Canon EOS C70 Review

The Canon EOS C70 can completely shift the dynamic of the market. Canon has upgraded its Cinema EOS system with a tiny and competent camera. In addition, the camera features an entirely new form factor and the most recent lens mount available from the brand.

Although it takes the place of the C100 series, it is essentially a Canon EOS C300 Mark III packed into the body of a professional DSLR. As a result, it features the same RF mount found on the manufacturer’s most cutting-edge mirrorless cameras, such as the Canon EOS R5 and the autofocus wizardry of the Canon EOS-1D X Mark III.

It does not record in RAW format, but its headline specifications include uncropped 4K 4:2:2 10-bit capture, with up to 120 frames per second recording in 4K and 180 frames per second recording in 2K. Additionally, it has 16 stops of dynamic range courtesy of the Dual Gain Output sensor (the same one seen in the C300 Mark III).

Key Specs:

• Sensor: 8.85MP Super 35mm Dual Gain Output \sLens Canon RF is the mount.
  The Digic DV7 is the processor.
• Video formats include XF-AVC (MXF) ALL-I or Long GOP, 4:2:2 10-bit; MP4 H.265/HEVC, 4:2:2 10-bit; MP4 H.264, 4:2:0 8-bit; 26.2 x 13.8 mm (29.6 mm on the diagonal) in 4096 x 2160 or 2048 x 1080; and 26.2 x 13.8 mm (29.6 mm on the diagonal • 24.6 by 13.8 millimeters (28.2 millimeters across the diagonal) in either 1920 by 1080 or 3840 by 2160 resolution
• Frame Rates: 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) • 50.00Hz mode (50.00P / 50.00i / 25.00P) • 24.00 Hz mode (24.00P) • Slow motion in 4K at up to 120 frames per second • Slow-motion video in 2K (crop) at up to 180 frames per second (audio recording at normal frame rate possible)
• Gamma curves: BT.709 Wide DR (T.709 Gamut), C-Log2 (Cinema Gamut), C-Log3 (Cinema Gamut) PQ (BT.2020 Gamut), HLG (BT.2020 Gamut)
• ISO: Base Settings at 800; Dual Gain Output Settings at 160-25600 (expandable to ISO100-102400)
• The dynamic range has 16 different stops.
• Dual Pixel CMOS AF, Contrast AF (Face Priority, Face Only, and Tracking AF modes available), and EOS iTR AFX are the autofocus systems featured on this camera (head tracking)
• Peaking, waveform, zebras, false color display, and marker controls are available.
• Depending on the frame rate, the shutter speed is 1-1/2000 seconds.
• The shutter angle ranges from 11.25 degrees to 360 degrees, depending on the frame rate.
• Built-in neutral density filters offer exposure adjustments of 2, 4, or 6 stops (10 in extended mode)
• Memory card specifications: two SD/SDHC UHS-II slots
• LCD: Touchscreen with a fully articulating display measuring 3.5 inches; 2.76 million dots (1280 x 720 x RGB)
• Connectivity includes a 3.5 mm audio in stereo mini jack (input only), a 3.5 mm stereo headphone mini jack (output only, camera body), a Mini XLR 3-pin connector x2, an HDMI Type A (output only), a USB Type C (USB 3.2 Gen1), a Time Code BNC / HDMI connector, and a Remote A connector 2.5 mm stereo mini-jack (input only).
• Size: 160 x 130 x 116 mm
• Weight: 1,190g (with grip belt and measure hook)

HANDLING AND BUILDING QUALITY

Coming from the realm of film cameras, using a Canon EOS C70 will feel entirely foreign to you. But, on the other hand, it feels incredibly familiar if you come from DSLRs and mirrorless cameras. And this reveals quite a bit about the audience the camera intended for.

On the one hand, it is intended to serve as an introduction to shooting with a full-fledged cine camera for hybrid photographers who are interested in making the switch. On the other hand, as a result, it eschews the usual, modular architecture of other Cinema EOS systems in favor of a DSLR-like chassis and layout; hence, it actually does feel a lot like a 1D X, in a lot of regards.

