The Canon EOS-1D X Mark III includes a lot to surpass – and a genuine fight on its hands to guard its throne. As the world of professional sports activities photography continues to be dominated by DSLRs (with 70% of pros finally year’s Rugby World Glass using Canon DSLRs), mirrorless cameras have finally come up to now that Sony’s latest effort, the Sony A9 II, is by far an improved photographic tool compared to the 1D X Mark II.
With the A9 II being arguably the very best camera for professionals, Canon actually had to draw something special out of the bag with its new flagship DSLR. Fortunately, it has delivered a genuine hybrid DSLR / mirrorless camera that ushers in several inevitably industry-standard new features and technologies.
Indeed, when you would expect Sony’s top dog mirrorless camera to be the one with the latest tech, it’s, in fact, Canon’s DSLR that packs the bleeding-edge technology, from a new image format and memory standard to a latest control input that will almost certainly end up being the new norm for digital cameras that shoot action. Not merely may be the 1D X Mark III set to steal the best pro camera crown, it’s also a lock to become the very best DSLR for the near future.
Check Out: Best Lenses for Canon EOS 1D X Mark III
Canon EOS 1D X Mark III Price, Deals & Discounts
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Canon EOS 1D X Mark III: Key Features
While the Canon EOS-1D X Mark III is filled with the most recent technology, it’s constructed around one fundamental little bit of throwback equipment: an optical viewfinder. Mirrorless may certainly be the future of photography, but at this time a lag-free digital viewfinder is still quite definitely that – a thing that only exists in the future.
In the here and today, even the best EVF is suffering from lag. It’s basic physics; light needs to be turned into photons, must go into a processor chip and circuitry, then head to another processor, then to a display, after that be converted to an image, then transmitted to your eyes. Therefore there needs to be a lag, even if it’s just a matter of milliseconds.
Here’s finished ., though; let’s say it requires 110 milliseconds for an EVF to capture up to the action in real-time. In those 110 milliseconds, a DSLR using its lag-free optical finder may take 2 or 3 images prior to the EVF and have actually displayed the actions. And at the best end of professional photography – whether that’s photographing the Olympics or trying to fully capture a graphic of an endangered wildlife species – those two or three 3 images could possibly be the difference between building or lacking the shot.
So the 1D X Mark III features an optical viewfinder, with which it could shoot 16 frames per second (mechanical shutter) using a 400,000-pixel metering sensor together with a dedicated Digic 8 processor chip, with 191 AF factors (155 of which are cross-type). Using the OVF, the camera is with the capacity of tracking with encounter detect AF.
However, when switched to Live View, the camera can shoot 20 fps (mechanical or electronic shutter) using the full 20.1 million-pixel readout of the image sensor, combined with the power of the new Digic X processor and a massive 3,869 Dual Pixel CMOS AF points. In Live Look at, the 1D X III is usually capable of full eye detect AF (using the same tech as the EOS R).
You’ll have observed two crucial points there, the first one becoming the sensor size: 20.1MP. Yes, not merely is that fewer megapixels than the 24.2 of the Sony A9 II, it’s also even significantly less than in the 1D X Mark II, which had 20.2. Canon assures us that not merely is usually 20MP the sweet place for optical performance – dynamic range, high ISO, Dual Pixel and so forth – but this new 20.1MP sensor actually produces sharpness and quality equal to an expert 24.2MP sensor.
That’s because traditional low move filters utilized by pro sensors (to eliminate moiré) introduce a layer of softness to pictures. For the sensor in the 1D X Mark III, Canon redesigned the filter; in which a traditional low pass filtration system employs dual-layer, four-stage subsampling, Canon’s uses quad-layer, 16-point subsampling and combines it with a Gaussian distribution technique. We’ll wait around until we reach execute a proper lab test, however the images certainly pass the eyeball ensure that you do appear to ‘pop’ with clarity.
The other stage you’ll have noticed maybe the mention of a fresh processor: Digic X. That is a whole new category of processors for Canon cameras, which is used across the board and fine-tuned based on the specifications of every individual product. Regarding the 1D X Mark III, the processor chip is 380 times quicker in terms of computational processing and 3.1 times faster at picture processing compared to the 1DX Mark II – a camera that got dual processors, where this only has one.
This performs a big part in the Canon EOS-1D X Mark III’s many talked-about party techniques: deep learning AF. Or, to provide its official name, EOS iTR AFX. This deep learning algorithm allows the AF system to instruct itself considerably quicker than could possibly be physically programmed by human engineers.
