Among the features of the Canon PowerShot S410 Digital Elph Camera are its maximum resolution of 2272 x 1704 pixels, a three-times zoom lens made entirely of glass with seven elements, and an autofocus range ranging from two inches (in macro mode) to infinity.
Besides still images, the PowerShot S410 Digital Elph camera can also record movies with sound at a frame rate of 15 frames per second for segments lasting up to three minutes each in either 320240 or 160120 resolutions.
The PowerShot S410 Digital Elph is equipped with a 3x optical zoom lens that is both ultra-compact and quick (f/2.8-4.9). The lens, which has a seven-element construction, has a broad Autofocus range that may be as near as two inches (in macro mode) or as far out as infinity.
Canon has also improved the strength and range of the digital zoom on this camera, increasing it to 3.6x.
The S410 Digital Elph camera has a continuous burst mode that allows you to take up to 2.2 frames per second at full definition, which is ideal for snapping images on the go.
Also included are automatic, red-eye reduction, and slow synch settings as well as a built-in flash with a range of up to 11 feet and a shutter speed that reaches a fast 1/2000 of a second.
The camera’s bright, clear, and easy-to-read 1.5-inch LCD panel even allows users to inspect the tiniest of details owing to a 10x playback zoom, which allows them to see even the smallest of details.
CCD with a resolution of 4.0 Megapixels
CCD sensors with excellent resolution are built into Canon’s PowerShot S500 and S410 digital cameras, which record a great deal of information. Even your biggest prints will have the clarity and depth of detail that you expect and deserve.
Zoom ratios of 3x optical, 3.6x digital, and 11x combined.
Both cameras are equipped with a high-resolution 3x optical zoom lens, which allows them to capture crisp images in a range of shooting conditions with ease. A digital zoom that is flawlessly integrated puts you right in the middle of the action.
The DIGIC Imaging Processor and iSAPS Technology are two of the most advanced technologies available.
Cameras equipped with Canon’s unique DIGIC Imaging Processor alter the way you capture digital photographs by allowing the camera to process images more quickly while also increasing the precision of focusing. DIGIC also has the additional benefit of reducing the impact of noise in your photographs.
Canon’s iSAPS Technology is a scene-recognition technology that was developed specifically for digital cameras. Making use of an internal database containing hundreds of different photographs, iSAPS works in conjunction with the fast DIGIC Imaging Processor to increase the speed and precision of focus, as well as exposure and white balance.
Button for Printing and Sharing
Direct printing from a Canon Card Photo or Direct Photo Printer has never been easier than it is now, thanks to a new dedicated Print & Share button located directly on the camera.
The printer is equipped with a comprehensive set of printing options, including ID Photo Print in 28 different sizes and a Movie Print function* that allows you to print several stills from a recorded movie on a single page of the paper. PictBridge also allows you to print directly from any printer that is PictBridge-compatible.
AiAF Auto Focus System with nine points of adjustment
No matter where your subject appears in the frame, the 9-point AiAF focus system guarantees that your subject is in sharp, rapid focus on every photo.
Orientation Sensor with Intelligent Orientation
When you examine images on an LCD screen or on your computer, an Intelligent Orientation Sensor automatically turns them to the right orientation.
The PowerShot S410 is virtually indistinguishable from its predecessors, the PowerShot S400 and S330, and it maintains the compact form factor that has helped make the ELPH line such a success. The camera’s small size makes it ideal for discretely stowing away in a pocket or handbag without the risk of causing any harm to the device. However, I strongly advise using a cover to protect the camera from scratches and accidental activation.
A retractable lens is a clever feature that keeps the camera front entirely flat when the camera is turned off, highlighting the pocket-friendly form of the camera. Additionally, an automated lens cover ensures that you do not need to worry about smearing the lens or losing the lens cap.
The S410 has the same dimensions as the S400, which are 3.4 inches by 2.2 inches by 1.1 inches (87 millimeters by 57 millimeters by 28 millimeters), and the same weight, which is a modest 6.5 ounces (185 grams) without the battery or media.
The front of the S410 has a characteristic ELPH design, with the viewfinder and flash located directly above the lens, which is somewhat off-center and angled toward the right. Next to the optical viewfinder is a light emitter that serves various purposes. These include helping with focusing, reducing the appearance of red eyes, and providing a countdown for the self-timer.
When the camera is turned on, the telescopic lens swiftly slides into position and then retracts completely within the camera so that it may keep its flat profile. The only finger grip that is offered is a little notch that extends from the eyelet of the wrist strap; however, the wrist strap that is included should provide a more secure feeling overall.
