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If you’re a videographer or a filmmaker, you probably already know that having the appropriate lens may significantly impact your work. You have at your disposal a flexible camera in the form of the Canon EOS 6D Mark II, which is able to handle a wide range of different video styles and subgenres. On the other hand, you will need the appropriate lens in order to get the most out of your Canon EOS 6D Mark II.
In this guide, we’ll take a look at some of the best video lenses available for the Canon EOS 6D Mark II, including the Canon EF 24-105mm f4L IS USM, Canon EF 70-300mm f4-5.6 IS USM, Canon EF 75-300mm f4.0-5.6 III, Sigma 18-35mm f/1.8 DC HSM Art, Canon EF 35-350mm f3.5-5.6L USM, Sigma 50mm f/1.4 DG HSM Art, Canon EF 70-200mm f2.8L IS II USM, Canon EF 50mm f1.8 STM, Canon EF 80-200mm f4.5-5.6 II, and Canon EF 35-80mm f4.0-5.6 III.
Best Video Lenses for Canon EOS 6D Mark II
1. Canon EF 24-105mm f4L IS USM
Canon EF 24-105mm f/4 L IS USM
$819.00 in stock
38 used from $379.99
The Canon EOS 6D Mark II is the ideal camera for making use of the extensive capabilities of the Canon EF 24-105mm f4L IS USM video lens. This lens has a maximum aperture that remains fixed at f/4, which enables excellent performance in low-light conditions as well as a shallow depth of field. The technique is known as image stabilization guarantees that the videos you record will be stable and unaffected by camera wobble. In addition, a Super Spectra coating has been applied to the lens in order to cut down on flare and ghosting.
2. Canon EF 70-300mm f4-5.6 IS USM
Canon EF 70-300mm f/4-5.6 IS USM
$499.00 in stock
22 used from $175.00
The Canon EOS 6D Mark II is compatible with a number of outstanding video lenses, including the Canon EF 70-300mm f4-5.6 IS USM. This lens has a focal length range of 70-300 millimeters, making it ideal for photographing distant scenes. Even when you zoom in, the movies you record will remain stable and free from blur caused by camera shake, thanks to a technique called image stabilization. In addition to this, the lens incorporates a UD (Ultra-low Dispersion) element, which helps to minimize chromatic aberration and produce pictures that are crisp and clear.
3. Canon EF 75-300mm f4.0-5.6 III
Canon EF 75-300mm f/4-5.6 III
The Canon EOS 6D Mark II is compatible with a fantastic video lens that won’t break the bank: the Canon EF 75-300mm f4.0-5.6 III. This lens has a focal length range of 75-300 millimeters, making it ideal for photographing distant scenes. The lens has a DC motor that ensures quick and precise autofocus, as well as a Super Spectra coating that reduces flare and ghosting for better image quality.
4. Sigma 18-35mm f/1.8 DC HSM Art
Sigma 18-35mm F1.8 Art DC HSM
$704.99 in stock
17 used from $559.99
The Canon EOS 6D Mark II is compatible with an excellent video lens in the form of the Sigma 18-35mm f/1.8 DC HSM Art. This lens is ideal for use in low-light conditions and for producing images with a shallow depth of field because of its fast maximum aperture of f/1.8. The lens has a Hyper Sonic Motor, which ensures quick and precise focusing, and a Super Multi-Layer Coating, which reduces flare and ghosting for better image quality.
5. Sigma 50mm f/1.4 DG HSM Art
Sigma 50mm F1.4 Art DG HSM
$784.00 in stock
19 used from $579.99
The Canon EOS 6D Mark II is compatible with an excellent video lens in the form of the Sigma 50mm f/1.4 DG HSM Art. This lens has a maximum aperture of f/1.4, making it ideal for producing shallow depth of field as well as recording high-quality video in low-light conditions. The lens has a Hyper Sonic Motor, which ensures quick and precise focusing, and a Super Multi-Layer Coating, which reduces flare and ghosting for better image quality.