Canon used the image databases of all major photo agencies, along with its own ambassadors, to provide the algorithm with an incredible number of reference images. EOS iTR AFX was after that in a position to teach itself how to recognize human figures – and specifically how exactly to prioritize the human mind, whether or not the face is seen, looking the other way, or also obscured by goggles or helmets. The effect can be an AF that knows the top is always the principal point of focus; even if it’s concentrating on the back of the top, or actually if there are logos or quantities on an athlete’s uniform that are easier to focus on, the AF will concentrate on the head.
peaking of, Canon knew that it acquired fallen behind in the video sphere and has finally swept up. The 1D X III is definitely capable of full-width internal 12-bit 4K RAW documenting at 5472 x 2886 (oversampled 5.5K) up to 60fps (with a 2600Mbps bitrate) – though AF/Electronic and tracking are just supported up to 30fps (1800Mbps bitrate). And a collection of 4K crops, in addition, it supports 1080p video at up to 120fps with AF/E and monitoring. Canon Log offers 4:2:2 10-little bit with HEVC using the H.265 codec, with a claimed 12-end powerful range (at a recommended ISO400 recommended).
The camera can record RAW and MP4 video simultaneously to two separate memory space cards – which are actually dual CF express cards. They are a true revelation for shooting, especially when it comes to stills, with a practically unlimited buffer with the capacity of capturing bursts as high as 1,000 Natural or RAW + JPG pictures. For reference, you can take the shutter down for a two-minute burst, and the buffer still won’t fill. It’s utterly insane.
In terms of communications features, the EOS-1D X Mark III boasts built-in Bluetooth and 2.4Ghz Wi-Fi, in addition to gigabit ethernet that facilitates standards including 1000BASE-T. Nevertheless, unlike the Sony A9 II, it doesn’t feature 5Ghz Wi-Fi – you’ll have to choose the separate WFT-E9 module for that.
Arguably the single biggest moment-to-minute feature, though, is the new Wise Controller – which complements (and, inside our experience, actually replaces) the original joystick for shifting your AF factors around at speed. It works a little bit like an optical mouse, switched upside-down – you can whizz your thumb across it and ping the AF point around the screen or viewfinder as fast or as slow as you wish to. It’s so good that it’ll inevitably find its method to other action-oriented Canon bodies later on – browse the video below to observe how it works.
Canon EOS 1D X Mark III: Build & Handling
The Canon EOS-1D X Mark III is, as you almost certainly expected, virtually similar to the Mark II – and, indeed, to many 1-series digital cameras ever produced. According to Canon, the entire design ethos is a person from 1987 who has just ever used the initial EOS-1 will be able to step right into a time machine, grab the 1D X Mark III, but still be able to utilize it. Therefore holding the camera is similar to hugging a vintage friend.
That said, its new Smart Controller is literally the continuing future of AF stage selection. Traditional joysticks certainly offer you tactile and granular control, but they’re incredibly slow and clunky if you would like to go your AF point over the frame. The Wise Controller, in comparison, moves your AF point mainly because fast as you move your finger – forget about missed shots because you’re faffing with the joystick or skipped AF because you’re doing the focus-and-recompose issue. This will without doubt be adopted by the complete camera industry in a short time.
As the body feels almost similar in design, the magnesium alloy body offers actually been re-built, with some transformed internal components and therefore it is structurally even more sound while also having some fat shaved off. Therefore the camera is, in fact, stronger, but also 100g lighter than Mark II.
A big plus for anybody who shoots in lower light circumstances is the fact that the camera now has illuminating control keys; the MENU, INFO, Q, play, magnify, delete and ‘key’ buttons right now light up, along with the rear and best LCD panels, at the contact of a button. If each and every camera could do that, we would be extremely grateful to the industry!
If you’ve used the prior 1-series cameras, it’s every bit as durable and bomb-proof as you’d anticipate it to become. It’s an enormous body, also for a DSLR, nevertheless, you never wish to baby it or worry when you provide it a knock or bump – you merely know that it’s going to be secure and it’s likely to work. You’ve you don’t need to worry about the elements sealing, possibly, as every joint provides O-rings completely the camera – even the tripod socket in fact comes with an O-ring – so there is nothing going to complete, whether it’s rainfall and salt drinking water or dirt and sand.
And of course, the trunk LCD is currently a touchscreen with an elevated resolution of 2.1 million dots (versus 1.6 million on the Mark II). It’s not the most pixel-dense screen out there, in fact, it is still a set screen – both which are somewhat disappointing, considering that the LCD may be the only way to gain access to the camera’s high-end Live Watch capabilities, and especially with regards to capturing video. Still, Canon would insist that general sturdiness and construction is more essential – and for the real top tier pros that camera is supposed for, that’s probably reasonable.
