Canon PowerShot SD1000 Review

When the initial Canon ELPH was released in 1996 as an APS film camera, its small size and forward-thinking “box and circle” design indeed had more appeal than the film format that the little camera supported. As a result, the Canon ELPH was the first digital camera to handle APS film.

While APS has become a thing of the past, Canon has carried on the ELPH tradition in its series of digital cameras. Even after 11 years, the ELPH maintains its sophisticated and alluring appearance in digital media.

  • Product
  • Features
  • Photos

Canon PowerShot SD1000 7.1MP Digital Elph Camera with 3x Optical Zoom (Silver)...

Last update was on: January 19, 2024 11:08 am
$174.00 $199.99

Essential Qualities

  • 7.1-megapixel CCD 3x optical zoom lens (equivalent to a 35-105mm lens on a 35mm camera)
  • 4x digital zoom.
  • Viewfinder using optics
  • 2.5-inch color LCD monitor
  • Automatic exposure
  • Integrated flash with settings for red-eye correction and slow synchro capture
  • SD/SDHC compatible, and a 32MB card is included.
  • a link for computers using USB 2.0 at full speed
  • Lithium-ion battery, together with its accompanying charger, is supplied.
  • Software for both Mac and PCs, compatible with Windows Vista

Canon introduced the SD1000, a camera with a retro look almost identical to that of the original model of the ELPH, not long after the tenth anniversary of the ELPH. This was Canon’s way of bringing the ELPH back to its roots, even though the design had undergone minor changes.

In addition to its small size and striking appearance, the 7-megapixel SD1000 possesses a conventional 3x optical zoom with a 35mm equivalent focal range of 35-105mm, a 2.5-inch LCD that provides a resolution of 230,000 pixels, and an optical viewfinder, which is uncommon in cameras of this size.

This digital point-and-shoot camera is part of the Digital ELPH series. Therefore it does not have manual controls for the shutter speed or aperture. However, it includes several scene modes, exposure compensation, and both manual and automatic ISO settings. One simple touch of a button activates the brand-new on-demand Auto ISO Shift function, which increases the light sensitivity to a maximum of 800. In addition, white balance can be adjusted manually, automatically, or selected from several presets (manual).

Long exposures of up to 15 seconds are achievable with this camera, even though its maximum auto shutter speed is just 1/1500 of a second (the one way you can set a manual shutter speed is available through the Function Menu). Some of the most notable features of the camera are the ability to make fine-tuning changes, customize the settings for the self-timer, use stitch-assist for up to 26 frames, and to have diverse movie selections.

Special Features

  • Automatic Face Detection that is enhanced in terms of focusing, exposure, and flash power
  • ISO range expanded from 80 to 1600 (manual), with choices for auto, high, and auto ISO shift also included
  • There are ten different scene modes, including Color Swap, Color Accent, effects, and a wide range of color possibilities, such as Sepia, Black and White, and Vivid.
  • Skin tones, contrast, sharpness, saturation, red, green, and blue levels may all be adjusted.
  • Programmable Publish and Share Button
  • Speeds of the shutter range from 15 seconds to 1/1500 of a second
  • Playback mode includes automatic red-eye correction performed in-camera.
  • panoramic stitching support for up to 26 images at once
  • Modes of metering include Evaluative, Center-Weighted, and Spot.
  • (Color) white balance adjustment includes seven different choices, one of which is a manual setting
  • PictBridge printing compatibility in addition to DPOF (Digital Print Order Format)
  • Personalized and tunable built-in timer
  • Recording options for motion pictures with sound, including high frame rates and time-lapses

Heritage

Many pocketable digital cameras on the market are smaller, thinner, and have bigger LCDs than the SD1000. However, there are also a lot of compact cameras that come in various attractive and fashionable colors.

However, the ELPH line has a track record of strong performance and solid picture quality, and the sleek and small SD1000 looks attractive and fits easily in shirt or pants pockets. It also has the ELPH line’s reputation for good performance. In addition, an easy-to-use “point-and-shoot” interface, a logically organized control structure, and a straightforward menu system to traverse put inexperienced users at rest and make capturing pictures a breeze for more advanced users.

The SD1000’s portability and top-notch image quality may even appeal to digital SLR users looking for an essential, take-anywhere companion for fast photographs. In addition, the SD1000 does not include manual aperture and shutter speed adjustments.