The ultra-compact footprint makes it ideal for use in cramped environments as well as run-and-gun situations, where you simply do not have elbow room for anything but a body and lens. However, at the same time, this new small and sleek form factor makes it an intriguing proposition for veteran cinema shooters. Moreover, the fact that it has such a compact frame also makes it an excellent candidate for mounting on a gimbal.

There are 18 buttons on the camera, of which 13 can be customized. Additionally, there is a rear control wheel and a minimal joystick input. The joystick may be the only weak point of the C70’s information, as it feels fragile compared to the more giant and textured joysticks found on Canon’s DSLRs and mirrorless bodies.

The menu system is usually easy to use and uncomplicated, as you would expect from Canon. In addition, it has the same “grammar” as past EOS cameras, making it easier to adapt to if you switch from a different type of photography system.

PERFORMANCE

The Canon EOS C70 is a C300 Mark III that has been shrunk down and redesigned to have a more compact and streamlined form factor. The most significant difference is that the C70 does not record in RAW format. However, because it features the same sensor, you can anticipate the same performance, which means you will get flawless 4K video quality regardless of the frame rate or bitrate you use.

It is important to note that, just like with the C300, if you want to get the maximum 16-stop potential out of the Dual Gain Output technology, you must shoot in CLog2 at an ISO of 800. (the dynamic range drops to 14 stops if you shoot in CLog3).

In addition, DGO won’t operate if you shoot at a frame rate higher than 60 fps in uncropped 4K (Super 35), although it can work at up to 112 fps in cropped 2K, as you might expect (Super 16). This is undoubted because of the processing and power necessary to deal with dual readouts while high-speed (slow-motion) recording.

About slow motion, one of the C70’s most notable advantages is its ability to record in both 4K at 120 frames per second (when shooting in Super 35) and 2K at 180 frames per second (when shooting in Super 16), complete with full audio (recorded in a separate file) and complete Dual Pixel AF. It would have been nice for Canon to release DPAF II, but it would require developing a new sensor. Nevertheless, the fact that this camera has iTR AFX with Deep Learning is sufficient to improve when filming human subjects significantly. In addition, the camera’s overall AF performance feels slightly more accurate than the C300 Mark III.

The built-in ND filters will blow away anyone coming from a DSLR or mirrorless camera. The 2-, 4-, and 6-stop physical NDs (which can be expanded to 10-stops digitally) operate excellently while only adding a minimal effect on color. About this topic, it is essential to note that the C70 can maintain color accurately even when underexposed, as this is the situation in which the Dual Gain Output appears to perform at its peak level e. Itness.

VERDICT

The Canon EOS C70 is a fantastic fantastimakingmera as a switching hose new to this kind of shooting and a tremendous tool for veteran videographers looking for a compact body to shoot in confined or fast-paced environments – and it is particularly well suited for solo shooters. The Canon EOS C70 is an ideal camera for those who are new to this kind of shooting because it is perfect both as an entry point for those new to this kind of shooting as well as a fantastic

Suppose you are a content producer or events filmmaker who has been filming on a DSLR or mirrorless camera. In that case, the form factor and accessible menus are significantly more welcome than those found on most cine cameras. As a result, you will rapidly learn your way around and soon begin shooting beautiful footage.

The Canon C70 packs all of the power of the Canon C300 Mark III into a form factor that is so compact that it will enable you to shoot just as efficiently inside a car as you would in a studio. As a result, this camera is ideal for documentary filmmakers, news gatherers, corporate videographers, and other established shooters who must work in cramped or fast-paced situations.

This exceptionally well-equipped and feature-packed body comes with a fantastic sensor and (almost) all of the inputs and controls you could require. And the RF lens mount lets you use dazzling optics that have never been accessible to cinematography, such as the breathtaking Canon RF 28-70mm f/2L USM, which is a prime example of this.

Consider purchasing a C200 or C300 Mark III if you are required to shoot in RAW format or if you have a strong preference for the modular design of traditional cine cameras. If, on the other hand, you need a setup that allows you to run and gun, a high-performance system for fast-paced shooting, or an introduction to “proper” videography that won’t require you to waste your evenings searching Reddit threads to figure out how everything works, you don’t need to look any further.

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