How many different cameras have the capacity to record material in a resolution of 4K? More than just one or two of them in total. On the other hand, there is a substantial difference between 4K videos with a high resolution and 4K videos with a lower quality.
There is a world of difference between having superb focusing features and not having such capabilities, how easily those functions can be accessed, and how adaptable your camcorder can be in different lighting settings. There is also a world of difference between having superb focusing features and not having such capabilities.
The intricacy of the capabilities included on higher-quality professional camcorders may make it difficult for those who are not accustomed to working with technology to operate the devices properly. It is not necessary to make use of a camcorder that costs closer to two thousand dollars if it is possible to get a 4K camera for less than four hundred dollars.
The answer to this question is rather complicated; nevertheless, camcorders of the XA50 series are designed to be capable of performing various functions in addition to capturing video. This is because of the fact that the answer to this question is quite extensive.
The Canon XA50 Professional UHD 4K Camcorder is a camera that takes video in the ultra-high definition 4K format. This camcorder is both tiny and lightweight. It also contains a 1″ CMOS sensor, two XLR audio inputs, one mini-HDMI output, and one BNC 3G-SDI output; these features position this camera fully in the ENG category, which makes it suitable for usage in works of a documentary or journalism-style type.
The XA50’s optics include a built-in 15x HD optical zoom, a nine-bladed circular iris for producing highlights with a more realistic look, and wide dynamic range gamma support for filming in low-light environments. These features make it possible to capture high-quality footage even in challenging shooting conditions.
Full manual control, rapid and slow-motion recording, dual pixel and contrast focusing, optical and electronic picture stabilization, a three-inch LCD screen are some of the features that come standard on this camera. “touchscreen LCD, user-assignable buttons, infrared mode, and a DIG! C DV 6 image processor that has excellent sensitivity and low noise are some of the characteristics that are featured in this camera.” The LCD screen is one of the professional-grade capabilities that the camera offers.
In addition to that, the XA50 has a built-in neutral density filter mechanism that can be adjusted to one of three different settings: ND4, ND16, or ND64. In addition to that, there are display monitoring capabilities incorporated, such as zebra, color bars, and test tone.
The camera is capable of recording images in UHD 4K30 and Full HD 1080p60, as well as broadcasting those images through mini-HDMI and 3G-SDI connections. Additionally, the camera features twin SD card ports for recording and storing photographs. As a result of the inclusion of two SD card ports, the device is able to automatically switch from recording to one card to recording to the second card while also recording to both cards at the same time.
The camera is able to produce video through its mini-HDMI and 3G-SDI outputs with a maximum resolution of 1920 by 1080 pixels, a bit depth of 4:2:2, and a frame rate of 59.94 frames per second. The XA50’s audio capabilities include a 3.5mm stereo micro input, two XLR inputs that provide phantom power, and up to four channels of LPCM audio with configurable or automatic recording levels. Additionally, the XA50 also features two XLR inputs.
It not only includes a connector for headphones, but it also has a stereo microphone that is built directly into it. The RC-V100 remote control, which can be purchased separately from the camera and is used to operate its many functions, may also be used to control the camera.
Capability of Launching Shots
In addition to including a pair of XLR audio inputs and a mini-HDMI output in their designs, XA50 cameras come equipped with a CMOS sensor measuring one inch. Notably, the size of this CMOS sensor is around seven times higher than the more typical 1/2.84-inch CMOS sensor, which is the type of sensor that you may find in a camcorder that is targeted more toward novice users. In addition, the larger sensor really provides a substantial number of advantages over its smaller counterparts.
The vast majority of them need you to deal with dimmer lighting circumstances and reduce the amount of noise that is present in your images while working in these kinds of environments. On the other hand, working with photographs that have a large aperture and a shallow depth of field is easier to do when using a larger sensor. As a direct consequence of the method, this enables you to get a greater depth of visual control over the situation.
