Best Nikon camera accessories

Whether you are contemplating purchasing a Nikon DSLR, have recently purchased one, or have been using one for a significant amount of time, there is



Whether you are contemplating purchasing a Nikon DSLR, have recently purchased one, or have been using one for a significant amount of time, there is a vast selection of Nikon camera accessories available to help improve your photography.

That is not to suggest that you won’t be able to use it right out of the box with the 18-55mm kit lens that comes with it; but if you want to get the most out of your Nikon DSLR, you’ll need to make some further investments in different lenses and other photo accessories.

You may build up the system as you go, allowing you to prioritize what’s vital to you and what you need first, even though certain pieces of equipment might be rather costly. Although this is a truth that cannot be avoided, you can build up the system over time.

However, because there is so much equipment and accessories currently available, it can be challenging to know where to begin; this is where we come in. To help you start, we have selected some of the essential Nikon accessories you require or desire to have.

Focal length: 35mm | Maximum aperture: f/1.8 | Minimum aperture: f/22 | Lens construction: 8 elements in 6 groups (with one aspherical lens) | Picture angle: 44° | Closest focusing distance: 0.3 m/0.98 ft. | Maximum reproduction ratio: 0.16x | No. of diaphragm blades: 7 (rounded) | Filter/attachment size: 52mm | Diameter x length (extension from lens mount): Approx. 70 x 52.5 mm/2.8 x 2.1 in. | Weight: Approx. 200 g/7 oz.

Good For
  • Very small and light
  • Highly affordable
Need Improvements
  • No Vibration Reduction
  • Not ideal for FX cameras

The so-called “kit” lenses with many cameras are among Nikon camera accessories designed to get you started, but they aren’t always the ideal alternatives to choose from if you want to get more creative with your photography. This is due, in large part, to the fact that their maximum aperture restricts not only how well they can be used in low light but also how shallow the depth of field looks in photographs taken with them.

Because prime lenses only come with a single focal length, it is much simpler to build them with a larger aperture while retaining their small size. To make matters even more favorable, those with a focal length that is more moderately priced, like this choice from Nikon camera accessories, are not all that pricey.

When mounted on a digital single-lens reflex camera with a DX format, such as Nikon’s D5600 and D3500, the lens will provide an effective focal length that is somewhat greater than the focal length produced by a 50mm lens when mounted on a full-frame camera. As a result, this highly adjustable focal length works particularly well for head-and-shoulders portraiture but is also suitable for close-ups, landscape photography, and travel photography.

Focal length: 70 – 200mm | Maximum aperture: f/ 4 | Minimum gap: f/ 32 | Lens construction: 20 elements in 14 groups | Picture angle: 22°50′ | Closest focusing distance: 70 – 200mm | Maximum reproduction ratio: 0.274x | Filter/attachment size: 67mm | Diameter x length (extension from lens mount): 3.1 in. (78.0 mm) x 7.0 in. (178.5 mm) | Weight: 30.0 oz. (850 g)

Good For
  • Vibration Reduction system
  • Constant aperture throughout the range
Need Improvements
  • Not tack sharp in mid-range
  • Cheaper options are available

A telephoto zoom lens is the following lens you should consider adding to your collection. In addition to being ideal for photographing wildlife and activity, they are also fantastic for capturing finer details in landscapes and for taking portraits or candids that are incredibly close-cropped.

Although the 70-200mm f/2.8 telephoto zoom is the one that professionals commonly use, it is both cumbersome and costly. On the other hand, there is an abundance of 70-300mm zooms that are considerably lighter and cost significantly less.

We recommend the Nikon 70-200mm f/4G ED VR lens if you have the financial flexibility to spend a little more. More compact and lightweight than a 70-200mm f/2.8, you won’t need to worry much about camera shake thanks to an exceptionally well-implemented VR (Vibration Reduction) system that also features automatic panning detection. Additionally, this lens has a more comprehensive aperture range than a 70-200mm f/2.8, so it can capture more light.

Focal length: 10-24mm | Maximum aperture: F/3.5-4.5vLens construction: 16 elements in 11 groups | Picture angle: 108°44′-60°2′ | Closest focusing distance: 0.24m (9.4 in) | Maximum Magnification Ratio: 1:5.3 | No. of diaphragm blades: 7 (rounded) | Filter/attachment size: Φ77mm | Diameter x length (extension from lens mount): 84.6mm (3.3 in) Canon 82.1mm (3.2 in) Nikon | Weight: 440g (15.5 oz) Canon 440g (15.5 oz) Nikon

Good For
  • Inclusion of Vibration Control
  • Very compact design
Need Improvements
  • Not the cheapest of its kind
  • Maximum aperture isn’t constant

You have undoubtedly discovered that although the ‘kit’ lens that came with your Nikon 18-55mm camera is relatively broad, it is not quite wide enough for some objects.

