When it comes to the production of videos, picking out the appropriate optics is just as essential as picking out the right camera. Several lenses available for users of the Sony A7R III have been developed mainly for video work, and they can make it much simpler for you to record footage of a high standard. The correct lens can make all the difference when you’re behind the camera, shooting a documentary, a short film, or an advertisement.
Using the Sony A7R III for video production requires careful consideration when selecting the appropriate lenses. The correct lens can make all the difference when you’re behind the camera, shooting a documentary, a short film, or an advertisement.
We have a variety of excellent choices to choose from, including the Sony FE 24-70mm f/2.8 GM, the Sony FE 16-35mm f/2.8 GM, the Sony FE 70-200mm f/2.8 GM OSS, and the Sony FE 85mm f/1.4 GM, all of which can assist you in accomplishing the video production objectives that you have set for yourself.
List of Best Video Lenses for Sony a7r III
SONY FE 24-70mm f/2.8 GM
The SONY FE 24-70mm f/2.8 GM lens is a zoom lens used for various purposes. It has a fast aperture and takes high-quality pictures, making it an excellent choice for pros.
Sony - FE 16-35mm F2.8 GM
The Sony FE 16-35mm F2.8 GM lens is a wide-angle zoom lens with excellent sharpness from corner to corner, fast and quiet autofocus, and weather-sealing. This makes it perfect for taking pictures of landscapes and buildings.
Sony FE 70-200mm f/2.8 GM OSS
The Sony FE 70-200mm f/2.8 GM OSS lens is a long zoom lens with optical image stabilization. It has beautiful bokeh, excellent sharpness, and fast autofocus, making it an excellent choice for sports and wildlife photos.
Sony FE 85 mm f/1.4 GM
The Sony FE 85mm f/1.4 GM lens is a prime portrait lens with beautiful background blur, sharpness, and fast focusing. This makes it great for wedding and event photos as well as portraits.
Sigma 18-35mm f/1.8 DC HSM Art
A popular zoom lens for APS-C cameras that has a fast aperture of f/1.8 through its zoom range. This makes it an excellent choice for low-light photos and effects with a small depth of field.
1. Sony FE 24-70mm f/2.8 GM
One of Sigma’s Art-series zoom lenses, the Canon EF-mount Sigma 18-35mm f/1.8 DC HSM, covers a wide angle to the normal range of focal lengths and is distinguished by rapid construction and adaptability.
This zoom has a constant maximum aperture of f/1.8, making it suitable for use in environments with challenging illumination and providing excellent control over the depth of field throughout the entire zoom range. This feature distinguishes it from the other zooms on the market.
2. Sony FE 16-35mm f/2.8 GM
The Sony FE 85mm f/1.4 GM is a fast short-telephoto prime lens that is differentiated by its flattering field of view, advanced optics, and ability to separate subjects with shallow depth of field. As a result, it is frequently referred to as the ideal focal length for photography.
This lens provides refined sharpness and bokeh quality, championing a good picture quality well-suited for portraiture, events, and other circumstances where focus control is paramount. Additionally, this lens is a G Master lens.
3. Sony FE 70-200mm f/2.8 GM OSS
The performance of the traditional rapid zoom lens has been taken to an entirely new level by Sony with the release of the FE 70-200mm f/2.8 GM OSS II. This lens takes the aspects of the original that worked well and makes them even better while simultaneously decreasing their weight by 29%, making it the smallest lens in its category.
Additionally, Sony has equipped this lens with a brand-new autofocus (AF) system that promises to be up to four times as fast. Additionally, Sony has made a lot of optical optimizations that will appeal to video photographers, such as enhancements to focus breathing and focus shift. As a result, the 70-200mm f/2.8 is a highly versatile lens that can be used for shooting portraiture, sports, landscapes, and even video.
4. Sony FE 85mm f/1.4 GM S
The Sony FE 16-35mm f/2.8 GM is a wide-angle zoom lens that covers ultra-wide to standard wide-angle fields of view. It offers G Master performance in a compact, quick, and adaptable shape. The lens’s sophisticated optics and brilliant f/2.8 design combine with a versatile zoom design to make it suitable for working in various photography situations. This makes the lens ideal for photographing multiple subjects, including architecture, lifestyle, and environment.
5. Sigma 18-35mm f/1.8 DC DN
The Sony FE 24-70mm f/2.8 GM is a wide-angle to the short telephoto lens with sophisticated G Master lenses, a sturdy physical construction, and a bright f/2.8 continuous maximum aperture. It is preferred for its flexibility, which makes it a quick standard zoom. The 24-70mm f/2.8 is an excellent option for photographing various subjects, including landscapes, sports, and portraits, making it an ideal lens for different photography scenarios.
Is Sony a7r III good for video?
The Sony a7r III has a high resolution, a full-frame camera, and exceptional low-light performance, so you can use it confidently to shoot video. Additionally, it comes equipped with functions such as S-Log profiles, 10-bit external recording, and a quick autofocus for video.
Can Sony a7r III shoot 4K 120fps?
Not at all; the Sony a7r III can shoot in 4K at a rate of up to 30 frames per second. It can record in Full HD at up to 120 frames per second.
Can Sony a7r III shoot 4K 60fps?
No, the Sony a7r III can only shoot at 30 frames per second in 4K. But it can shoot up to 120 frames per second in Full HD. With its high quality, full-frame sensor, and excellent low-light performance, it’s still a great camera for making videos. It also has S-Log settings, 10-bit external recording, and fast focusing for video, among other things.
What is the sharpest lens for Sony a7r III?
It is widely acknowledged that the Sony FE 135mm f/1.8 GM lens is one of the sharpest lenses available for use with the Sony a7r III. This lens provides outstanding results regarding picture clarity, bokeh, and low-light performance.
What are the best cinematic settings for a7r III?
When shooting in theatrical environments, it is recommended that you use the S-Log2 or S-Log3 color profiles, set the ISO to a low value, and carefully change the exposure. To achieve smooth action, the shutter speed must be adjusted twice as fast as the frame rate.