The Panasonic HC-X1000 is what?
The first 4K camcorder from Panasonic to hit the prosumer market. The HX-1000 is reasonably priced at £2,559, more than £1,000 cheaper than the Sony AX1, and has built-in ND filters, a 20x optical zoom and a variety of extremely remarkable 4K frame rates and codecs.
A 4K 8-MP 1/2.3-inch BSI is used.
Does Panasonic have anything else to provide a more conventional end of the market with 50p and 60p at UHD (3,840 x 2,160)? This camcorder was produced before the 5D Mk II made the depth of field the standard.
Details and Features of the Panasonic HC-X1000
Who is this for should be your first concern. Without a doubt, 60 frames per second in UHD is a headline-grabbing fact that would make many videographers salivate. This camera is undoubtedly adaptable with MP4, AVCHD, and MOV codecs, but it also has some obvious restrictions that you need to be aware of before deciding whether to purchase it.
The HC-X1000 struggles to achieve more than nine stops of dynamic range, undoubtedly because of the fairly tiny sensor, and even though the MP4 codec can handle data rates of up to 200Mbps, there is little to no space for picture editing in post-production.
This demonstrates to us that Panasonic was correct when they told us the HC-X1000 was never meant to be used by independent filmmakers. The HC-X1000 seems to work best in professional settings, such as when photographing events and weddings. Therefore, the true question is whether you should upgrade to 4K for this type of work and whether this camera is the right one.
It definitely has all the characteristics necessary for the job. The HC-X1000 has all the typical buttons and switches you would anticipate from this conventional camera shape as it is an ENG-type camera.
In order to facilitate quick changeover in rapidly varying settings, white balance features an A and B preset that are respectively adjusted to 3200k and 5600k for tungsten and daylight. Additionally accessible are auto and custom modes.
The lens is by far the most notable component. The focusing is likewise functional; at no time did it rack to an undesired location or damage an image, but with minimal depth of field perhaps this is acceptable. The 20x optical zoom is more than sufficient for any ordinary videography scenario.
The 5-Axis hybrid picture stabilization technology, which combines optical and software stabilization, produces excellent results. With surprisingly little vibration, we were able to utilize the telephoto end of the lens handed.
For photographers who frequently use a tripod but are not purists, image stabilization will be a necessary feature.
Two 64GB SD cards are included with the camera, saving you between £150–£200 in buying costs. With two SD card ports and the continuous recording mode, which enables one card to be continuously recording while the other shoots what you instruct it to with the REC button, Panasonic is anxious to promote the idea of never missing a photo.
Another choice is to take successive shots, which allows you to catch activity without ever having to put the camera down. This isn’t a revolutionary function, but it’s useful on a camera at the lower end of the market and will work for people covering sports and events.
Great features like histograms, zebras, focus peaking and focus expansion make this camera very practical for everyday use. The buttons and menu system make everything accessible and adhere to a standard that has been established in conventional digital video cameras for years. Again, nothing revolutionary, but crucial if you want to be able to believe what you are seeing every day.
In 4K continuous filming, the battery life is a very acceptable six hours. This is crucial when filming a full day of interviews since it lowers the likelihood that the battery will need to be changed in the middle of an interview or that you will lose a shot due to a simple issue with the battery. It’s encouraging to see that one extra battery would be plenty for a day of heavy photography. The 64GB SD cards that are included can store 5 hours and 20 minutes of continuous 4K recording at 200Mbps, which translates to more than 10 hours of recording time if you shoot back-to-back.
The built-in stereo microphone is adequate and has adequate detail, suitable for use as a room microphone, safety recording, or scratch track.
The design, controls, and usability of the Panasonic HC-X1000
The camera doesn’t appear to have a fully manual exposure mode; even when all physical controls were set to manual, the camera still made exposure adjustments automatically. This is a key characteristic that will turn off the “pro” end of the market. If you’re serious about making videos, this either means you need a camera with absolutely no flaws or a menu system that’s extremely convoluted and hides a crucial function.
Additionally, the camera includes an internal “beep” that plays with each button push in the menu system and is very inappropriate for a wedding or conference event. Once more, such a glaring defect must be correctable inside the menu system, but despite checking every submenu accessible and listening to nonstop beeping, we were unable to locate the setting to turn it off. Although it’s difficult to think it isn’t there someplace, if it is, finding it would be pointlessly difficult.
The Panasonic weighs only 1.5kg and feels tiny, streamlined, and elegant in your hands. It is more portable as a result than the Sony AX1, but the build quality suffers as a result. The plastics are quite flimsy, and the buttons lack a comforting sense of high quality.
The plastic door on the audio controls, which feels fragile and would easily grab when thrown into a bag, is the worst example of the so-so build quality. Of course, we anticipate worse construction quality at the less expensive end of the market, but saving £1,000 at the time of purchase can prove to be a mistake if the plastic doors break off, exposing parts.
The touchscreen LCD is useful and has appropriate brightness for photographing outside. The touch screen isn’t as snappy as it might be and reflections still cause issues on really sunny days, but it’s adequate.