6. Canon EF 70-200mm f2.8L IS II USM
The Canon EOS 6D Mark II is compatible with a professional-grade video lens known as the EF 70-200mm f2.8L IS II USM from Canon. This lens has a maximum aperture of f/2.8, making it ideal for producing shallow depth of field as well as recording high-quality video in low-light conditions. Even when you zoom in, the movies you register will remain stable and free from blur caused by camera shake, thanks to a technique called image stabilization. In addition, the lens incorporates a fluorite element, which helps to minimize chromatic aberration and provides pictures that are crisp and clear.
7. Canon EF 50mm f1.8 STM
Canon EF 50mm f/1.8 STM
38 used from $88.00
The Canon EOS 6D Mark II is compatible with a fantastic video lens that won’t break the bank: the Canon EF 50mm f1.8 STM. This lens has a maximum aperture of f/1.8, making it ideal for producing narrow depth of field as well as recording high-quality video in low-light conditions. The lens makes use of Stepping Motor technology, which ensures that the autofocus process is quick, smooth, and silent.
8. Canon EF 80-200mm f4.5-5.6 II
Canon EF 80-200mm f/4.5-5.6 II
$54.95 in stock
When it comes to video lenses, the Canon EOS 6D Mark II is compatible with the Canon EF 80-200mm f4.5-5.6 II, which is an affordable option. This lens has a focal length range of 80-200 millimeters, making it ideal for photographing distant scenes. The lens has a Super Spectra coating and a Micro Ultrasonic Motor, both of which help to eliminate flare and ghosting, respectively. The autofocus on the lens is also speedy and precise.
9. Canon EF 35-80mm f4.0-5.6 III
Canon EF 35-80mm f/4-5.6 III
A video lens that is easy on the wallet and compatible with the Canon EOS 6D Mark II is the Canon EF 35-80mm f4.0-5.6 III. This lens has a focal length range of 35–80 millimeters, making it ideal for photographing a diverse assortment of subjects. The lens has a Super Spectra coating that helps to prevent flare and ghosting, and it also has a Micro Motor technology that ensures the autofocus is both quick and precise.
Video Lenses for Canon EOS 6D Mark II FAQs
Which video lens is the most effective for use with the Canon EOS 6D Mark II?
Your particular requirements and financial constraints will determine which video lens is ideal for your Canon EOS 6D Mark II. However, the Canon EF 24-105mm f4L IS USM, the Sigma 18-35mm f/1.8 DC HSM Art, and the Canon EF 70-200mm f2.8L IS II USM are a few of the alternatives that stand out as being among the finest.
What sets apart the Canon EF 75-300mm f4.0-5.6 III from its predecessor, the Canon EF 70-300mm f4-5.6 IS USM?
A video lens with a focal length range of 75-300 millimeters that is affordable is the Canon EF 75-300mm f4.0-5.6 III. A higher-end video lens from Canon, the EF 70-300mm f4-5.6 IS USM has a focal length range of 70-300 millimeters and is equipped with image stabilization technology.
May I also use these lenses for still photography in addition to video?
Yes, each and every one of the video lenses that are discussed in this article is also suitable for use in photography.
Why is it so crucial for video lenses to have the broadest possible aperture?
The maximum aperture is an essential component of video lenses since it controls the amount of light that can pass through the lens. When shooting in low-light settings or when you want to create a shallow depth of field, it is optimal to use a lens with a wider aperture, such as f/1.4 or f/2.8. This enables more light to enter the lens.
When it comes to autofocus technology, what is the main distinction between a Micro Motor and a Hyper Sonic Motor?
A Micro Motor is a fundamental autofocus motor that is frequently seen in lenses with more affordable price tags. Autofocus motors, known as Hyper Sonic Motors (HSM) are often used in higher-end lenses because of their increased speed and level of sophistication. The HSM technology guarantees a quick autofocus that is also accurate and silent.