An ultra-wide-angle zoom lens falls in the best Nikon camera accessories that can provide almost twice as broad a field of view, making it ideal for photographing confined spaces, iconic landmarks in large cities, expansive landscapes, and bizarre close-ups.

Our recommendation would be the Tamron 10-24mm f/3.5-4.5 Di II VC HLD, but it is essential to remember that this lens is only compatible with APS-C cameras. Therefore, if you switch to a full-frame camera, you will also need to trade this lens.

Compatible: with Nikon i-TTL | Guide Number: 92′ at ISO 100 and 35mm | Zoom Range: 24-120mm (12mm with Panel) | Tilting: -7° to 90° | Rotation: Left & Right 180° | Modes: Commander Mode for Wireless TTL Control, Strobe Mode and 3 Illumination Patterns | Recycle Time: 2.5-3.5 Seconds | Synchronization: Slow, High-Speed, 1st & 2nd Curtain Sync | Battery: It runs on 4 AA

Good For
  • Flash commander mode
  • Tilt-and-swivel design
Need Improvements
  • Cheaper, more powerful options
  • Not the newest option

You can get away with using the built-in flash on your camera for the occasional fill-in flash. Still, it isn’t powerful enough to do much more than that, so you need a flashgun designed explicitly for photography (or Speedlight, as Nikon calls its models).

Not only do they have far more power than a built-in flash, but the head can be twisted and swiveled to modify the quality of the light. For instance, you may bounce the flash off walls and ceilings to create a significantly more attractive appearance.

Most entry-level flashguns do not have LCD screens, and you often do not have control over where they are aimed. On the other hand, flagship alternatives typically offer more features than most people require. To our relief, a choice available in the middle of the price spectrum, such as the SB-700, may be purchased for an amount that is more comparable to the former than the latter.

The SB-700 is compatible with both FX and DX-format DSLR cameras, and it offers coverage between the 24-120mm focal range and a perfect guide number of 38 meters (at an ISO of 100). In addition, it can be rotated and swiveled, and it has a large LCD panel on the rear, making it easy to alter the controls. Because of these features, as well as the fact that it can be used for ordinary pictures and more challenging scenarios like weddings and other occasions, it is an excellent choice.

Reduction: Eliminates Red-Eye and Harsh Shadows | Folding: Collapsible | Build: Rip-Resistant Material | Grid: Comes with Gels and Honeycomb | Mount: Securely Fits Most Shoe-Mount Flashes

Good For
  • Lightweight and collapsible
  • Works across many flashguns
Need Improvements
  • Larger rivals may be more suitable
  • A little pricey 

It doesn’t matter if you’re going to use your flashgun on your Nikon DSLR or if you’re going to place yourself at a distance: a naked flashgun may produce some unpleasant and harsh light.

If this is the case, a tiny flash modifier that can disperse the light is just what you need. There is a wide variety of equipment available, but the Lastotlie Ezybox Speed-Lite 2 is an example of a tiny flat-pack softbox. It is designed to be attached to the front of your flash to diffuse the light properly, and then it can be collapsed and stored away in your camera bag easily.

Filter: Clear Protective Filter | UV light Absorbs: YesvExposure: 1x Filter Factor, No Exposure Change | Build: Multicoated, Schott B270 Glass Construction, Aluminum-Alloy Filter Ring | Reflection: Anti-Reflective and Hydrophobic | Front: 77mm Front Filter Threads

Good For
  • Protects front element
  • Low-profile frame 
Need Improvements
  • Lens hoods can protect the front element
  • Larger size filters can be pricey

Even with the development of digital photography, lens filters continue to have a purpose, none more so than the low UV or skylight filter. One example of such a filter is Hoya’s HMC UV filter.

These filters appear to be completely clear and have no impact whatsoever on the final image; nonetheless, their primary function is to shield the front element of your lens from any potential damage. Therefore, it is in your best interest to protect the front of your lens with a Skylight filter so that you do not rack up an expensive repair bill if the front of your lens becomes scratched or broken.

Because the front elements of lenses come in various sizes, you must choose the appropriate size. The size of the front part of the lens is often written in millimeters either on the front of the lens itself or on the inside of the lens cap.

0.6 Graduated Neutral Hard | ProGlass 0.6ND Standard Filter, Includes Filter Holder | Permits Using Fast ISO In Bright Light | Use to Create Blurs/Special Effects | Control Depth of Field | Wider Apertures

Good For
  • Works across many different lenses
  • Made from high-quality materials
Need Improvements
  • Separate adapter ring required
  • Pricey

You get the exposure right when there is a bright sky, and a darker foreground may be challenging, especially when taking pictures of landscapes, sunrises, and sunsets. You may use Photoshop or Lightroom to attempt to recover detail from the shadows or highlights of an image. Still, you can achieve considerably better results in-camera by using a classic optical graded neutral density (ND) filter.