Personally, I don’t think adding a touchscreen to a video camera is desirable because wearing gloves while working as usual. However, with a camera this big, using conventional controls can be challenging. This camera differs from a consumer-grade camcorder thanks to its excellent viewfinder, which is a wonderful feature.
As we have seen thus far, the X1000 has some clear advantages and disadvantages, but the image quality tends to work slightly against it. While 4K photos are incredibly detailed as you would expect, there is too much noise as a result. Generally speaking, the image is too muddy and noisy to be taken seriously; everything that wasn’t captured in broad daylight has a lifeless appearance that is contrary to what we would anticipate from a 4K camera.
People who think of 4K photographs want them to be crisp, and it appears that Panasonic made the same mistakes with the GH4 as it did with this camera. Oversharpening has the propensity to introduce excessive noise into the image, which lowers clarity in low light.
Our informal testing resulted in a very “video” nine stops for the dynamic range. When it comes to pushing the blacks in post-production, they are exceedingly murky and lack information. The same is true with highlights; they fade away quickly and are of a low quality which is typical of cameras of lower quality.
Depending on the type of work you perform, the image quality might be this camera’s biggest drawback overall. Although it is adequate for basic filming, this camera is well behind prosumer demands at a time when a Blackmagic Pocket Cinema Camera with 12 stops of dynamic range and 12-bit color depth can be obtained for £650.
There are issues when using your 4K video for post-production. The option of 4K makes sense for post-production since it allows you to trim photos without losing any pixels, which might be helpful if you get stuck in the edit. However, a good editing system will be just as expensive as the camera itself.
It will be quite challenging to manage the 4K files in an existing system. When compared to editing 1080p video, we saw that everything was more than twice as sluggish, from intake through edit to after-effects linking and export. You’ll probably wind up filming in 1080p more often than 4K unless you’re willing to spend money on new editing tools, which somewhat negates the purpose of the HC-X1000.
Is the Panasonic HC-X1000 a good investment?
While the desire to make 4K video capturing more affordable is commendable, it’s difficult to suggest the Panasonic HC-X1000 at this time. Although Panasonic markets this camera as a prosumer camcorder, it is difficult to understand why paying more for the option to shoot in 4K at 60 frames per second is worthwhile given the camera’s very subpar image quality.
There is no denying that this camcorder has a ton of features. Although it checks several desirable boxes for videographers—the lens, battery life, and dual SD card slots—it isn’t the camera we’d recommend if you’re considering making the move to 4K.
Panasonic HC-X1000 Specifications
|SENSOR SECTION||MAIN SENSOR||Bildsensor||1/2.3″ MOS Sensor (For North America / Asia)|
|Total Pixels||18.91 megapixels|
|Effective Pixels (Motion Image)||8.85 megapixels [17:9], 8.29 megapixels [16:9]|
|Effective Pixels (Still Image)||8.85 megapixels [17:9], 8.29 megapixels [16:9]|
|LENS SECTION||MAIN LENS||F Value||F1.8 ― F3.6|
|Brennweite||4.08 ― 81.6 mm|
|35 mm Film Camera Equivalent (Motion Image)||29.5 ― 600 mm [17:9], 30.8 ― 626 mm [16:9]|
|35 mm Film Camera Equivalent (Still Image)||29.5 ― 600 mm [17:9], 30.8 ― 626 mm [16:9]|
|Filter Diameter||49 mm|
|Lens Brand||Leica Dicomar Lens|
|CAMERA SECTION||Standard Illumination||1400 lx|
|Minimale Beleuchtung||4 lx (Super Gain 30dB, Shutter 1/30, 1/25)|
|Fokus||Auto / Manual|
|Zoom||Intelligent Zoom OFF||20x|
|Intelligent Zoom ON||40x*|
|Digital Zoom||2x / 5x / 10x|
|ND Filter||1/4, 1/16, 1/64, OFF|