On the top of the camera is where you’ll find the Shutter button, the Zoom lever, and the Power button. All three of them protrude somewhat from the surface. There is also a speaker for playback and a microscopic microphone for capturing sound to go along with the movies.
The connector for the wrist strap can be found on the right side of the camera (when viewed from the back), and the CompactFlash slot can be found on the same side. The slot is protected by a plastic lid that locks into place. The true location of the card slot’s release lever is on the rear panel of the camera itself.
The plugs for the USB and A/V outputs, which are shielded by a rubber cover, are located on the side of the camera that faces away from the viewfinder.
On the back panel of the camera are located all of the remaining controls, as well as both the optical and LCD viewfinders. When shooting with one hand, a slight thumb grip is provided by a little ridge that runs down the right side of the camera, and the finger grip on the front of the camera is strengthened (for small to medium hands, those with larger hands may have a little difficulty negotiating the controls, which are a little close together).
The buttons for the LCD monitor’s Set, Menu, Display, and Function menus are arranged along the bottom edge of the screen, and just to the right of these buttons is a pad with four directional arrows. The door to the CompactFlash slot may be opened using the sliding switch on the right side, and the Mode switch allows access to the Record and Playback modes.
The dial for the Exposure Mode may be found just above the LCD panel. The camera’s status is displayed by two LED lamps located next to the viewfinder. These lamps light up to show when the focus has been adjusted or when the flash has been completely charged.
The battery box and the metal tripod mount are both housed in the S410’s lovely, flat bottom panel, which is another standout feature of this camera. Because the weight of the camera, which is placed off-center on the tripod head, might cause the mount threads to become too stressed, I like it when the tripod mount is not positioned so far off to the side of the camera.
It’s possible that this won’t be an issue given how compact the S410 is and how well the tripod socket is designed (kudos for that!). However, due to the fact that the tripod socket is located so near to the edge of the camera, there is a possibility that the camera will not rest level on some tripod heads.
(Once again, this is a rather unimportant issue given that you can typically just tilt the tripod in order to position the camera in any way that you see fit.) A little rubber flap is located in the middle of the entrance to the battery compartment, and the cover for the battery compartment locks by sliding open and then outward.
This flap conceals a hole in the battery compartment lid that was made to permit access to the connection jack that is included within the “dummy battery” that is used in the AC adapter kit.
(Just like the AC adapter design of many other Canon digital cameras, the S410 inserts inside the battery compartment like a fake battery and offers a connector for the cord of the AC power converter.)
The remarks that are offered here are a summary of only my most important results as required by my usual testing policy. Check out the “pictures” page of the S410 Digital ELPH for a comprehensive analysis of each of the sample photographs.
Are you having trouble deciding which camera to buy? Your perception should serve as the final arbiter! Images from the S410 may be compared with those from other cameras that you might be thinking about purchasing by using our Comparometer(tm). The evidence can be seen in the photographs, so let your own eyes judge which option is most appealing to you.
I would recommend that you allow your own eyes to be the judge of how well the camera worked, as is the case with all of the product testing that is done by Imaging Resource. Examine the photographs on the pictures page to get an idea of how the images captured by the S410 compare to those captured by other cameras you might be thinking about purchasing.
Under a wide range of lighting conditions, the color is rated as excellent to very good. The color reproduction of Canon’s Digital ELPH cameras has never failed to impress me, and the S410 is not an exception to that rule. Throughout the entirety of my testing, the camera did an excellent job with color, delivering colors that were rich and realistic regardless of the source of light. Both the Auto and Manual white balance settings gave nice color, but the Manual setting was the one I used the majority of the time since I found it to be the most accurate.
The color of the subject’s skin was captured accurately, and the camera did a nice job with the challenging blue of the flower arrangement in both the outdoor and interior shots. Even though the photo of the musicians threw the camera’s white balance system off somewhat, the Manual mode still delivered the best and most convincing images. On the Davebox target, colors were vivid and precise; nevertheless, the additive primaries appeared to be somewhat oversaturated. I was astonished by how much better the flash photographs taken with the S410 appeared under the intense incandescent lighting that was used for my Indoor Portrait test. There was a much-reduced amount of color cast that was caused by the room lighting that was present in the final images. All in all, an outstanding job.
