Fujifilm GFX 50S Review

In February 2018, I produced the trip from Sydney to the west coastline of the USA with my partner and two boys to wait for a photography meeting in Las Vegas.

Through the 4-week street trip, I utilized the Fujifilm GFX 50S as my principal travel camera, shooting candids of my hyperactive children, desert landscapes, portraits of a bride, and everything among.

Whilst I didn’t get yourself a chance to use it in a studio (where its medium format sensor could very well be best suited), Personally I think that I’ve obtained enough experience with the camera to create a well-rounded overview of the Fujifilm GFX 50S for you personally here today.

Check Out: Best Lenses for Fujifilm GFX 50S

Fujifilm GFX 50S Price, Deals & Discounts

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Why Medium Format?

The Fujifilm GFX 50S is the first of a fresh variety of ‘affordable’ digital moderate format camera. If you’ve been used to the astronomical prices of traditional film medium format cameras with their digital backs, the GFX 50S is in fact great affordability.

However, if you’re not used to the medium format video game, the price tag isn’t for the faint-hearted!

‘Medium format‘ identifies a sensor size that’s bigger than full-frame (35mm). The bigger sensor size means even more megapixels (the Fujifilm GFX 50s has 51.4), however, the advantage of moderate format sensors isn’t just limited by increased detail.

For just about any camera sensor, the physical size of its pixels governs the quantity of light recorded for everyone. With a moderate format sensor, the improved light-gathering capability lends to a wider dynamic range, meaning a larger tonal range between pure black to natural white (14 stops regarding the Fuji GFX).

The problem with portrait digital photography on lesser cameras may be the inability of the camera’s sensor to record a broad enough tonal range to create images appear natural, particularly when it comes to skin tones or anything with delicate color gradients.

The Fujifilm GFX 50s, however, can produce an image that records a lot more of the delicate tonal adjustments which render a graphic more life-like.

Aside from the greater detail and powerful range, the increased size of the medium format sensor also really helps to create a unique turn to an image, particularly if a zoom lens is shot widely open to encourage subject matter separation.

With respect to the lens, this may produce an image where in fact the subject size: field of view ratio creates a nearly 3D effect.

With the Fujifilm GF45mm f/2.8 for instance, the field of view is equivalent to around 35mm on a complete frame camera, whereas the 45mm creates compression and bokeh more in keeping with a longer lens.

Fujifilm GFX 50S: Body & Ergonomics

If you’ve ever shot with a normal moderate format camera, you’ll understand that they’re not really built for prolonged, comfortable use. Generally, an MF camera will be guaranteed to a tripod in a studio, therefore the ergonomics of the camera aren’t usually as essential.

With the Fujifilm GFX 50s nevertheless, Fujifilm has made an MF camera that looks and feels as though a high-end DSLR. Obviously, they intend to work with it handheld, beyond the studio.

Because of this Fujifilm GFX 50S review, I didn’t make use of a tripod once, selecting instead to use the camera much like among my DSLRs – either carried off the shoulder with a camera strap or just carried in a single hand via the grip.

The hold of a camera can be paramount for most photographers whenever choosing a body. Fortunately, the grasp of the Fujifilm GFX 50s is great – chunky and comfy enough for prolonged, all-day shooting. I’d place it up generally there with the flagship DSLR bodies, like the Nikon D5.

Button and dial positioning is similarly excellent, with all you need to reach with one hand whilst gripping the camera.

One small niggle is certainly that there isn’t a devoted Exposure Compensation dial (as is available on the Fujifilm X100F & most of the other X-series bodies). I shoot in Aperture Concern and depend on exposure compensation to somewhat underexpose each picture I take, to be able to preserve the highlights.

With the Fujifilm GFX 50S, you need to press a little button and utilize the dials to make the +/- adjustment, which annoyed me at first. As a workaround, I came across myself capturing in Manual mode more regularly, which actually better appropriate my workflow speed with the camera – even more on this later.

Fujifilm is great with customizable control keys and chooses never to label them on the camera as additional manufacturers do. This produces an uncluttered user interface, without the muddle of white composing that typically plagues Sony mirrorless cameras and Olympus mirrorless digital cameras.

The e-ink display along with the camera body appears great particularly when illuminated (and is an attribute on the recently released Fujifilm X-H1). It’s customizable to show the information most highly relevant to you, but I must say I didn’t utilize it once, and can’t find many other photographers counting on it either.

I would have recommended it if Fujifilm got devoted that space for something more useful… such as for example an Exposure Compensation dial!

Fujifilm GFX 50S: Performance

One thing to keep in mind before we explore the operational velocity of the Fujifilm GFX 50s is that this can be a 51.4 MP digital medium format camera.

Being utilized to the blazing speeds of contemporary mirrorless cameras, it’s easy to dismiss the GFX as slow. Even in comparison to entry-level DSLRs such as the Nikon D3400 that I reviewed recently here, there’s no denying it – the GFX wasn’t constructed for speed.

With 3fps and auto-focus which frequently must zoom in and out before locking on, the shooting encounter with the Fujifilm GFX 50s is certainly different.

If the GFX acquired the same snappy autofocus and rapid constant shooting speeds of the various other digital cameras in the Fujifilm fall into line, I believe it’d make the complete GFX shooting experience much less enjoyable… not forgetting culling the massive image files a lot more time-consuming!

It’s like when you’ve been driving your Tesla around for some time, then hop right into a manual (stay) Jaguar. Sure, the procedure of changing gears needs more effort, nonetheless, it makes driving a genuine experience.

Fujifilm GFX 50S: Image Quality

OK, so here’s everything you came for – the primary event of the Fuji GFX review! No one buys an electronic medium format camera just like the Fujifilm GFX 50s for auto-focus speed or fancy features…

Let’s recall once again what we’re discussing right here. Sure, there are DSLRs and mirrorless cameras obtainable in 2018 with a lot of megapixels – a lot more than we’d ever need.

The GFX offers 51.4MP for oodles of picture detail, but it’s the enlarged surface of the moderate format sensor that basically brings the wow-factor to images.

Megapixels on an MF sensor are bigger and in a position to capture more light, meaning the gradation from light to dark within an image could be more subtle. Skin tones look even more life-like, and whatever features sensitive gradients of color (like the sky at night) appear richer and smoother.

The photo beneath is straight-out-of-camera, without post-production used at all. At internet resolution, it’s just a little harder to tell, however when viewing the initial, the change in color over the sky’s gradient is normally silky soft and exhibits zero bandings.

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