The square filter system is the only genuine choice for ND grads since you need to shift the filter up and down to modify the transition from clear to dark. Our decision comes from the brand used by pros: the Lee Digital SLR Starter Kit.

You will receive a 100mm filter holder (although you will need to purchase an adaptor ring for your lens separately), a 2-stop hard grad for darkening skies, and a 2-stop neutral density filter that will enable you to use slower shutter speeds for a variety of effects, such as blurring movement in water and clouds, among other products.

Load Capacity: 15.4 lb | Max Height: 63″ | Min Height: 3.5″ | Folded Length: 23.2″ | Leg Sections: 3 | Weight: 4.4 lb

Good For
  • Clever angled center column
  • Great beginner tripod
Need Improvements
  • Payload might not support all kit
  • Not the highest extension

A steady set of legs is an essential component of every photographer’s equipment bag, even if you don’t always wish to use a tripod to take photos (although some photographers never use anything but a tripod).

However, it is all too easy to be persuaded to opt for one of the cheapest versions since, after all, how different can one set of legs be from another? You’d be surprised. Dirt-cheap tripods are so inexpensive that they are often relatively weak and have quite an amount of flex, both of which render them unusable.

If you are willing to spend a little extra, you will obtain something far more stable and long-lasting. You may spend even more money and purchase versions made of carbon fiber, which are just as robust but lighter. In addition, there are specialized tripods for vacation photography and macro photography that are available.

The Manfrotto MT190XPRO3 is a fantastic option to consider if you’re looking for a tripod that strikes a decent mix between weight, size, and price. It has an excellent load-bearing capacity and a maximum working height that is more than suitable, and the center column can also be positioned horizontally for low-angle photography. These are all positive features.

Load Capacity: 17.6 lb | 3 Independent Movements with Locks | 90° Forwards and 30° Backwards Tilt | Up to 90° Portrait Angle Tilt | 360° Rotation, Three Bubble Levels | Retractable Handles for Tilt Movements | Tension Control for Tilt Movements | RC2 Quick Release Cam Lock | 200PL-14 Quick Release Plate | 1/4″-20 Mount, Non-Slip Surface

Good For
  • Cleverly designed for compactness
  • Three bubble levels for precision
Need Improvements
  • They are not relatively as compact as ball heads
  • QR plate is a little fiddly

Some tripods come with their heads, which may be helpful if you’re not too fussy and have a budget for a whole kit. However, if you already know what you’ll mostly be shooting, you may want to choose your head instead of purchasing one that comes with the tripod.

Ball heads and pan-and-tilt heads are the two most prevalent types of camera mounts. The first choice is optimal for precise control. However, the second choice is more convenient in terms of mobility because it often consists of little knobs rather than control arms that protrude from the central unit.

This alternative from Manfrotto combines the advantages of the two designs into one convenient package. However, because they are retractable, the arms may be pulled inside the unit to make it easier to transport and store. This is in addition to the arms’ ability to provide accurate positioning. Additionally, it is constructed out of durable aluminum and built with three bubble levels, much like the legs above it.

Holds DSLR or Mirrorless Lens, Flash | Padded Interior Compartment with Divider | Water-Resistant RuggedWear Canvas | Two Large Expandable Cargo Pockets | Gripper Shoulder Strap | Reinforced Top Handle

Good For
  • Water-resistant outer
  • Brilliant and rugged design
Need Improvements
  • Limited capacity
  • Not as padded as some alternatives

At last, we give you the best Nikon camera accessory. While you’ve amassed all of this camera equipment, you’ll need a place to store it when you’re not using it so that it won’t get damaged while you’re out and about.

There are many different styles and sizes of camera bags available. Backpacks are convenient for taking a large amount of equipment because they disperse the weight over two shoulders; nevertheless, they can be inconvenient when you need to access your gear fast.

Shoulder bags are ideal for carrying a few items to which you need quick access, and Domke’s F-803 is an excellent choice for anyone looking for a suitable shoulder bag.

This gorgeous shoulder bag is created from a weather-resistant, robust cotton canvas that can contain a reasonable quantity of equipment. It is ideal for pounding the streets if you do not want to bring attention to yourself because it can hold a decent amount of essentials.

There are several ways to find the best Nikon camera accessories:

  1. Research online: Look for reviews and comparisons of different supplements on websites such as DPReview, B&H Photo Video, and Amazon.
  2. Ask for recommendations: Reach out to photography forums and ask for advice from experienced Nikon photographers.
  3. Visit a camera store: Visit a camera store and speak with a salesperson about the different accessories available for Nikon cameras.
  4. Consider your needs: Consider the types of photography you will be doing and what accessories will be most beneficial for those situations.
  5. Check the compatibility: Ensure the accessories you consider are compatible with your Nikon camera model.
  6. Please read the reviews: Look at the product’s reviews before buying it. This can help you avoid purchasing an accessory that may not work well or be of poor quality.


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