The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is an improved version of the C100 developed by event videographers, indie filmmakers, and documentarians.
Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS...
Through the implementation of Dual Pixel CMOS AF technology, it features a continuous focusing function that is compatible with all Canon autofocus lenses. When working with a limited number of people, this new function will help users by providing quicker and more accurate autofocusing.
Additionally, the Mark II comes with several new and improved capabilities, such as face detection AF, the ability to record in MP4, additional frame rates while recording in AVCHD, and slow motion and rapid motion options when recording in MP4. When the top handle is detached from the Mark II, an extra microphone is revealed on the camera’s body. This microphone can be used to record sound.
Key Specs:
- Use the camera’s LANC-compatible remote interface to exercise remote control over the device.
Even in complex rigging scenarios, a single person can handle the remote operation because of its one-person operating capability. - Added Advantages and Functions
- Standard and RGB modes available on the waveform monitor
- Exposure and focus aids such as peaking, zebra, magnify, edge monitor focus assist, and edge monitor peaking
- The Mode in Black and White
- Timecode can either be Drop Frame (DF) or Non-Drop Frame (NDF).
- Timecode modes: Regen, Record Run, Free Run
- There are some great Personalized Picture Profiles available in the camera, and you can save up to 20 of them.
- stored on a microSD card
- Adjustments to the following settings can be made in order to personalize picture profiles: Gamma,
- Knee, Sharpness, Noise Balance, Black, Black Gamma, and Low Key Saturation are some of the terms that are used.
- Adjustments to the color and the setup level
- 15 buttons that can be assigned a function
- It is possible to select color bars that adhere to the SMPTE, EBU, or ARIB standards.
It features a 3.5-inch OLED display with a higher resolution, and the electronic viewfinder (EVF) now tilts and has almost twice the size of the original C100. In addition, the Mark II is equipped with built-in wifi capabilities and supports GPS technology. However, besides defending the timecode as the original C100 did, the HDMI output also supports the Canon Log LUT format.
The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its older and more powerful sibling, the C300, but it employs a Digic DV 4 processor instead. In addition, because it has an EF lens mount, the camera is compatible with the Canon lenses designated as EF, EF-S, and EF Cinema.
This is especially helpful for photographers who use DSLR cameras and have already invested in Canon lenses. The AVCHD codec captures 1080p video at a maximum of 24 Mbps by the camera. In addition, it can record over three hours of high-definition video on a single 32GB memory card because it is compatible with dual SD, SDHC, and SDXC memory cards. This is made possible by the efficient AVCHD codec.
You can also record clear, uncompressed 4:2:2 video with embedded timecode via the HDMI output, which makes this device suitable for professional applications.
The EOS C100 Mark II has a simplified ergonomic design that allows a single person to shoot with it. The camera has a versatile modular architecture that accommodates a range of shooting methods. In its most basic version, the camera weighs only 2.2 pounds. Operators can spend less time reviewing the camera settings and more time recording cinematic footage thanks to additional capabilities such as One-Shot AF and Push Auto Iris.
Technology for Autofocus with Dual Pixels of CMOS
Utilizing Dual Pixel CMOS AF technology, the Continuous AF (Autofocus) capability is available with all autofocus lenses. In addition, you can now modify the image framing while maintaining the intended focus, thanks to a new feature called AF Lock. This function is perfect for users who routinely film with smaller crews, photograph moving subjects, or desire smoother, more natural-looking autofocus. Other potential users include those who shoot with moving subjects.
The CMOS sensor used in Dual Pixel CMOS AF technology comprises an array of pixels, each with two photodiodes.
Even when the subject of the photograph or the camera itself is moving, phase-difference autofocus helps maintain clear photos and smooth focus transitions by continuously comparing the outputs of the two lenses when the camera is in AF mode.
The new function prioritizes maintaining accurate focus while providing a natural, smooth autofocus movement with specific Canon EF lenses. These lenses include newer-generation STM lenses, which offer even smoother and quieter performance than their predecessors.