This kind of range makes it possible for a degree of color development that is practically seamless, which helps your image come out looking a lot smoother than it otherwise would have if it hadn’t had this capability. The sense of color integrity is also much improved, and with just a little amount of attention to detail, unwanted highlights and blown-out frames that are the consequence of overexposure may be removed from the image.
Not only is the fact that these camcorders can record in 4K resolution appealing but so is the way in which they make that capability available to you. This is a large part of the reason why they are so popular. For instance, the face detection auto-finder tool can operate in either of two distinct ways, depending on which mode you choose to use from the available options. The face is given priority in the first mode, and the face is the exclusive subject of attention in the second choice. In a nutshell, the face-only mode will refuse to focus on anything other than faces, while the face priority option will prioritize focusing on faces whenever it is able to do so. Both of these modes pretty much explain themselves, but if you want the short version: the face-only mode will refuse to focus on anything other than faces.
Imagine that your subject is going to temporarily hide behind something, such as diving behind a tree for a second or hiding behind a telephone pole for a few seconds. This might help you think of creative ways to introduce this element into your writing.
Given that this is the case, the face-only mode will keep its concentration on the same place until it reaches the location it was looking at just before it lost track of the person’s face. This will continue until it finds the person’s face again. When the person finally emerges from behind the item that is obstructing its view, it will then resume its hunt for the face.
It is a lovely thing when the camcorder will keep you out of the way and let you work, and this is essentially what the XA50 was designed to do for its users. It is a huge relief when the camcorder can move out of the way so you can get some work done.
The option to move between these two focusing modes might prove to be quite useful depending on what you have in mind for the next situation you want the autofocus feature to focus on. In addition to that, reaching them is not in the least bit difficult.
While the camcorder is functioning in the face priority mode, you may select an area to focus on by tapping the LCD display on the back of the device. Because of this, the display will be able to discern which of your faces you want the camera to focus on. When the camera determines that a face is no longer visible within the frame, the auto-focus mechanism will refocus its attention on the location that it had been focussing on previously.
The Outward Appearance in conjunction with the Internal Hardware
When we discuss the LCD, it is important to note that the screen that is mounted to the device is really a touch-sensitive panel of three inches in size. In addition, there is an electronic viewfinder that is 0.24 inches in size and will aid you in the composition of the next image that you take.
As was said before, the electronic viewfinder (EVF) is a wonderful tool for identifying faces. However, it also contains a vast number of menu options that may assist you in configuring and regulating the creative and professional potential that these machines hold.
In addition, the touch panel was designed to be compatible with the focusing technologies that are made available by Canon. This results in a manner of photography that is extremely straightforward and easy to use. You may switch between different shooting modes by tapping your finger once, several times, or repeatedly on the screen.
The technology itself is just as adaptable, with the electronic viewfinder (EVF) providing a tilt of 45 degrees. This enables for smooth and easy use in a range of angles and orientations, including portrait, landscape, and everything in between. This function will be of great assistance to those who aren’t always sure where they need to position their camera in order to get the next shot, since it allows them to take photos without having to guess.
The material that you take is recorded by the sensor, which has a total pixel collection of around 13.4 megapixels and translates to a resolution of 4268 by 3148. This resolution is utilized to capture the material that you take. On the other hand, that is the number of unprocessed pixels that you are pulling out of that huge CMOS sensor. The exact amount of collected pixels is something in the neighborhood of 8.29 megabytes, which equates to a resolution of 3840 pixels wide by 2160 pixels high. Maintains a level that is fairly high.
Setup and configuration of the apparatus
The XA50 was designed with a handle that can be quickly withdrawn from the body of the camcorder without the need for any tools, as well as reattached to the camera in the same manner.
After it has been mounted, you will notice that the handle has a clever zoom lever as well as a start/stop button that is positioned in a convenient location so that it can be reached with your thumb while you are holding the device. This is because the button is positioned so that it is conveniently located. In view of the fact that the handle can be removed, it is imperative that it be brought to the attention of the audience that it can also be replaced in the event that it sustains any kind of damage or is lost entirely.