Canon EOS 1D X Mark III: Performance
Although some might scoff at the Canon EOS-1D X Mark III only having a 20.1MP sensor, the proof is certainly in the pictures. We can’t state whether they’re really as sharp as a 24MP sensor would produce, but they’re certainly a lot more than razor-sharp enough, and the improved dynamic range and ISO (both improved by an end, according to Canon) outcomes in meaty images with a whole lot of play in them – actually in the JPGs, but specifically in the HEIF files.
The 4K video can be sharp and clean, and we’re so content that Canon has finally cracked the full-frame (well, full-width) cropping issue. Obviously having less image stabilization can be an even bigger factor when it comes to video, but that is hardly a run-and-gun vlogging camera; installed in a tripod or sturdy surface, and coupled with digital stabilization (which introduces a crop) in the event that you must, the video appears pretty pristine.
The brand new deep learning AF does indeed feel like it creates a notable difference. When photographing cars zipping round the monitor, the camera understood to prioritize the drivers’ heads rather than the car bodies, or the decals or logos emblazoned on the automobiles. This was especially obvious in the open-top vehicles, as the AF would discover and adhere to the motorists’ helmets – proving Canon’s claims that EOS iTR AFX is capable of doing ‘head detection’, even though no face or eye are visible.
Of course, the AF is suffering from the selection of using the optical viewfinder or Live View. Capturing through the viewfinder, there are simply just less AF points and less quality – and just the Digic 8 processor chip has been used – so fine focusing is significantly reduced and eye detection is not possible.
In Live View, though, the entire power of Dual Pixel AF and the Digic X processor chip mean that subtle concentrate shifting and high comparison focus are superior, and eye detection becomes available. This uses the same tech as vision recognition on the EOS R, and appears to perform equally well – though whether you are feeling it’s as effective as Sony’s eye recognition is right down to personal experience.
While size and heft are actually non-factors with regards to pro bodies, given how big is lenses you’ll typically end up being using, which means that the Sony A9 II doesn’t gain any real-world points to be smaller. However, it can gain real-world factors for having picture stabilization and a tilting display.
Canon has its reasons for not really rolling out IBIS, however, and is still proclaiming that lens-based IS is excellent. And which may be true, however when you’re utilizing a chunky L zoom lens that isn’t stabilized, or attempting to record video with a huge lens mounted and looking to get a cool angle utilizing a screen that doesn’t tilt, you truly do wish for might be found.
Another point worth mentioning for pros is that, as the 1D X Mark III has voice tagging for pictures, unlike the A9 II there is absolutely no facility for automated transcription. While voice tagging alone continues to be supremely helpful, without a software program to transcribe those tags it isn’t the transformative workflow question that the Sony A9 II is. However, because the transcription is a component of Sony’s app as opposed to the camera itself, there’s no reason Canon can’t update its Camera Connect app to accomplish the same thing.
Canon EOS 1D X Mark III: Verdict
The Canon EOS-1D X Mark III is just the professional powerhouse camera you’ll expect it to be. Unlike other Canon items, however, that one really doesn’t restrain and introduces some severe next-generation technology that may fundamentally improve your shooting experience, your images as well as your workflow.
Offering the very best of both worlds, with the pure velocity of an optical DSLR with the advanced precision of mirrorless, it’s a genuine hybrid program that mold to the requirements of individual experts and specific shooting scenarios. Furthermore, it marks an authentic turning stage for Canon with regards to video, finally delivering the uncropped 4K video which has for such a long time eluded the manufacturer.
Does all which make it the best professional camera, though? You may still find significant advantages of the Sony A9 II – a 24MP sensor, 5-axis stabilization, pet AF, tilting LCD, integrated 5Ghz Wi-Fi, tone of voice tagging with transcription, the short-term capability of Sdcard support, and an EVF that is more suitable for several conditions. In addition, Sony is considerably smaller and lighter, at only 675g when compared to Canon’s 1,250g.
Having said that, the 1D X Mark III’s optical viewfinder gives it the definitive benefit in speed, its 4K 60p gives it the advantage in video specifications, its cutting-edge image format gives it the benefit in powerful range, its next-gen storage card gives it the advantage in burst and data transfer, its massive battery (which lasts an impressive four times longer compared to the A9 II’s) provides it the benefit in shooting period, and it gets the new Smart Controller that’s so excellent we expect it to be the brand new industry standard.