Exposure: The exposure was accurate, but the contrast was a little too strong in the bright lighting. The S410 did a good job of dealing with the majority of the test conditions I put it under, requiring about the same amount of exposure adjustment as usual for the high-key, brutally lit outdoor portrait. The intense lighting in that photo resulted in very high contrast, although the highlights lost some of their detail: Not an unusual occurrence, but there was a greater loss of detail than I would have preferred to observe; despite this, the S410 appeared to perform somewhat better to my eye than the S500 did.
The difference was very imperceptible, but it appeared that the S410 showed more shadow detail than the S390 did for the same amount of highlight loss, which suggests that the S410’s dynamic range is somewhat superior. The camera did a very excellent job of separating the various tone differences of the Q60 target on the Davebox, and it also did a nice job of capturing the information in the shadows. To get an exposure that was sufficiently light indoors, the camera required an average amount of positive exposure compensation, which was +1.0 EV for the indoor portrait mode without the flash.
High resolution with 1,100 lines of “strong detail,” resulting in a resolution of “high sharpness.” The S410 did quite well on the resolution test chart that was designed for a “laboratory.” In both the horizontal and the vertical directions, it started displaying artifacts in the test patterns at resolutions as low as 800 lines per image height. I found “strong detail” out to a line count of 1,100 to 1,150.
(In all honesty, it’s a bit difficult to say how high the resolution is on the S410 since, although there is what seems to be substantial information visible well beyond the 1,150 line point, there is also extremely heavy aliasing.) My conservative nature tells me to call it quits when the aliasing gets as strong as the primary detail, but some reviewers might be inclined to say that there are more than 1,300 lines of resolution here. However, some reviewers might be inclined to say that there are more than 1,300 lines of resolution here. The “extinction” of the target patterns did not take place until around 1,450 lines into the analysis.
Noise in the image is visible even at ISO 50, however, it won’t likely become an annoyance for the majority of users until ISO 400. Image noise is becoming more noticeable than it was in prior generations of cameras as a result of increasing CCD resolutions leading to smaller pixel sizes. Even at an ISO setting as low as 50, the S410 produces photographs with a level of image noise that is discernible, while being very modest. However, the images at ISO 50 and 100 will probably be satisfactory for the majority of users, while ISO 200 and 400 will provide results that are just somewhat unacceptable. In addition, as you might anticipate given that the S410’s pixels are somewhat larger than those of its higher-resolution brother, the S500, the S410 exhibits a little lower level of noise.
Closeups: Excellent macro performance. The S410 performed exceptionally well in the macro photography category, capturing an area that was just 2.18 × 1.63 inches in size (55 x 41 millimeters). The resolution is really excellent, and the dollar bill, coins, and brooch all have an impressive level of detail. As a result of the near shooting range, the details on the coins and brooch were less distinct. There is also some softness in each of the four corners of the frame, but this is something that is very usual for macro images taken with a digital camera.
The flash on the S410 was able to be controlled rather effectively for the macro-region; but, because of its location on the camera, a black shadow was cast in the lower right corner of the frame. (If you want to get the best close-up macro images with the S410, you should plan on utilizing external illumination.)
Night Shots have excellent performance even in low light, with perfect color balance and a low level of noise. At each of the four ISO levels, the S410 performed an outstanding job, producing images that were crisp, bright, and useable down to the limit of my test, which was 1/16 foot-candle (0.67 lux) in brightness. The quality of the color remained consistent for the entirety of the show, even at the lowest possible light levels.
I found the noise to be very low in most instances, and even at ISO 400, it was lower than I had anticipated. This was surprising to me given that the S410 has noise that is slightly higher than normal when taken in daylight circumstances. The Canon PowerShot S410 comes equipped with a powerful autofocus assist illuminator that enables the camera to maintain focus even when there is no available light to do so. (At least on issues that are somewhat close by.)
The precision of the Viewfinder: While the LCD display provides excellent accuracy, the accuracy of the optical viewfinder is somewhat limited. The frame accuracy displayed in the optical viewfinder of the S410 is fairly high, coming in at around 82 percent while shooting at a wide angle and approximately 77 percent when shooting at a telephoto. The LCD monitor performed far better, displaying accuracy of the frame that was around 98 percent at both the wide-angle and telephoto settings. In light of the fact that I prefer LCD monitors to have an accuracy that is as near to one hundred percent as is humanly feasible, the LCD monitor on the S410 is virtually flawless in this respect; on the other hand, its optical viewfinder could most definitely use some assistance.
Optical Distortion: The geometric distortion is around average, and there may be some issues with coma or flare. I observed roughly 0.7 percent barrel distortion when using the S410 at its widest angle setting, which indicates that the optical distortion on this camera is about average. I recorded 0.09 percent barrel distortion at the telephoto end, which is a far better result than the wide-angle end. However, there are some issues with coma and/or flare in the corners of the frame caused by the lens of the S410.
