Fujifilm has placed itself squarely at both ends of the sensor-size battle, skipping 35mm complete frame altogether and rather focusing on APS-C and medium file format. In this review, we’ll be looking at the second edition with their GFX group of cameras, the rangefinder-styled GFX 50R.

With this price and body style, Fujifilm is clearly targeting the buyer market with this fresh body. It is smaller sized, lighter, and simpler than it’s the older brother, but nonetheless packs the same outstanding picture quality that drew many to purchase the GFX 50S. Today we’ll check out what you shed or gain by deciding on the “little brother” instead of Fujifilm’s first release.

Check Out: Best Lenses for Fujifilm GFX 50R

Fujifilm GFX 50R: Price

Fujifilm GFX 50R: Build quality

The first thing you will most probably notice about your body when you hold it’s the strain it puts on your own right hand in the event that you support the camera with that hand. It feels rather just like a bloated Fujifilm X-E3. But, with the excess weight in both body and lenses, it could be difficult to hold. It’s much easier to aid the camera with your left hand beneath the lens and use your right hand for managing the camera.

As you may expect, the GFX 50R will not feel quite as well built as the 50S. Though it is robust and feels great in the hand, all of the materials feel slightly cheaper compared to the SLR-styled body. Very much like my emotions about the Fujifilm X-H1, I discover the GFX 50R to feel relatively hollow when holding it. To be certain, it is filled with exceptionally high-end tech and a huge sensor, nonetheless, it feels as if it’s a clear shell every once in a while. With a larger zoom lens attached, this feeling goes away completely.

While not a huge difference, particularly when you set it with a zoom lens, the GFX 50R is just about 150g lighter than the 50S. What I found, however, is that due to the larger grip on the 50S, it, in fact, seems lighter in the hands compared to the 50R. We’ll talk a bit more about keeping the GFX 50R later.

Fujifilm GFX 50R: Buttons and Ports

The button layout, general, is well-planned. As with Fujifilm’s other rangefinder-style bodies, most buttons are put to be at your fingertips of your correct thumb for easy procedure. Even with the bigger body size, they’re positioned close plenty of to your thumb that it shouldn’t be too difficult to attain them. Personally, I really do have a few gripes with the entire layout, however, your mileage may vary.

The first issue I’ve is with the front dial. It isn’t embedded in the leading of the body as it has been in most Fujifilm digital cameras. Rather, it is covered around the shutter button where you’ll find the power to activate their additional bodies. This takes a little getting used to, but that’s not the main issue I have with it. It’s way too easy to knock. I came across myself continuously changing whatever setting it had been assigned to unintentionally and finished up switching the dial off completely.

As I mentioned, the energy button is no more a collar change around the shutter switch. It’s been placed following the shutter key as a little switch. This requires a little use to but it must not be a huge issue once you teach your muscle mass memory. Even after per month of using the camera, though, I still neglect to carefully turn it off quite frequently.

Fujifilm GFX 50R: Handling

Whereas the Fujifilm GFX 50S was made by a workhorse, the GFX 50R is made for a far more casual photographer. As I’ve mentioned, the button design is not quite mainly because of ergonomic as the 50S. A bit more effort must change any settings you might like to modify on the fly, but that’s easy enough to get accustomed to.

The difference in the hold also makes this an extremely different camera to make use of. With the 50S, I felt comfy carrying it around in my own right hand as I always had a solid grasp on the camera. Nevertheless, with the rangefinder styling of the 50R, you lose that grip. When working hand-kept with this camera, I usually put in a wrist strap to ensure I don’t reduce my grip while traveling. Depending on how you want to use the camera, this may be one factor in your decision about which camera to purchase.

Autofocus also feels somewhat faster and hunts significantly less than the GFX 50S, but we are able to presume that any firmware adjustments designed to incorporate this may also come to the 50S soon. The autofocus program overall has the same conditions that faced the old camera. Although you possess constant autofocus modes and encounter recognition, they are both still looking for some serious function. The continuous autofocus isn’t an enormous issue as the medium format isn’t commonly used for fast-paced subjects, but will be great to start to see the face detection improved. I’ve found that the machine has problems finding faces if they’re slightly obscured (such as for example with a hat) and it’ll detect clothing or various other objects in the picture as faces often. This should all have the ability to be achieved in firmware, therefore I look forward to another update from Fujifilm.

Fujifilm GFX 50R: Conclusion

If you’re considering engaging in the medium-format globe and want a light-weight, relatively cheap choice, the GFX 50R is an excellent camera that needs to be on your brief list. It carries total the great reasons for having the GFX 50S and places them in an easier rangefinder-styled body. If you are comfortable giving up a few of the physical settings, interchangeable viewfinders, and bigger hold of the GFX 50S, that is an excellent option. I would suggest heading into your neighborhood Fujifilm dealer to carry both cameras together with your designed lenses attached as the experience of the cameras is among the biggest variations between them.

Focus Accuracy
Image quality
ISO performance
Video Mode
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