Continual Taping or Recording
When you use the function that records in a continuous, nonstop manner, you can insert In and Out points into the movie whenever you hit the START/STOP button. Currently, the continuous recording function is compatible with the EDIUS Pro 7 software that Grass Valley offers.
320–102,400 ISO Scale of Measurement
The Canon EOS C100 Mark II is even more sensitive to light than its predecessor because of its expanded ISO range, which now goes up to 102,400. This enables you to capture viable film during low-light and night shoots, even while using the lighting available to you or the illumination already present in the environment as your primary light source.
If you can function in lower light levels, you can work more quickly with smaller teams and resources, which is great for independent filmmakers and filmmakers working on a low budget.
Menu Navigation via Camera Buttons
The buttons on the camera body can now be used to navigate the menus on the inside. In the past, the only way to manage the internal menus was by removing the joystick and replacing it with a removable joystick. However, today there are buttons on the back of the camera, just below the monitor that is built in. When the side grip is removed, you will still have access to the menus thanks to this feature.
Magnification and Location Shift for the Viewfinder
Using the joystick, you can manually shift the center of the camera’s magnification viewing area to one of 25 distinct spots throughout the image frame. In addition, camera operators may now quickly verify focus even on subjects situated farther from the center of the image frame, thanks to recent technological advancements.
Record Button Lock
Using the Key Lock setting, it can now lock all of the functions, including the record button. This helps prevent unintentional operation during a crucial shoot, which could have been caused by the operator accidentally hitting the wrong button.
Super 35mm 8.3MP CMOS Sensor
The classic Super 35mm film’s field of vision and angle of view are replicated by the depth of field and angle of view provided by the Super 35 mm-sized sensor. The sensor has a native resolution of 8.3 megapixels and a larger pixel pitch than most professional camcorders. As a result, it delivers greater sensitivity and reduced noise in areas with low levels of available light.
Image Processor with the DIGIC DV 4
The DIGIC DV 4 Image Processor was developed and manufactured by Canon specifically for the highest HD RGB processing. It uses Canon’s proprietary circuits and architecture to deliver the highest image quality at the highest speeds while consuming the least power and producing little heat.
It converts the RGB representations generated by the camera’s solitary CMOS sensor into three channels—red, blue, and green—to preserve the high resolution and accurate color reproduction previously achievable only with three-chip sensor designs.
Sensitivity to light that is low
Together, the Super 35mm sensor and the DIGIC DV 4 Image Processor can have a high signal-to-noise ratio, which is mamakingible for recordings and has a significant amount of clarity and dynamic range even when there is only a tiny amount of available light.
Log gamma and wide dynamic range gamma from Canon.
Because Canon Log records a picture with muted contrast and sharpness, it maintains a high dynamic range but requires color grading after the fact to achieve the desired effect.
Twelve stops increase the image’s dynamic range due to Canon Log Gamma’s emphasis on rich gradients from the mid-range to the highlights. In addition, Canon Log Gamma offers 5.3 stops above ideal exposure (and 6.7 stops of latitude below), broadening the possible dynamic range in color grading. This capability is available at ISO 850 and higher.
Wide DR Gamma is designed to provide finished-looking photographs without the need for any color grading in post-production. This is accomplished by reducing the image’s brightness while keeping the gradations intact. This results in a more comprehensive dynamic range.
Mount for EF lenses that use EF contacts
The camera is entirely compatible with Canon’s well-known EF mount lenses. Even specialized lenses, such as Canon’s tilt-shift lens (24mm f/3.5L II) or fisheye lens (8-15mm f/4L Ultra-Wide Zoom). The camera has a feature called peripheral illumination correction that automatically adjusts for any light loss that may occur in the image’s four corners when used in conjunction with EF lenses.
AVCHD Supports a Wide Variety of Recording Modes and Frame Rates
The camera can record at a maximum resolution of 1920 by 1080 at AVCHD bit rates of up to 24 Mbps (LPCM). To cater to the requirements of your production workflow, frame rates like 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all at your disposal. Relay recording of long takes across dual SD cards is supported, and it is also possible to write video to both cards so that you have a backup copy in case one of the SD cards fails. The Pre REC mode provides a roughly three-second buffer before activating the tally light.