Additionally, the handle is equipped with a pair of XLR terminals that may be used independently of one another as necessary. As a direct consequence of this, adjusting audio levels does not constitute a difficult task in more advanced audio settings. The handle also contains a cold shoe and a microphone mount, which means that you may always choose to add one of Canon’s other optional auxiliary accessories at a later time.
These camcorders have an overall height of 8.5 inches and a length of 10.4 inches when measured from the top of the handle to the bottom of the device. If you don’t consider the handle as part of the total height, or if you take it off entirely, the height will be decreased to a more manageable 3.6 inches.
If you just consider the weight of the body, it comes in at about 2.1 pounds, which, despite the fact that it houses such a significant amount of power within, is still a respectable weight and makes it rather easy to handle. If you just consider the weight of the head, it comes in at about 1.4 pounds.
In addition to that, this piece of machinery is equipped with a respectable quantity of power. For instance, the optics have a 15x HD optical zoom, which is equivalent to having a film focal length range of 23.5–382.5 millimeters. Additionally, the lens diameters range from 58.8–102 millimeters. It is possible to adjust the f-stop value that is used by default to any number in the range of f/2.8 to 4.5. In addition, as you are not reliant on digital zoom, you are able to maintain the clarity of the 1-inch sensor no matter how far you zoom in or out. This is true regardless of how close or far away the subject is.
In a similar vein, the maximum shutter speed works out to be a very blazing fast 1/2000/sec, which qualifies the XA50 as being ideal for the shooting of rapid-motion images, such as the recording of athletic events. In other words, the XA50 is suitable for recording fast-moving events.
It should not come as much of a surprise that there is an automated setting available for controlling the amount of exposure used. However, you may also discover various gradients inside the manual mode itself, such as P, AV, TV, manual exposure, and a huge range of SCN modes. These may be found in the camera’s exposure control menu.
You will find that the SCN modes feature a variety of options, some of which include a beach mode, a sunset style, a night mode, and a fireworks option. Other options also exist. Including all of the typical functions that are available on other Canon camcorders and that consumers have come to expect to be present.
You’ll notice that the coloring provides support for a wide dynamic range (DR) gamma, which makes it possible to achieve very high standards of video quality and, all things considered, a higher degree of vividness and precision in each and every shot. XA50 are made to help maintain clarity even when the lighting conditions are not as ideal as they have been in the past when you have worked with them. This is because they are meant to help keep clarity.
There is a representation of slow motion and fast motion, but it is not as robust as the representation produced by cameras that are built explicitly for the purpose of providing such a representation. [Cameras that are developed particularly for such purposes] The most recent iteration of Canon’s dual-pixel AF technology is incorporated into the XA50. Because of this, it is now able to record 4K content at a frame rate of 30 frames per second, while simultaneously maintaining a frame rate of 60 frames per second when running at 1080p.
In actuality, the speed that can be achieved at its quickest is 1200x, while the speed that can be achieved at its slowest is 0.4x at its fastest. As a result of this, it is an outstanding instrument that may be utilized in the creative industries, professional productions, and other undertakings that are comparable.
The Notable Deviation From the Norm
The XA50 comes with a hefty price tag attached to it, accordingly.
On the other hand, they are able to offer quite a lot of value in return for the assistance they are given.
They not only transmit the content of extraordinarily high quality in 4K resolution, but they also develop content at the 4K resolution level. This is made possible with a CMOS sensor of 1 inch in size, support for a wide dynamic range, and assistance from the camera’s excellent focusing capabilities.
Furthermore, this is only the tip of the proverbial iceberg. You have the ability to seize
The 15x optical zoom enables the user to shoot films of professional quality in a diverse range of environments. In addition, there is support for functioning in the infrared mode, and there is a pair of XRL inputs that are outfitted with linear PCM 4-channel audio capabilities.
