The successor to 2015’s EOS M3, Canon’s EOS M6 arrives with a small number of features inherited from its relatively new your government, the flagship EOS M5. Both share comparable intentions and so are aimed towards an identical kind of consumer, but with a somewhat pared-down feature set, the EOS M6 arrives with a far more appealing price tag.
Update: Canon EOS M6 Mark II Review
Canon may have got off to a slow focus on its mirrorless series, but it’s made up because of this recently. It now has four models in its EOS M portfolio, within the complete spectrum from newbie to enthusiast. This model, in particular, appears to be suitable to anyone who cut their teeth on the initial EOS M or EOS M10.
The former camp includes Fujifilm’s X-T20, Sony’s A6300, and Panasonic’s Lumix GX8, within the latter there’s the Olympus OM-D E-M5 Mark II and Fujifilm X-T1 Graphite Silver amongst others. You can even buy a full-frame Sony A7 package for just a little bit more.
Check Out: Best Lenses for Canon EOS M6
Canon EOS M6 Price, Deals and Bundle
Just like the EOS M5, the EOS M6 has been furnished with a 24.2MP sensor made with Canon’s Dual Pixel CMOS AF technology.
This enables the camera to execute full-time phase-identify AF to keep focusing fast, in addition to nice and smooth when recording video, and is among the primary changes from the older 24.2MP sensor inside the EOS M3, which offered Canon’s alternative Hybrid CMOS AF III system.
The sensor works together with Canon’s DIGIC 7 processing engine, which is thought to provide better subject recognition and tracking over the prior DIGIC 6 engine. One more thing it allows can be 9fps burst shooting, which drops to 7fps with constant autofocus allowed, and the camera joins a great many other recent EOS versions in allowing raw files to be prepared in-camera post-capture.
Build and handling
In conditions of the Canon EOS M6’s design, there were zero great departures from the EOS M3 – and that’s no poor thing. With a sculpted grip and a variety of buttons which can be extensively personalized, there’s too much to love.
There’s been some reshuffling of controls, although the only difference of any sign may be the addition of an additional dial at the top plate. This right now means the very best plate offers two command dials, as well as mode and exposure compensation dials, which is and an additional control dial on the trunk of the camera.
This brings to a final number of dials to five, which is great for individuals who prefer to gain access to things manually instead of via menus and touchscreens – though you’ll without a doubt opt for touchscreen procedure at many points when you observe how extensively this can be utilized to use the camera.
Thanks to the look of the hold the M6 generally feels great in the hands, although people that have larger hands could find it just a little cramped, and prefer a model with a grip more comparable to that entirely on a DSLR. The eyelet for the camera strap also inhibits holding the camera easily, but if you tend to maintain your camera hanging from your own neck you will not mind this.
There’s just the briefest of delays once you flick the energy switch, and in the event that you currently have an AF stage selected the Canon EOS M6 mirrorless camera generally finds concentrate rapidly. If you have a tendency to keep the camera’s autofocus program on its even more automated default option it might take a whisker much longer to identify the picture, but it’s certainly still speedy enough for all however the most critical situations.
With a fast memory card the camera manages 18 simultaneous natural+JPEG frames before slowing, and 28 JPEGs when tested just as – perfectly respectable figures for such a model. It requires around six seconds to clear the previous and significantly less than two for the latter, even though the camera locks up as this occurs – therefore you can’t enter the menus – that is potentially only a concern in practice if you are using a slower card, which would lengthen this period.
The Canon EOS M6 offers evaluative, center-weighted, partial, and spot metering options, and left to the default to begin those settings it manages to deal well across both balanced and tricky light conditions. It’s smart to keep the Peripheral Lighting correction choice enabled, as this can help to lift the slight darkness that can type around the peripheries of the framework, and the Auto Light Optimizer also proves useful in high-contrast circumstances.
The default Picture Style is Regular, although a comparison with the Auto Picture Style shows the latter to accomplish a far greater job of reproducing most colors. Greens and blues specifically appear relatively undersaturated on the typical option, so Auto could very well be a much better choice if you’re capturing outdoors, especially if the scene contains skies and foliage.