MP4 Supports a Wide Variety of Recording Modes and Frame Rates
The Canon C100 Mark II can record in 1920 x 1080p to MP4, as well as support 720p and 640 x 360 frame sizes. In addition, recording may be done at a variety of frame rates.
Uncompressed HDMI Output with Support for Canon Log LUT and Timecode Uncompressing the signal before sending it out over HDMI.
This signal is composed of the timecode and the 2:3 pulldown marker, indicating that an external recorder and converter can output the HDMI output as an SDI signal. A quick backup is provided by external writers, which also assists in the process of streamlining post-production procedures. Additionally, Canon Log LUT output is supported through the HDMI output.
Design That Is Both Space-Saving and User-Friendly
It is 85% the size of the Canon C300 and is based on a mobile core design that allows extra accessories to be connected depending on the situation. It was designed with the single shooter in mind and is 85% the size of the Canon C300. Keep the camera as simple as possible for a “run-and-gun” shooting style, or add various camera-mounted accessories to enhance your photography.
You don’t need overly large and cumbersome gear to shoot dual-camera 3D footage if you have a camera with a small body. Because of its low weight, it decreases the tiredness that users experience and enables even complex rigging systems to remain mobile enough to be operated by a single person.
To provide you with a variety of comfortable shooting positions, the optional hand grip for the camera can be removed and rotated around a full 360 degrees. Additionally, the camera’s physical buttons can be personalized to accommodate your unique shooting preferences.
The stereo microphone and XLR inputs are on the detachable top handle.
The package includes a top-mounted handle unit that provides a microphone shock mount in addition to its two XLR connectors. XLR connections offer a high-quality audio input for professional-grade microphones, making it possible to record audio at a bit rate of 24 Mbps for two channels at 48 kHz linear PCM.
Integrated OLED Display and High-Resolution Electronic Viewfinder
The 1.23 million dot-equivalent 0.45″ electronic viewfinder with 100% coverage enables you to make precise adjustments to your image’s focus, composition, and exposure. The integrated 3.5-inch 1.23-megapixel equivalent OLED panel can swivel 180 degrees to protect the screen when not in use and tilt 100 degrees to provide the photographer with more options when shooting complex perspective images. You can review the footage or check out the waveform monitor using the LCD on the camera.
Recording in AVCHD or MP4 Format to SD Cards Based on File
AVCHD is a high-efficiency codec that has swiftly become a standard in professional and consumer video markets. The camera records video to SDHC/SDXC cards using this codec.
The maximum bit rate is 24 megabits per second. Video files larger than 2GB are divided into multiple files during the recording process. These individual files are then automatically linked together when using Canon Data Import. The AVCHD video codec is the default for Blu-ray discs and is extensively supported by most non-linear editing (NLE) systems.
The camera uses the MP4 codec to record, and while it is in MP4 recording mode, it can register either at a fast speed (25 percent quicker) or a slow pace (40 percent slower).
Completely Manual Operation with Various Focusing Aids
The camera grants the user total manual control over the recording process in all aspects. You can make your unique picture settings, camera operations, and display options and then recall them later.
Both the electronic viewfinder (EVF) and the LCD monitor of the camera come equipped with several highly effective and user-friendly focusing aids that make it simple to determine the critical focus distance. In addition, Peaking Modes and Magnify Focus Modes can be used regardless of whether the camera is in standby or recording mode.
In addition, the LCD has an Edge Monitor Display, where a green waveform indicates the overall focus of the scene, and a red waveform provides input regarding the direction of the three focus check boxes visible on the LCD monitor.
One-Shot Autofocus & Pushing the Iris Auto
One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the lens’s aperture to easily and quickly keep the exposure in the correct range. So even when the mode is manual, it is still possible to access both capabilities.
Built-In ND Filters
When shooting in extremely bright surroundings, neutral density filters are frequently necessary to prevent overexposure while maintaining the ability to use optimal shutter and aperture settings. It has built-in neutral density filters of three different densities, giving you four different ND settings (OFF, two stops, four stops, and six finishes). A manual dial is used to activate the built-in neutral density filters.