Additionally, there is a significant amount of softness visible, particularly along the left side. However, chromatic aberration does not appear to be very severe because there is only a moderate amount of color visible on the margins of the target parts. This indicates that the color is not very intense. (On the resolution target, you can see this distortion as a very faint colored fringe surrounding the items that are located on the outside limits of the field of vision.)
Although the battery life is satisfactory for such a little device, it is nevertheless advisable to get an additional battery just in case. The battery life of the S410 is above average for a model of this size, with a worst-case run duration of around 94 minutes on a fully charged battery. This puts it in the category of tiny models. Additionally, although I did not test the amount of time it took for the battery to go down with the LCD turned off, it appears to be at least several hours. Nevertheless, my time-tested recommendation that you acquire a second battery at the same time as the camera is still relevant.
Canon PowerShot S410 (Digital IXUS 430) Specs
|Max resolution||2272 x 1704|
|Other resolutions||1600 x 1200, 1024 x 768, 640 x 480|
|Image ratio w:h||4:3|
|Effective pixels||4 megapixels|
|Sensor photo detectors||4 megapixels|
|Sensor size||1/1.8″ (7.144 x 5.358 mm)|
|ISO||Auto, 50, 100, 200, 400|
|White balance presets||5|
|Custom white balance||Yes|
|JPEG quality levels||Super-Fine, Fine, Normal|
|Focal length (equiv.)||36–108 mm|
|Autofocus||Contrast Detect (sensor)Multi-area single Live View|
|Digital zoom||Yes (3.6 x)|
|Macro focus range||5 cm (1.97″)|
|Number of focus points||9|
|Viewfinder type||Optical (tunnel)|
|Minimum shutter speed||15 sec|
|Maximum shutter speed||1/2000 sec|
|Flash range||3.50 m|
|Flash modes||Auto, On, Off, Manual (Red Eye On/Off)|
|Continuous drive||2.5 fps|
|Self-timer||Yes (2 or 10 sec)|
|Exposure compensation||±2 (at 1/3 EV steps)|
|Resolutions||320 x 240, 15 fps, max 3 mins|
|Storage types||Compact Flash (Type I)|
|Storage included||32 MB CompactFlash|
|USB||USB 1.0 (1.5 Mbit/sec)|
|Battery description||Lithium-Ion NB-1LH Battery & charger|
|Weight (inc. batteries)||215 g (0.47 lb / 7.58 oz)|
|Dimensions||87 x 57 x 28 mm (3.43 x 2.24 x 1.1″)|
The ELPH series has always pleased me with both the quality of its photographs and the variety of its features, and the 4.0-megapixel S410 continues that trend. The compact size of the camera makes it an ideal travel companion, and the variety of capabilities gives it an advantage over the many point-and-shoot-style digital cameras that are now available on the market.
Even while the actual exposure management is still automated, the shooting range of the camera may be expanded thanks to the ability to alter the ISO and the white balance, as well as access longer shutter times. The high-resolution CCD creates images with excellent clarity and colors that are true to life.
There are two minor ergonomic issues with the S410, as well as the previous S400 and the S500, which is the S410’s higher-resolution sister. These issues are as follows: To begin, the mode dial moves between its positions a little bit too readily, which means that it can change positions even when the user did not intend for it to do so.
The second issue is that removing the CF card is a bit of a hassle. Although none of these features is likely to prevent the majority of customers from giving serious consideration to purchasing this high-quality camera, I would be negligent if I failed to point them out. During my testing, I found that the lens of the S500 had a tendency to be relatively soft in the corners and that the camera’s photographs had a little level of noticeable image noise, even at its lowest ISO settings.
I doubt that the majority of consumers will find the S410’s image noise to be an issue at ISO settings of 200 and below, as I explained in my detailed analysis of the camera’s images (and its noise levels are slightly lower than those of the S500, to boot), but I feel compelled to mention it so that readers who are especially sensitive to image noise can examine the sample pictures more closely and form their own opinions.
Nevertheless, the S410 is a very worthwhile addition to the Digital ELPH range, and it is one that has earned a spot on my list of Dave’s Picks because of its overall quality.
Canon PowerShot S410 Price
Pros & Cons
- Excellent noise performance
- Amazing amount of closure
- Excellent use of a long exposure
- The images that it creates are extremely crisp.
- a few chromatic aberrations are noticeable
- Poor AWB in tungsten light
- There is no live histogram.