Face Detection (FD) is rapidly becoming a standard feature, and I’ve dealt with several different FD systems over the years. I’ve found that Canon’s FD technology is among the most responsive and accurate. The most recent iteration of Canon’s FD technology is built into the SD1000. It helps guarantee that subjects are accurately focused and exposed and detects numerous faces simultaneously. In addition, it evaluates the shooting circumstances and makes appropriate adjustments to the flash output.

When increasing the ISO to raise the shutter speed and avoid fuzzy photos caused by camera shakes, Canon takes a more measured approach than other camera manufacturers that advertise “anti-shake” capabilities. As a result, images created by other cameras frequently contain unacceptable noise due to their extraordinarily high ISO settings.

That is not to suggest that the SD1000 does not have picture noise or that it’s Auto and Hi ISO settings can’t go beyond tolerable bounds, but instead that it does a better job of keeping it under control. For example, the prevenient one-button/one-shot Auto ISO shift boosts the ISO to a maximum setting of 800 when implemented, regardless of the manually selected ISO setting. In addition, the range of the ISO that can be set manually is from 80 to 1600, and the scope of the ISO that can be set automatically is from 80 to 1600.

As an example of what I mean by a “gentler approach,” consider that the maximum ISO setting you should use with the SD1000 is 800. Of course, you can go higher if you choose, but the camera won’t take you there unless you permit it.

Suppose you don’t read the manual or spend some time delving deeper into the Function menu. In that case, you might miss out on some of the SD1000’s hidden features, even though the camera’s default auto mode is unquestionably simple. However, the SD1000 has several other capabilities that are more difficult to access.

You may modify the contrast, sharpness, saturation, skin tone, and individual red, green, and blue tones by clicking the Custom option tucked away under the My Colors menu.

It is recommended that you go through the handbook to uncover some concealed Scene modes. But after encountering some of these less-than-obvious possibilities, you’ll find that the SD1000 has some unexpectedly functional capabilities to complement its appealing style. This is because the SD1000 was designed to support several different file formats.

Design

In homage to the ELPH’s pioneering design, the SD1000 is offered in a black-on-silver color scheme; if you find that aesthetic too dated for your tastes, you need not worry; the camera is also provided in a silver-on-silver color scheme.

Because of its diminutive size and lightweight, it is an open invitation to take the camera with you everywhere you go. Moreover, it is just as comfortable to wear around your neck dangling from a lanyard as tuck away in a pocket or handbag because of its versatility.

Similarly, the camera has a sturdy construction. It can survive the rigors of being carried around town or on a trek in the woods without the user being concerned about its condition.

However, just as with any other compact camera, it is essential to give the SD1000 a test run to determine whether the handhold is agreeable and whether or not the controls are easy to use. I could hold the camera easily for extended periods without my fingers cramping up, and shooting with just one hand was not difficult at all. However, the camera does not have a grip, and there is little room for your thumb to rest anywhere other than on the vertical switch on the rear panel.

My hands were careful to avoid getting in the way of the lens, the flash, or the teeny-tiny microphone, and the controls, which are clustered to the right of the LCD screen for practical reasons, were not difficult to access. But, on the other hand, I have rather petite hands, and those with larger hands would not have the same degree of comfort.

When considering the limited space available on the camera’s back panel, the controls have been thoughtfully laid out and are of an appropriate size. The speaker is located to the left of the mode switch, directly above the Print/Share button. The Print/Share button can also be programmed to provide one-touch access to various functions, including Exposure Compensation, White Balance (the full range or Custom only), Movie mode, and display off, amongst others.

For my needs, it was easy to assign Exposure Compensation to the Print/Share button. However, while shifting between shooting indoors and outdoors, I preferred using it for White Balance presets since it gave me more flexibility.

I found that the Four-way controller that surrounds the Function/Set button required extra effort to manipulate, not only because it was somewhat less responsive than the buttons but also because I had to rely on the tip of my thumbnail rather than the tip of my thumb to press the appropriate mark without accidentally triggering the Function/Set button. The Function/Set, Display, and Menu buttons were all large enough for easy operation; however, I found that the Four-way controller that surrounds the Function/Set button required extra effort to manipulate.

If you aren’t paying close enough attention, the elegant minimalist design is simply too flat for a thumb to accurately actuate, although it is quite attractive.

Accessing the menus for ISO, flash settings, shooting mode, and focus/distance through the Four-way controller is straightforward; however, the menus disappear instantly after a second or two, giving very little time for the user to deliberate about which option to select.