|Weißabgleich||Auto / 3200K / 5600K / VAR (2400K—9900K) / Ach Fixed / Bch Fixed|
|Verschlusszeit||Motion Image||60p / 60i / 30p: 1/8 — 1/8000|
|Motion Image||50p / 50i : 1/6 — 1/8000|
|Motion Image||25p: 1/6 — 1/8000|
|Motion Image||24p: 1/6 — 1/8000|
|Iris||Auto / Manual|
|Image Stabilizer||C4K/4K: POWER O.I.S.|
|Image Stabilizer||Full-HD or lower: 5-axis HYBRID O.I.S.+ with Active Mode|
|RECORDING SECTION||Recording Media||SDHC/SDXC Memory Card|
|Recording Format||MOV (LPCM) / MP4 (LPCM) / MP4|
|Recording Format||AVCHD: AVCHD Progressive|
|Video Compression Method||MPEG-4 AVC/H.264|
|Audio Compression Method||MOV: LPCM (2ch)|
|Audio Compression Method||MP4: LPCM / AAC (2ch)|
|Audio Compression Method||AVCHD: Dolby Digital (2ch)|
|System Frequency||59.94Hz / 50.00Hz|
|Recording Mode/ Playback Mode||MP4||4096×2160 24p 100M: Average 100Mbps (VBR), LPCM|
|MP4||3840×2160 60p/50p 150M: Average 150Mbps (VBR), LPCM|
|MP4||3840×2160 30p/25p 100M: Average 100Mbps (VBR), LPCM or AAC|
|MP4||3840×2160 24p 100M: Average 100Mbps (VBR), LPCM|
|MP4||1920×1080 60p/50p 200M (ALL-Intra): Average 200Mbps (VBR), LPCM|
|MP4||1920×1080 60p/50p 100M: Average 100Mbps (VBR), LPCM|
|MP4||1920×1080 60p/50p 50M: Average 50Mbps (VBR), LPCM or AAC|
|MP4||1920×1080 30p/25p 200M (ALL-Intra): Average 200Mbps (VBR), LPCM|
|MP4||1920×1080 30p/25p 50M: Average 50Mbps (VBR), LPCM|
|MP4||1920×1080 24p 200M (ALL-Intra): Average 200Mbps (VBR), LPCM|
|MP4||1920×1080 24p 50M: Average 50Mbps (VBR), LPCM|
|MOV||1920×1080 60p/50p 200M (ALL-Intra): Average 200Mbps (VBR), LPCM|
|MOV||1920×1080 60p/50p 100M: Average 100Mbps (VBR), LPCM|
|MOV||1920×1080 60p/50p 50M: Average 50Mbps (VBR), LPCM|
|MOV||1920×1080 30p/25p 200M (ALL-Intra): Average 200Mbps (VBR), LPCM|
|MOV||1920×1080 30p/25p 50M: Average 50Mbps (VBR), LPCM|
|MOV||1920×1080 24p 200M (ALL-Intra): Average 200Mbps (VBR), LPCM|
|MOV||1920×1080 24p 50M: Average 50Mbps (VBR), LPCM|
|AVCHD||PS 1080 60p/50p: 1920×1080, Max. 28Mbps (VBR)|
|AVCHD||PH 1080 60i/50i: 1920×1080, Max. 24Mbps (VBR)|
|AVCHD||HA 1080 60i/50i: 1920×1080, Average 17Mbps (VBR)|
|AVCHD||HE 1080 60i/50i: 1440×1080, Average 5Mbps (VBR)|
|AVCHD||PM 720 60p/50p: 1280×720, Average 8Mbps (VBR)|
|Thumbnail Display||20 thumbnails/page, 9 thumbnails/page, 1 thumbnail/page|
|STILL IMAGE SECTION||Recording Format||JPEG (DCF/Exif2.2)|
|Recording Image Size||Still Image||[17:9] 8.8megapixels (4096 x 2160)|
|Still Image||[16:9] 8.3megapixels (3840 x 2160), 2.1 megapixels (1920 x 1080)|
|GENERAL SECTION||Power Supply||7.2V (Battery) / 12V (AC Adaptor)|
|Power Consumption||15.4W (LCD Monitor) / 14.3W (Viewfinder)|
|Abmessungen (B x H x T)||Approx. 160 x 170 x 315 mm (6.3 x 6.69 x 12.4 inch)|
|Weight (w/o battery and SD card)||Approx. 1550g (3.42 lb)|
|LCD-Monitor||3.5″ Wide LCD monitor (1,152,000 dots)|
|View Finder||0.45″ Wide EVF (1,226,880 dots)|
|Manual Ring||Focus / Zoom / Iris|
|XLR Input||XLR (3 pins) x 2|
|XLR Input||Line：0dBu/+4dBu, Mic：-40dBu/-50dBu/-60dBu|
|Headphone||Yes (3.5mm stereo mini)|
|USB||Micro-B: USB 3.0 SuperSpeed|
|USB||Type A: USB 3.0 SuperSpeed, Host (for USB HDD**), Bus Power Supply|
|Camera Remote||2.5mm super mini jack x 1 (ZOOM S/S), 3.5mm mini jack x 1 (FOCUS/IRIS)|
|LED Video Light||—|
|STANDARD ACCESSORY||AC Adaptor||Ja|
|AC Cable||Yes (2 Cables)|
|Rechargeable Battery Pack||Yes (5,800mAh)|
|HDMI Cable||Yes (High Speed HDMI Cable)|
|AV Multi Cable||—|
|Microphone Holder Screws||Yes (2 Screws)|
|Input Terminal Cap||Yes (2 Caps)|
|Editing Software||HD Writer XE2.0 (Downloadable)|
The X1000 has several interesting features, however low light conditions drastically degrade photographs. To fully utilize its other advantages, it requires a sensor with a wider aperture.
Panasonic HC-X1000 Price
Für und Wider
- very good price
- streamlined and light design
- shooting in 4K at 60 frames per second
- insufficient dynamic range
- poorly performing lights
- tiny sensor
- poor construction quality