Canon EOS C100 Mark II Specs
Imaging
| Lens Mount | Canon EF |
| Lens Communication | Yes, with Autofocus Support |
| Sensor Resolution | Actual: 9.84 Megapixel (4206 x 2340) Effective: 8.29 Megapixel (4096 x 2160) |
| Sensor Type | 24.6 x 13.8 mm (Super35) CMOS |
| Built-In ND Filter | Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters |
| Capture Type | Stills & Video |
Exposure Control
| Shutter Type | Electronic Rolling Shutter |
| Shutter Speed | 1/2000 to 1/3 Second |
| ISO Sensitivity | 320 to 102,400 |
| Gain | -6 to 30 dB (Expanded) 0 to 24 dB (Native) |
| Shutter Angle | 11.25 to 360° |
| Internal Recording Modes | AVCHD 4:2:0 8-Bit 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [28 Mb/s] MP4 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [35 Mb/s] |
| Sensor Crop Modes | Super35 / APS-C |
| Variable Frame Rates | 23.98 to 60 fps |
| Broadcast Output | NTSC/PAL |
| Audio Recording | 2-Channel 16-Bit 48 kHz |
| IP Streaming | None |
Interface
| Video I/O | 1 x HDMI Output |
| Audio I/O | 2 x XLR 3-Pin (+48 V Phantom Power) Input 1 x 1/8″ / 3.5 mm TRS Stereo Input 1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output |
| Power I/O | 1 x Barrel Input |
| Other I/O | 1 x 2.5 mm Sub-Mini (LANC) Control Input 1 x Mini-USB |
Monitor
| Size | 3.5″ |
| Resolution | 1,230,000 Dot |
| Display Type | Articulating OLED |
Viewfinder
| Type | Built-In Electronic (LCD) |
| Size | 0.24″ |
| Resolution | 960 x 540 (1,560,000 Dot) |
| Diopter Adjustment | -5.5 to +2 |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Automatic, Manual Focus |
Environmental
| Operating Temperature | 32 to 104°F / 0 to 40°C |
General
| Battery Type | Canon BP-9 Series |
| Accessory Mount | 1 x 1/4″-20 Female 1 x Cold Shoe Mount |
| Dimensions (W x H x D) | 7.2 x 11.1 x 9.3″ / 18.2 x 28.1 x 23.6 cm |
| Weight | 3.2 lb / 1.5 kg |
Packaging Info
| Package Weight | 12.2 lb |
| Box Dimensions (LxWxH) | 14.5 x 12 x 12″ |
Canon EOS C100 Mark II Price
Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS...
Canon EOS C100 Mark II FAQs
How old is the Canon C100 Mark II?
Since it was first introduced in 2014, the Canon C100 Mark II will be approximately nine years old in 2023.
Is Canon C100 Mark II full frame?
The Canon C100 Mark II is not a full-frame camera, despite what some people may believe. Instead, it has a camera that is Super 35mm.
Is Canon C100 a DSLR?
It is important to note that the Canon C100 is not a DSLR but a digital theater camera.
What resolution is Canon C100?
Full high-definition (Full HD) is represented by the resolution of 1920 by 1080 on the Canon C100 Mark II.
How many megapixels is 4K?
There is no one-to-one correlation between megapixels and resolution. The resolution of a picture is referred to as its “megapixels,” while the quantity of pixels that make up an image is referred to as its “resolution.” On the other hand, a 4K resolution has a resolution that is 3840 pixels wide by 2160 pixels tall.
Does Canon C100 have WIFI?
The Canon C100 Mark II does come equipped with its wifi module.
Does Canon C100 have a built-in mic?
There is a mono microphone integrated right into the body of the Canon C100 Mark II, and it also has two XLR connectors for connecting additional microphones.
Is Canon C100 good in low light?
As a result of its large sensor and expansive dynamic range, the Canon C100 Mark II delivers exceptional performance even in dim lighting. As a result, it can take pictures in dim light while maintaining a low noise level and a high level of clarity.