Because all the options, including Auto, High, and manual settings, do not fit on a single screen, selecting an ISO was incredibly frustrating. If I did not start scrolling as soon as possible, the menu would vanish, and I would have to begin the process again. Those unfamiliar with the choices included within each of these quick-access menus are likely to find this situation particularly unpleasant.

In addition, accessing the system menu was necessary to activate the red-eye reduction and slow synchro flash settings. On the other hand, there is no difficulty in comprehending any of the options or navigating them. However, as I indicated earlier, several functions are hidden deep inside the Function menu. This means that not only do you need to be aware that they exist and where they are located, but you also need to take more time to access them. As expected, the more I used the camera, the quicker I adjusted the settings on the fly.

Display/Viewfinder

Having previously used cameras with LCDs that were so reflective that I could see myself more clearly than the subject I was attempting to record, I found that the 2.5-inch panel on the SD1000 was a joy to use.

It is not ideal, and there were occasions when I had to fight to frame a picture in solid sunshine or revert to the small (and difficult to use) optical viewfinder. Still, it is far better than other cameras for maintaining clarity in bright light.

This enhanced usefulness is most likely attributable to Canon’s new PureColor LCD and multi-level coating. This coating is intended to minimize glare and “resist scratches, smudges, and fingerprints,” respectively. Unfortunately, taking the camera out of my jacket pocket was enough to leave fingerprints on the LCD. Thus this solution is not a foolproof method for keeping the screen clean.

Even when photographing in the pitch-black void under my desk, the LCD operated admirably, immediately gaining ground and bringing the image back into view. Of course, when the gain is applied, the image on the LCD becomes slightly noisier, as is typical; nonetheless, it displayed less grain than most other displays.

It was to be anticipated that the refresh rate would be slower in these low-light circumstances, yet, I did not experience any ghosting when moving the camera about in these environments.

The SD1000’s many display settings allow for the presentation of comprehensive shooting information on-screen. In addition, a grid overlay and a guide for the 3:2 aspect ratio are also accessible when the camera is in record mode.

In playback mode, the information display is always accompanied by a histogram. (In the part on shooting, I go into greater detail about the benefits of having different display options.)

Performance

Even though the power button was practically flush with the camera’s top, it was quickly to touch, and I promptly discovered that the camera was powered up and ready to go in virtually no time.

The camera speed was consistent from shot to shot; even while I was using the flash, I didn’t have to wait an excessive amount of time to take the following image, and there wasn’t any latency between hitting the shutter button and the camera taking the picture. In addition to that, the continuous shooting pace was decent.

The SD1000, much like most cameras in its class, provides a focal range that is somewhere in the middle with its three times optical zoom lens. But on the other hand, the small zoom lever operated the lens smoothly and quickly over its whole 35-105mm focal range.

You won’t be able to capture highly expansive landscapes with this focal range unless you use the camera’s stitch-assist feature to create a panorama. Additionally, due to the SD1000’s limited telephoto reach of 105mm, you won’t be able to photograph objects or situations that are far away (35mm equivalent). But I found that the three-times optical zoom was sufficient for general photography.

When utilizing the LCD, the SD1000 has a CIPA rating of roughly 210 shots on a fully charged battery. A small rechargeable lithium battery powers the SD1000, and the battery may be recharged. Because I don’t spend a significant amount of time studying photographs in-camera other than to verify exposure and focus, I could not take more than 210 shots that were predicted to be possible on a single charge of the battery.

Your experience may be different from mine because it depends on how you typically listen to music. However, this standard battery life shouldn’t be a problem if you don’t anticipate firing more than a couple of hundred times between charges unless you want to push it.

A little camera will inevitably have a small flash attached to it. When set to Macro, the SD1000’s moment dimmed down beautifully, but when put to wide-angle, it was clear that it did not have the power to reach more than 12 feet. Likewise, when set to telephoto, the light output is barely adequate for excellent exposures at a distance of six feet.

Note that this is the case when the camera is set to ISO 100; when set to Auto ISO, the SD1000 can get satisfactory exposures at 11 feet when using the wide-angle lens and 6.6 feet when using the telephoto lens with just a minor increase in ISO, as specified by Canon (ISO 250 and 200 respectively). In addition, when photographs were taken using a wide-angle lens, we noted that the flash was less noticeable around the image’s edges.

