Canon EOS Rebel SL2 / EOS 200D Review

The Canon EOS Rebel SL2 (EOS 200D beyond your US) is among Canon’s most compact DSLRs, designed to appeal to those that are searching for a little and unintimidating camera, but want image quality that surpasses that from a concise model.

However, while the original Rebel SL1 / 100D arrived some four years back and was made to tempt users away from the mirrorless camera onslaught, Canon’s own mirrorless range of cameras has extended since then, where will the EOS Rebel SL2 / EOS 200D now fit in?

Check Out: Best Lenses for Canon EOS Rebel SL2

Canon EOS Rebel SL2 Price, Deals and Bundle


With the 18MP sensor in the outgoing EOS Rebel SL1 / EOS 100D starting to look extremely dated against much newer competition, it’s no real surprise to start to see the EOS Rebel SL2 / EOS 200D get yourself a bump in quality to 24.2MP. It is the same sensor we’ve noticed recently in both the EOS Rebel T7i / EOS 800D and EOS 77D.

The camera also gets Canon’s latest DIGIC 7 image processor. The DIGIC 7 is said in order to handle 14 moments more information compared to the DIGIC 6, so that it should be a straight bigger intensify from the DIGIC 5 chip in the Rebel SL1 / 100D.

This should deliver a big jump in AF performance, which we’ll come to shortly, however the DIGIC 7 also really helps to facilitate the Rebel SL2 / 200D’s ISO selection of ISO100-25,600. That’s a supplementary stop a lot more than the Rebel SL1 / 100D’s ISO ceiling of 12,800, while gleam Hi setting equal to ISO51,200, although you’ll need to select this in the custom made menu.

Rather than the display sitting flush with your body, as we saw with the Rebel SL1 / 100D, the EOS Rebel SL2 / EOS 200D right now gets a 3.0-inch, vari-angle touchscreen display with an answer of just one 1,040,000 dots. The insurance of the optical viewfinder is 95%, which is normal for DSLRs at this price, so you might find that unwanted components creep into the edges of the frame when your review pictures. If framing can be super-critical, you will want to use the rear display.

Build and handling

Because of the inclusion of the vari-angle screen, the EOS Rebel SL2 / EOS 200D can’t take the crown from the Rebel SL1 / 100D as the world’s smallest DSLR, though it may be the smallest DSLR with a vari-angle screen. And it’s really still incredibly small for a DSLR, calculating 122.4 (W) x 92.6 (H) x 69.8mm (D) and weighing just 450g with an electric battery and card installed.

The Rebel SL2 / 200D comes in three finishes. There’s a white edition and a silver/tan choice, although most people will likely choose the more sober dark version, the matte finish on which looks especially fetching against the silver-toned controls at the top plate.

However, thanks to a mixture of polycarbonate resin and carbon-and-glass-fibre, a lot of the camera’s surface finish is suffering from the same plasticky experience we disliked on both Rebel T7i / 800D and EOS 77D; it just doesn’t believe that nice to touch.

The hand grip was pretty much non-existent on the initial SL1 / 100D in order to decrease its size, so it’s great to see that the grip on the EOS Rebel SL2 / EOS 200D is currently pleasingly deep, and it will offer enough support for many people. The materials for the hand hold has transformed though, with Canon reverting to the traditional-looking leatherette finish it uses for a number of its DSLRs, instead of the more modern-searching dimpled texture utilized by the Rebel SL1 / 100D.

Canon has overhauled the very best plate for the Rebel SL2 / 200D, with the mode dial today recessed in to the body, and has truly gone with a fresh power control that provides immediate usage of movie recording. Additionally, there are dedicated buttons for connectivity and display, as well as the ISO button. The ISO/Disp control keys are somewhat spongy, nevertheless, as the shutter release switch has a certain hollowness to it.


With the arrival of the DIGIC 7 engine, Canon has stretched the burst shooting speed of the EOS Rebel SL2 / EOS 200D to 5fps, from 4fps on the Rebel SL1 / 100D. This burst rate can be what we’d expect from entry-level DSLR as of this price, but those attempting to regularly shoot an easy sequence of shots, and who are on a spending budget, might want to appear at some mirrorless rivals.

Most of the features we’ve seen on very much pricier EOS models also have made the trim here, like the various zoom lens aberration corrections and the time-lapse film mode. Impressively, you even get in-camera natural processing, which is great for individuals who want to talk about their images instantly without compromising on quality.

If that sounds quite advanced, don’t be deferred, as the EOS Rebel SL2 / EOS 200D is ideal for new users because of the clean graphical interface. This is a location where Nikon has been actually strong, using its Guide Setting on famous brands the D3300, so it is good to find Canon follow suit.

We first found this user interface on the T7i / 800D, and the ones taking their first measures in innovative photography should think it is really useful. Key configurations are explained on-screen, while the ramifications of changing a setting are illustrated in the many shooting modes. For instance, in Aperture Priority setting the display will show what settings are necessary for a blurred or sharp history, with annotations that transformation as you boost or reduce the aperture.

If you’re a far more experienced user seeking to utilize the Rebel SL2 / 200D as another body, you may disable this feature in the menu if you want, and stick to Canon’s more traditional menu program.


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