Canon released the 20 megapixels Canon EOS 7D back in September of 2014. Both amateur and professional photographers make extensive use of the camera (hence the DSLR camera acquiring the designation “Semi-Pro”). Mark II replaces the original Canon 7D as the newest model of the camera line. As such, you’re likely to get Canon 7D lenses for the Mark II model of the camera.
Remember that Canon lens names begin with “EF-M”, “EF-S”, and “EF”. The designations inform you which models of camera they’re made for. Canon DSLRs use the “EF” Prime Lenses, but the lenses also work fine with the smaller Canon APS-C as well.
Best Telephoto Prime Lenses for Canon 7D
However, all but one of these Telephoto Lenses falls under the full frame designation. Therefore, they also work on any Canon DSLR unless otherwise indicated. Meanwhile, Canon reserves the “EF-S” Telephoto Prime Lenses line for APS-C DLSRs only.
When you upgrade to a full frame Canon 7D model, these EF-S Canon 7D lenses become obsolete. The rarity of “EF-S” lens renders it more of a footnote for Canon Prime Lenses than anything else. Finally, Canon EOS M “mirrorless” cameras get all the “EF-M lenses. They can’t be used on any Canon DSLRs like Canon 7D.
Canon EF 100mm f/2 USM
The Canon 7D lens also possesses a maximum aperture of 1:2 that ensures more light to enter your camera. Many of this item’s fellow Canon 7D lenses also feature the 100-millimeter focal length. After all, to achieve the blurred background and clear subject close-up effect, you need that the standard telephoto length.
Telephoto Prime Lenses from Canon typically feature the closest focusing distance such as 0.9 meters or 3 feet. The benefit further assists you in focusing on a single subject while the rest of the details become a blur. The Canon 7D lens product excels especially well when used with a full frame camera.
Canon EF 300mm f/4L IS USM
The Prime Lenses of Canon EF 300mm f/4L IS USM shoots farther like a sniper. The common problems of Telephoto Lenses—ghosting and unintentional flare—tend to disappear with the super multi-layer lens coating. The Canon EF 300mm USM’s bag of tricks just keeps pleasantly surprising me every time.
The Telephoto Prime Lenses also compensate for camera shake through the image stabilizer feature. It gives the effect of a shutter speed that’s faster by two stops. The product’s Stabilizer Mode 1 stabilizes the photo from shaky hands. Stabilizer Mode 2, meanwhile, steadies the image even when the camera pans vertically or horizontally.
Canon EF 300mm f/2.8L IS USM II
So how do Prime Lenses with the same focal length of 300 mm as Canon EF 300mm USM do better than its predecessor? It helps that its lens construction offers 16 elements in 12 groups (Fluorite: G2 and G4 plus drop-in rear filter).
This particular model of Telephoto Lenses also focuses at the closest focusing distance of 2 meters or 6.6 feet. The product gives the term “snapshot” new meaning with its long-range high-quality telephoto shoots.
Canon EF 400mm f/2.8L IS USM II
Not only can the Canon EF 400mm shoot telephoto for a longer distance than its 300mm counterpart. It also enables photographers to make that shot without feeling like they’re lugging around a long sniper rifle.
The USM II Super Telephoto Lens weighs only 3.8 kilograms (no heavier than a thick football helmet). This gives the photographer more immediate movement when tracking and shooting the best panning shots. The background blur effect occurs from f/2.8 down to f/5.6.
The Canon EF 400mm Lens produces images so high quality Adobe Photoshop doesn’t bother generating a lens correction profile. Experienced photographers recommend using the USM II Super Telephoto Lens for high-speed, long-distance sports photographs.
Canon EF 500mm f/4L IS II USM
However, it apparently comes at the “cost” of having a maximum aperture of f/4L. At that telephoto distance, it needs to have a higher range of aperture that lets in less light. Canon EF 500mm f/4L gains more from this “limit” of a maximum aperture.
The Canon EF 500mm f/4L is more capable than its 400mm f/2.8L equivalent at being a jack-of-all-trades. Canon also even managed to shave off 1.5 pounds off of the lens rather than add to its weight! The only real negatives about this camera lens are its expensive price and its slower auto focus.
Canon EF 600mm f/4L IS II USM
It shares many specs with Canon EF 500mm f/4L but improves upon so many others. It offers the same Micro USM, image stabilizer, full-time manual focus, and ultra-low dispersion glass with fluorite elements. The Canon EF 600mm is more than just an additional 100mm.
Furthermore, it actually improves upon the auto focus drawbacks of its 500mm equivalent. Even at high speeds, animals in motion, or athletes in midair, the lens can rise to the occasion. Photographers who know what they’re doing can even draw out the full potential of the lens.
Telephoto Prime Lenses mainly put backgrounds out of focus (like in a blur) and change the photo’s perspective. The different products on this review cover which ones of these lenses for the Canon 7D do their job the best.
Your telephoto lens should at its basic bring far subjects close. But it’s not a zoom lens though. The lens type mainly shoots faraway from the start. A zoom lens can go up close then far away. This aspect of telephotography is the lowest possible bar. If the lens cannot do at least that, then it’s a failure as a telephoto lens.
Telephoto lenses enable you to exclude some parts of the picture, like a gray sky or bland streets. You can make it focus on more interesting subjects while the rest of the uninteresting parts blur away. If you wish to draw attention to a particular aspect of a photo, control it with your telephoto lens. Wider focal length lens tend to lose details by capturing every detail.
A telephoto lens gives you the sniper-like ability to isolate your subject before “shooting” it altogether. In wildlife photography, sports in semi-decent light, and portraiture, few lens brands come close. Canon calibrated its lenses to give photographers more control but not too much control. They’re line of lenses have become tools to allow users to improve their snapshot and long-distance shooting skills.
The quality of a genuine telephoto lens will always beat out the pixilated attempts of digital zooms for faraway shots. Razor sharp results serve as its bread-and-butter offering. Unshackle yourself from distortions, aberrations, and blurs on the subject of the photo. The clarity and artistry of such shots is unbeatable.