The automated face identification feature of the camera, which can be engaged from within the camera’s system menu, performed relatively well. It was quicker and more accurate than the competition, which was notably noticeable when dealing with many people.

Autofocus

Autofocus was generally quick and accurate when the camera’s 9-point AiAF was turned on; however, on occasion, I turned it off because having a single (centered) focus point gave me better control when I wanted the focus frame to be centered. Autofocus was generally quick and accurate when the camera’s 9-point AiAF was turned on.

If that weren’t the case, I’d have to recompose whenever the AiAF focal points, which are represented by green boxes with outlines, weren’t in the precise location that I want them to be in (focusing on the grasses surrounding a flower rather than on the flower, for example). However, focusing was not too tricky due to the amber AF assist lights, even with little light.

As anticipated, I was satisfied with most of the test shots I took. The SD1000’s metering options (evaluative, center, and spot) all did a good job producing well-balanced exposures under various lighting conditions, except for a few daffodils that were shot in bright sunlight and came out with an excessive amount of exposure. These daffodils were overexposed. The visuals were crisp, and the colors were portrayed with great detail.

Shooting

Using the SD1000 was a lot of fun to shoot with. Because the camera is so easy to carry, I found myself snapping photographs I usually wouldn’t have ever considered recording. For example, I didn’t roll my eyes at the prospect of taking a camera on a walk through a local park; instead, I gleefully tucked the camera into my pocket to travel to the local park.

As soon as I got there, I put it on a lanyard and hung it around my neck so that all I had to do to take a picture was bring the camera up to my face and press the shutter button. I always kept the camera on the table in the dining room so that I could quickly grab it and head outdoors to take pictures of spring flowers whenever the mood (or the light) struck me.

I carried it in my handbag, and it was a big hit when I went to a get-together with some friends. Holding the Canon SD1000 never once felt like a chore to me in any way, shape, or form.

There were moments when I wished I had a digital single-lens reflex camera (SLR) for speed and control and a long telephoto lens to take pictures of flying birds. However, I didn’t miss having manual controls when I just wanted to take some photos for fun. The Canon SD1000 was typically fast enough for most scenarios and had enough functionality to provide some degree of control.

In most cases, I maintained the SD1000 in the “Camera Manual” mode to use all of the camera’s features (only a few features are available in Auto mode). By focusing primarily on exposure compensation, ISO, and white balance, I fulfilled the photographic instinct to alter settings according to the subject and the conditions under which the shot was taken.

When I activated the grid overlay, it made it easier to maintain equal horizons. I was ecstatic to discover that the aperture and shutter speed would be shown whenever I held the shutter button halfway. Furthermore, because of the simplicity with which I could access information regarding the shutter speed, I could determine whether or not it was necessary to use the flash, boost the ISO, use a tripod, or forget about taking the image.

Even though the SD1000 has an ISO of 1600, the noise was unacceptable, in my opinion. In most cases, I maintained it at an ISO setting of 800 or below. When determining exposure after the photo was taken, the complete information panel in playback, including a histogram, was another resource that proved very helpful.

Despite the annoyances mentioned earlier, I had a lot of fun using the Canon SD1000, such as the fact that it was difficult to use the Four-way controller and that the ISO menu would automatically turn off after a short amount of time. I effectively used the Function button, which provided a direct connection to many of the settings I needed to change the most frequently. Even though it has several flaws, the system serves its purpose well when modifications are called for.

Quality of the Image

Accuracy about Saturation and Hue

Most consumer digital cameras create colors that are more highly saturated (more potent) than those seen in the things they photograph. Most people want their colors to be more vibrant than life. For example, the Canon PowerShot SD1000 tends to oversaturate solid red tones and a few blues and greens to a lesser extent, but the results are still fairly pleasant.

When applied to Caucasian skin tones, oversaturation presents the most significant challenge since it is pretty simple for specific “memory colors” to be interpreted as excessively vivid, excessively pink, overly yellow, and so on. In this instance, the SD1000 did depict skin tones on the somewhat warmer side in most cases; nonetheless, many customers find slightly warmer skin tones more pleasant than cooler ones.

Exposure, as well as the white-balance setting

Lighting that is incandescent used inside

The Auto white balance setting provided results that were only slightly warmer than neutral when used inside with incandescent illumination; however, the Manual and Incandescent selections yielded more accurate results. Therefore, I decided to use the more realistic Manual option rather than the Incandescent one since the Incandescent one had a trace of a pink hue.

