A Super 35mm CMOS can be found inside the body of the PL-mount Cinema EOS C300 Mark II Camcorder. Users will benefit from this since it enables faster and more precise autofocusing, which is helpful when working with smaller crews. There are 14 stops of dynamic range that can be supported by Canon’s Log 3 Gamma.
The PL lens system is compatible not just with a vast selection of cine lenses from manufacturers such as Angenieux and Zeiss, but also with Canon’s expanding lineup of EF Cinema lenses designed specifically for the PL mount.
In order to provide color performance on a level that would otherwise require three distinct chips, the Super 35mm sensor is partnered with the Canon DIGIC DV 5 image processor. This processor makes use of a novel approach of separating red, green, and blue data in order to achieve this goal.
The camera is capable of recording video at a resolution of up to 4K DCI to CFast 2.0 cards. The camera also features Canon’s Log gamma mode, which produces excellent tonal reproduction in both the highlight and lowlight regions of an image as well as an expanded dynamic range. This allows for more flexibility to be applied to the image during postproduction, giving you more creative control.
The camcorder comes equipped with a number of different connections, including timecode I/O, genlock input BNCs, and two 3G-SDI outputs. The body features a detachable design that can be disassembled into its component parts in their entirety or reassembled with the help of the handle that is provided “An LCD display that rotates and includes full controls, a grip, and a thumb rest.
The following features were added by Firmware version v.188.8.131.52.00:
Canon Log 3 has a dynamic range of 1600% and 14 stops of dynamic range, making it an excellent choice for middle-end consumers that have a limited post-production budget and require a speedy turnaround.
a decrease in the amount of noise produced by dark areas when shooting in Canon Log 2 mode. A modification to the CMOS sensor control has resulted in a significant reduction of streaking as well as black sun spots in all modes.
ACES 1.0 Output via SDI/HDMI
Enhance Performance While in REC Mode
There is now more lens capability available with the Cine-Servo 50 to 1000mm, Cine-Servo 17 to 120mm, and Compact-Servo 18 to 80mm. Additionally, Dual Pixel Focus Guide has been added to the Canon Cinema prime lenses that use the EF mount. Please be aware that in order to use this functionality, you might also need to upgrade the firmware that is already installed in your lens.
CMOS Sensor for Canon Super 35mm Camera
The Canon CMOS sensor has an active image size of 24.4 x 13.5mm and was modeled after the standard for motion picture film measuring Super 35mm with 3 perforations. It is capable of delivering images in Cine 4K at a resolution of 4096 by 2160 and also supports Full HD and Ultra HD at resolutions of 3840 by 2160. (1920 x 1080)
- Canon Log Gamma
- Canon Log Gamma 2/ACES/REC.2020 support
- Image processing using a pair of Canon DIGIC DV 5s
- Dual DIGIC DV 5 processors, which are responsible for the camera’s internal data processing, are integrated into the device.
- XF AVC Codec
The EOS C300’s XF AVC Codec, which is an H.264 codec covered in the widely used MXF wrapper, provides the greatest image quality possible, allowing users to generate digital files that are sturdy enough for heavy postproduction.
Developed with the Interest of Filmmakers in Mind
The intuitive organization of the controls, including the buttons and dials, makes operation very easy. All of the controls, with the exception of the record button and the function buttons, are disabled by a lock switch. The buttons themselves have tiny ridges in between them to help avoid accidental activation of functions. When there is little available light, it is helpful to have a display screen that is backlit. When seen from the side or behind the camera, a tally lamp can be seen in plain view.
Design That Is Both Compact and Modular
The body of the EOS C300 is lightweight (just over 3 pounds), making it easy to carry about. The electronic viewfinder has a resolution of 1.55 megapixels and is quite bright. Additionally, the camera comes with a combination four-in-one lens that can be removed “, a 1.23 Megapixel monitor, and a control panel.
The camera also contains a removable handgrip with a control dial and function buttons for handheld shooting in the DSLR style. However, if you want to shoot in a more minimalistic fashion, you can remove the handgrip and use the thumb rest that comes with the camera instead.
Built into the EOS C300 is a glass neutral density (ND) filter that can be adjusted manually and offers three different levels of filtering: 1/4, 1/16, and 1/64th. The EOS C300 is able to adapt to shooting settings that are difficult for larger cameras, including shooting handheld or with a tripod, either on-site or in the studio, and even on 3-D setups.
Rugged, Durable & Quiet
The dust-proof and splash-proof design of the EOS C300 includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button keytops sealed with rubber. Additionally, the EOS C300 has a built-in electronic viewfinder that can be flipped up and tilted.