This makes it feasible for these camcorders to place a large focus on the creation of mobile videos, which is made especially achievable by the availability of 24-bit audio recording capabilities within the device.
The fact that Canon provides a rather large range of extra accessories that can be utilized in conjunction with these items and that can be purchased separately is unquestionably a positive aspect of the company’s offerings. As a result, practically everyone who has an interest in recording 4K films of professional quality ought to give them some serious consideration since they are worthy of such attention.
Canon XA50 Specifications
|Sensor Resolution||Actual: 13.4 Megapixel (4268 x 3148)|
Effective: 8.29 Megapixel (3840 x 2160)
|Sensor Type||1″-Type CMOS Sensor|
|Image Stabilization||Optical in Integrated Lens|
|Built-In ND Filter||Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters|
|Capture Type||Stills & Video|
|Shutter Speed||1/2000 to 1 Second|
|Minimum Illumination||1.7 Lux at 1/30 Shutter Speed|
0.1 Lux at 1/2 Shutter Speed
|White Balance||2000 to 15,000K|
|Focal Length||8.3 to 124.5mm (35mm Equivalent Focal Length: 25.5 to 382.5mm)|
|Optical Zoom Ratio||15x|
|Maximum Aperture||f/2.8 to 4.5|
|Minimum Focus Distance||Wide: 0.4″ / 1.0 cm|
Entire Zoom Range: 23.6″ / 60.0 cm
|Filter Size||58 mm|
|Internal Recording Modes||H.264/MP4 4:2:0 8-Bit|
3840 x 2160 at 23.98/24.00/29.97 fps
1920 x 1080p at 23.98/24.00/29.97/59.94 fps [35 to 45 Mb/s]
1280 x 720 at 59.94 fps [8 Mb/s]
XF-AVC 4:2:0 8-Bit
3840 x 2160 at 23.98/24.00/29.97 fps
1920 x 1080p at 23.98/24.00/29.97/59.94 fps
|Recording Limit||Up to 2120 Minutes|
|Built-In Microphone Type||Stereo|
|Audio Recording||MP4: 2-Channel 16-Bit AAC Audio|
MP4: 4-Channel 16-Bit LPCM Audio
XAVC: 4-Channel 24-Bit LPCM Audio
|Media/Memory Card Slot||Dual Slot: SD/SDHC/SDXC (UHS-I)|
|Video I/O||1 x Mini-HDMI 2.0 Output|
|Audio I/O||2 x XLR 3-Pin Mic/Line (+48 V Phantom Power) Input|
1 x 1/8″ / 3.5 mm TRS Stereo Headphone Input
1 x 1/8″ / 3.5 mm TRS Stereo Microphone Input
|Power I/O||1 x Proprietary (8.4 VDC) Input|
|Other I/O||1 x Mini-USB Output|
1 x 2.5 mm Sub-Mini Input
|Display Type||Articulating LCD|
|Type||Built-In Electronic (LCD)|
|Focus Type||Auto and Manual Focus|
|Focus Mode||Automatic, Manual Focus|
|Operating Temperature||32 to 72°F / 0 to 40°C (Recommended)|
|Storage Temperature||23 to 113°F / -5 to 45°C|
|Battery Type||Canon BP-8 Series|
|Tripod Mounting Thread||1/4″-20 Female|
|Accessory Mount||1 x Cold Shoe Mount|
|Dimensions (W x H x D)||8.4 x 4.3 x 3.6″ / 21.3 x 10.9 x 9.1 cm (Without Protrusions)|
10.4 x 4.9 x 3.6″ / 26.4 x 12.4 x 9.1 cm (With Protrusions)
10.4 x 8.5 x 5.5″ / 26.4 x 21.6 x 14 cm (With Protrusions)
|Weight||2.1 lb / 952.54 g|
|Package Weight||6.595 lb|
|Box Dimensions (LxWxH)||14.3 x 11.7 x 10.5″|