Here, the Canon SD1000 demanded an average level of exposure adjustment, which came in at +1.0 EV. Even though there is a tiny warm cast, the overall color quality is excellent when the white balance is adjusted to Manual. There are no obvious hints of purple in the blue blossoms. (Many digital cameras render these blossoms dark purple; hence, the SD1000 fared exceptionally well in this regard.)

This photo was lit using a combination of 60 and 100-watt incandescent household bulbs, a somewhat yellow light source but very common in traditional residential settings in the United States. Our test lighting consisted of these bulbs.

The Canon PowerShot SD1000 performed poorly well in natural settings, with the only noticeable issue being a minor overexposure in wide outdoor wide images. On the portrait, the camera required a more modest quantity of positive exposure correction than is often necessary. Even while the white garment has a predominantly white appearance, there are a few spots where it is not completely blown out. Impressive.

The camera’s contrast adjustment performed a relatively decent job of taming the exposure without significantly impacting the color, even though default contrast was on the higher end of the spectrum. In addition, the SD1000 captured decent color when used outside without producing a solid warm cast. In general, they are rather satisfactory outcomes.

Resolution

High resolution with a good level of detail over 1,250 by 1,300 lines.

The resolution chart in our laboratory showed clear, distinct line patterns down to around 1,250 lines per image height horizontally and approximately 1,300 lines vertically. The line’s end reached about 1,800 on the horizontal and about 1,900 on the vertical. You may use these values to compare other cameras with a comparable resolution to this one, or you can use them to evaluate what a more excellent solution can mean regarding the possible level of detail.

Clarity and attention to detail

The Canon PowerShot SD1000 can capture clear photographs with an intense clarity of the details; nevertheless, some subtle edge enhancement artifacts are noticeable on high-contrast scenes, such as the crop shown to the left of this paragraph. In this particular instance, relatively insignificant. (The increase of colors and tones immediately at the edge of a quick shift in color or style gives the appearance of sharpness, which is created by the technique known as edge enhancement.)

Performance in Terms of ISO and Noise

The Canon SD1000’s lower sensitivity settings provide relatively modest noise levels, with a slight blurring of clarity in the darker portions of the image. Although the haziness brought on by noise reduction is more noticeable, ISO 200 still appears to have a reasonably straightforward idea. At this level of camera, ISO 400 isn’t too horrible of a setting, but at ISO 800, picture noise starts to dominate areas of fine detail, and chroma noise becomes very noticeable.

When set to 1,600, there is so much noise, and the blurring is so significant that the resulting photos from this interior photograph are virtually unusable for printing.

Battery

Operating ModeNumber of Shots
LiIon rechargeable battery,
LCD on (CIPA standard)
210
LiIon rechargeable battery,
LCD off
600

The Canon PowerShot SD1000 gets its juice from a specialized rechargeable lithium-ion battery built by Canon. When the LCD is active, the runtimes are about par for the course for a LiIon design, but they are excellent when it is not. Therefore, if you want to use the LCD screen rather frequently, purchasing an additional battery, ensuring it is charged, and keeping it on hand for extended expeditions are strongly recommended.

According to the CIPA battery life and manufacturer standard test conditions, the number of shots that can be taken with the camera is listed in the table that can be found above. These shots can be taken with a brand new set of disposable batteries or with a rechargeable battery that has been fully charged, depending on the type of battery being used.

Within the Container

  • These products are included in the retail box they come in:
  • Camera model PowerShot SD1000 from Canon
  • Handlebar mustache
  • Portable lithium-ion battery pack with charging apparatus
  • USB cable
  • AV cable
  • 32MB SD card
  • Software CD including ImageBrowser 5.8, PhotoStitch 3.1, and EOS Utilities 1.1 for Mac; ZoomBrowser EX 5.8, PhotoStitch 3.1, Camera TWAIN Driver 6.7, and EOS Utilities 1.1 for Windows; and Apple QuickTime 7

The Following Are Some Suggested Accessories:

  • Memory card with a large SD or MMC capacity. (These days, memory cards with capacities ranging from 1 to 2 gigabytes can be purchased at a reasonable price and are an excellent choice for recording video clips.)
  • A spare battery pack in case your trip is very long.