The EOS C300 also has a built-in silent cooling system that consists of a heat-dissipating duct in the body’s center, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All of these components are housed within the camera’s body.
All of the air is routed through a separate channel in order to keep the delicate components of the system free of dust particles. Your camera maintains a comfortable temperature while operating in complete silence.
EVF with an Ultra-High Resolution
The EOS C300 comes equipped with a 0.46 “color electronic viewfinder with 1.17 megapixels and a field of view coverage of 100 percent, allowing for viewing that is both pleasant and accurate in terms of composition, focus, and color. To provide an even higher level of convenience for the user, the viewfinder’s angle can be adjusted. Adjustments for the electronic viewfinder (EVF) include brightness, contrast, color, and backlight (Normal or Bright).
Comprehensive Audio Settings
The control device that is provided with the EOS C300 Mark II camera provides two XLR audio inputs together with +48V phantom power when it is mounted to the camera. In addition, the camera incorporates a 3.5mm microphone terminal into its design. For the highest possible sound quality, the audio is recorded without compression using the 16-bit PCM format at 48 kHz.
Automatic gain control is an option for both of the XLR inputs, as well as the mic terminal, and full manual gain control can be adjusted anywhere from -infinity to +18 dB. In addition, an accurate audio monitoring option is provided through a 3.5mm headphone terminal that features 16 volume levels.
- the recording was done on a CFast memory card
- The camera has two slots for inserting CFast 1 cards for use when recording.
- Completely Manual Operation with Focusing Aids
The camera has a Waveform Monitor (WFM) function that displays the overall brightness of a scene. Additionally, the camera has an RGB Parade Display that allows the user to view the brightness of red, green, and blue, as well as a Spot Display that allows the user to isolate the luminance distribution of a specific area.
The Vectorscope (VS) display provides an accurate representation of the color as well as the saturation levels. The Canon EOS C300 camera offers a magnified focus assist function as well as two different peaking modes to help achieve sharp focus.
A waveform that shows the overall degree of focus is provided by an Edge Panel Focus Assist, as well as a red waveform that represents focus in three specific locations that are presented on the camera’s 4 “LCD monitor. A zebra bar is included as an additional element, and its purpose is to ensure that highlights are exposed appropriately.
Combining elements of high-speed, slow-motion, time-lapse, and stop-motion videography
In addition to the benefits of file-based recording, the camera also provides a variety of creative options for use during post-production, such as slow-motion and fast-motion recording.
Terminals for industry-standard HD-SDI output, genlock, and timecode, as well as audio terminals with linear PCM recording, are included on the EOS C300. These terminals allow the camera to connect to external monitors, switchers, VTRs, and NLE devices that have SDI inputs.
Timecode and genlock make it possible to acquire footage from numerous cameras at the same time, making them ideal for multi-camera shoots, 3D acquisition, and other applications. The HD-SDI sync terminal has a switch that allows it to output in a variety of formats, including Composite, Black Burst, and HD Sync.
Canon EOS C300 Mark II Specs
|Lens Mount||ARRI PL|
|Lens Communication||Yes, with Autofocus Support|
|Sensor Resolution||Actual: 9.84 Megapixel (4206 x 2340)|
Effective: 8.85 Megapixel (4096 x 2160)
|Sensor Type||24.6 x 13.8 mm (Super35) CMOS|
|Pixel Pitch||6.4 µm|
|Built-In ND Filter||Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters|
|Shutter Type||Rolling Shutter|
|Gain||-2 to 44 dB (Native)|
-6 to 54 dB (Expanded)
|Shutter Angle||11.25 to 360°|
|Built-In Microphone Type||None|
|Audio Recording||4-Channel 24-Bit 48 kHz|
|Media/Memory Card Slot||Dual Slot: CFast (CFast 2.0)|
Single Slot: SD/SDHC/SDXC
|Video I/O||2 x BNC (3G-SDI) Output|
1 x HDMI Output
|Audio I/O||2 x 3-Pin XLR Microphone (+48 V Phantom Power) Input|
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
|Power I/O||1 x 4-Pin LEMO Input|
|Other I/O||1 x BNC (Timecode) Input|
1 x BNC (Timecode) Input/Output
1 x 2.5 mm Sub-Mini (LANC) Control Input
|Display Type||Fixed LCD|
|Battery Type||Canon BP-A Series|
|Accessory Mount||1 x Cold Shoe Mount|
1 x 1/4″-20 Female
|Package Weight||19.35 lb|
|Box Dimensions (LxWxH)||18.4 x 14.1 x 13.9″|