aperture of the lens helps to produce shallow field depth as well as highly selective focus results, offering superior picture quality while minimizing size and weight, and is also ideal for operating in very challenging lighting conditions. For improved sharpness and detailed rendering, three low dispersion glass elements and three aspherical elements, including a double-sided element, efficiently regulate spherical aberrations and distortion.

46. Sony FE 35mm f/1.8

The versatile and lightweight Sony FE 35mm f/1.8 prime lens provides versatility and comfort from regular snapshots, food photography, deserts, night scenes and more for capturing a wide variety of subjects. The latest lens delivers excellent image quality from a maximum F1.8 aperture from corner to corner, and its silent autofocus and tenacious tracking efficiency render it a perfect option for both stills and video photography. Ideal lens for photographers of nature, food, and daily life.

47. Sony Zeiss FE 35mm f/1.4

The FE 35mm f/1.4 ZA provides outstanding optical efficiency with a flexible 35mm focal length, quick, sharp and loaded with the latest technologies. The quick f/1.4 maximum aperture offers very powerful low light and shallow field control depth capability. Corner to corner sharpness w/ Advanced Spherical components, Aperture ring built for still or movie filming.

48. Rokinon AF 35mm f/1.4 FE

The latest ROKINON 35mm F1.4 AF Full Frame lens for Sony E is built to cater to enthusiasts and professionals who are willing to take the next move in wide-angle photography where the focus is excellent picture quality, contrast, color accuracy, high resolution corner to corner. In challenging lighting environments, the vivid F1.4 maximum aperture takes the tension out of operating and offers shallow depth of field for better focus control point, while the circular 9-blade diaphragm produces good bokeh in all situations. Ideal for photography in general!

49. Sony Zeiss FE 35mm f/2.8 ZA

Best All-in-One Lens for Sony a9 II

50. Sony FE 24-240mm f/3.5-6.3 OSS

The best in luxury. The Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution capable of covering anything from wide-angle to telephoto in a single lightweight form factor, which will minimize baggage while traveling and optimize performance at busy events, and is suitable for landscape, selfies, portraits and travel where luggage reduction is a necessity. The opportunity to turn from wide angle to telephoto without moving lenses often suggests that it can catch more of those brief moments that make perfect shots. It also has a linear autofocus engine and internal focus architecture that offers quick, precise, and stable focusing. Built-in Optical SteadyShot image stabilization, which reduces the influence of camera shake, particularly at longer focal lengths, is often helpful. All and all it is moderately priced and comfort is the ultimate option. And for those on a deficit, this is an okay option.



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