SpecificationsCanon PowerShot SD1000 Specifications

Body typeUltracompact
Max resolution3072 x 2304
Other resolutions2592 x 1944, 2048 x 1536, 1600 x 1200, 640 x 480
Image ratio w:h4:3, 3:2
Effective pixels7 megapixels
Sensor photo detectors7 megapixels
Sensor size1/2.5″ (5.744 x 4.308 mm)
Sensor typeCCD
ISOAuto, 80,100, 200, 400, 800, 1600
White balance presets5
Custom white balanceYes
Image stabilizationNo
Uncompressed formatNo
JPEG quality levelsSuper-Fine, Fine, Normal
Focal length (equiv.)35–105 mm
Optical zoom
Maximum apertureF2.8–4.9
AutofocusContrast Detect (sensor)Multi-area single face DetectionLive View
Digital zoomYes (4 x)
Manual focusNo
Macro focus range5 cm (1.97″)
Number of focus points9
Articulated LCDNo
Screen size2.5″
Screen dots230,000
Touch screenNo
Live viewNo
Viewfinder typeOptical (tunnel)
Minimum shutter speed15 sec
Maximum shutter speed1/1500 sec
Aperture priorityNo
Shutter priorityNo
Built-in flashYes
Flash Range3.50 m
External flashNo
Flash modesAuto, On, Off, Slow, Manual (Red Eye On/Off)
Continuous drive1.7 fps
Self-timerYes (2 or 10 sec)
Exposure compensation±2 (at 1/3 EV steps)
Resolutions640 x 480 @ 30/15 fps, 320 x 240 @ 60/30/15 fps, 160 x 120 @ 15 fps
MicrophoneNone
SpeakerNone
Storage typesSD/SDHC card
Storage included32 MB SD card
USBUSB 2.0 (480 Mbit/sec)
HDMINo
Remote controlNo
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionLithium-Ion NB-4L battery & charger
Weight (inc. batteries)175 g (0.39 lb / 6.17 oz)
Dimensions86 x 54 x 19 mm (3.39 x 2.13 x 0.75″)
Orientation sensorYes
Timelapse recordingYes
GPSNone

Conclusion

The Canon PowerShot SD1000 is a great little camera with many features that will suit the casual photographer and may even draw the more experienced photographer looking for a digital camera that is tiny enough to carry around with them wherever. In addition, video enthusiasts will like that there are several movie modes to choose from, including time-lapse and rapid frame rate choices.

Regardless of their skill level, most people will find the image quality more than satisfactory. However, retaining control over the ISO settings is essential to reduce the amount of image noise.

Because it’s doubtful that snapshooters would utilize specific capabilities consistently, the fact that they are buried deep inside the menu system probably won’t affect them much. However, photographers who want to extract every last bit of control from the camera will find this extremely difficult.

Suppose you are an ELPH enthusiast on the same level as I am. In that case, you won’t allow these minor shortcomings to prevent you from sliding a Canon SD1000 into your pocket or purse.

Canon PowerShot SD1000 Price

  • Product
  • Features
  • Photos

Canon PowerShot SD1000 7.1MP Digital Elph Camera with 3x Optical Zoom (Silver)...

Last update was on: January 19, 2024 11:08 am
$174.00 $199.99

Canon PowerShot SD1000 FAQs

When was the Canon PowerShot SD1000 made?

The Canon PowerShot SD1000 was made available to consumers in the year 2007.

Is a Canon PowerShot SD1000 a professional camera?

Contrary to popular belief, the Canon PowerShot SD1000 is not a professional camera. Instead, it’s a simple point-and-shoot camera perfect for taking photos in your spare time.

How do I connect my Canon PowerShot SD1000 to my computer?

You can use the USB connection with your Canon PowerShot SD1000 to connect your camera to your computer. You must insert one end of the connection into the USB socket on the camera and the other into the USB port on your computer.

Your personal computer should recognize the camera as a storage device; you can then use the file management program to transport the photographs from the camera to the computer.

Does Canon PowerShot SD1000 have autofocus?

The Canon PowerShot SD1000 does come with an autofocus function. It employs a 9-point autofocus technology to guarantee that the subject is always in clear focus.

Is Canon PowerShot SD1000 suitable for wildlife photography?

The Canon PowerShot SD1000 does not lend itself particularly well to photographing untamed animals due to the camera’s restricted zoom range and relatively modest image sensor. Instead, it is more suitable for informal photography, such as taking pictures at family events or traveling.

Tags:

Paul
We will be happy to hear your thoughts

Leave a reply

DSLRCameraSearch
Logo
Compare items
  • Cameras (0)
  • Phones (0)
Compare