With twice the resolution of earlier GFX versions, the Fujifilm GFX 100, unsurprisingly, offers outstanding image quality. What’s more, is that aside from the 102MP sensor, the GFX 100 offers a shockingly impressive group of features, performance, video specifications, and build quality to create it, unlike any other medium-format camera in the marketplace. With features like in-body picture stabilization, phase-identify AF, Cinema 4K video up to 30p, and weather-sealed construction, the Fuji GFX 100 can be arguably the most flexible medium-format camera out there. Its usability is certainly hampered relatively by performance restrictions and a still-limited indigenous GF lens lineup, however, in the finish, the Fujifilm GFX 100 continues to be a very unique camera, offering an enticing mix of resolution and overall performance that merely isn’t found elsewhere available.

Check Out: Best Lenses for Fujifilm GFX 100

Fujifilm GFX100: Price

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Fujifilm GFX100: Body & Style: Integrated vertical grip, new shows, and a revised control layout

By deciding on a shape comparable to a DSLR camera, the Fuji GFX 100 features a design more like the original GFX 50S than the recent GFX 50R camera. Nevertheless, the GFX 100 includes a built-in vertical grip, whereas the GFX 50S’ hold attachment was provided as an optional item. This design transformation has multiple impacts, which include doubling the battery capacity of the GFX 100 in comparison with a non-gripped 50S or 50R and enabling a fresh sub-display on the trunk of the camera.

Just like the GFX 50S before it, the GFX 100 has a removable digital viewfinder. When the EVF is normally detached, the camera is shorter and has much less maximum depth. Altogether, the EVF-less GFX 100 is 5.67 inches tall (144 millimeters) and includes a maximum depth of 2.96 in. (75.1mm). The width, 6.15 in. (156.2mm), remains unchanged, as you would anticipate. With the EVF attached, the GFX 100 is usually 6.44 in. (163.6mm) high and 4.05 in. (102.9mm) deep. With a set of batteries and a memory card, the GFX 100 weighs 46.6 ounces (1,320 grams). With the EVF attached, the fat improves to 49.4 oz. (1,400g).

Despite its bigger sensor, the mirrorless GFX 100 isn’t substantially different in proportions from flagship full-frame DSLRs. Consider the Nikon D5, for instance, which is definitely marginally wider, slightly shorter, and a little bit thinner compared to the GFX100 with its EVF attached. Their weights are 15 grams different. It’s an identical tale with the Canon 1DX Mark II, which is about the same width, somewhat taller, and a little bit thinner than the GFX 100, while weighing over 100 grams more.

Sensor and Shooting Settings: New 102-megapixel BSI CMOS sensor aims to impress

Arguably, the star of the show is the new image sensor. In the end, if you’re purchasing a medium-format camera system, you need to be seeking out the very best in image quality. The GFX 100 includes a newly-made 102-megapixel backside-illuminated CMOS picture sensor. The sensor size can be 43.8 x 32.9 millimeters, which is approximately 1.7 times the region of a full-framework sensor but smaller compared to the medium-format sensors in Stage One and Hasselblad’s high-end systems, which are approximately 54 x 40mm. To greatly help ensure sharp pictures, the GFX 100’s sensor omits an optical low-pass filter.

The new sensor may be the world’s first 100-megapixel BSI CMOS sensor in a mirrorless camera. Beyond megapixel count, another essential improvement is certainly that the GFX 100 can capture 16-bit raw files, a thing that the 14-little bit GFX 50S/R cameras usually do not offer. (14-bit natural files remain available.) Regardless of the denser pixel set up, the 102-megapixel sensor offers the same native ISO selection of 100-12,800 as the GFX 50S/R. The number could be extended to only ISO 50 and as high as ISO 102,400.

In terms of shooting settings and features, the GFX 100 supplies the same assortment of modes and Film Simulations (16 altogether) as the additional GFX cameras, like the latest monochrome Acros Film Simulation and Fujifilm’s fresh Color Chrome Impact. The GFX 100 will incorporate the Eterna Film Simulation, although that’s oriented even more toward video, and we’ll talk about video shortly. The metering program remains a 256-area system that provides multi, spot, typical, and center-weighted metering settings. Auto ISO functionality also remains unchanged, providing three custom Car ISO ranges with user-selectable configurations. The GFX 100 proceeds to train on a focal plane shutter, with an optimum flash sync of 1/125s. The entire shutter speed range continues to be unchanged at 60 minutes to 1/4,000s using the mechanical shutter or EFCS, with speeds mainly because fast as 1/16,000s using the electronic shutter.

Efficiency: Over 3 million PDAF pixels cover nearly the complete sensor

While we lauded the GFX 50’s excellent autofocus coverage, its acceleration left too much to be preferred. The GFX 100 hopes to change that using its new phase-detect hybrid autofocus system. Its 102-megapixel sensor includes 3.76 million phase-detection autofocus pixels that offer “near 100 percent insurance.” Fujifilm promises improved concentrating precision and speed, particularly regarding subject monitoring and shooting low-contrast topics. In comparison with the GFX 50R, the GFX 100 can concentrate up to 210 percent quicker. Further, face/eyesight detect autofocus functionality is reported to be improved.

Continuous High burst setting is rated at 5.0 fps (up from 3.0 fps on the 50S), with claimed buffer depths of 41 JPEGs, 14 losslessly compressed raw or 13 uncompressed natural files. (See our Functionality testing outcomes.) When capturing with the digital shutter, the very best burst price drops to 2.9 fps. A CONTINUING Low mode can be available rated at 2.0 fps for unlimited JPEGs, 20 losslessly compressed raw or 15 uncompressed natural files. Note that as the GFX 100 can catch 16-bit raw files in single-shot mode, in a continuous setting it records 14-bit files.

Five-axis image stabilization allows 102-megapixel handheld shooting

The GFX100 notably offers in-body image stabilization, yet another “world’s 1st” for a medium-format mirrorless camera. The GFX 100 has built-in five-axis picture stabilization which works together with devoted dual processors and gyroscopic accelerometers. The machine promises up to five . 5 stops of shake correction. The camera’s whole focal plane shutter unit can be suspended using four springs, which act to reduce the result of shutter shock. Fujifilm guarantees that despite its 100-plus megapixel quality, the GFX 100 can be used handheld. There exists a clear focus right here on stability.

Video: DCI 4K, 4:2:2 10-bit uncompressed video, Eterna Film Simulation and more

Video features and the overall performance had been shortcomings with the GFX 50S/R cameras, however, the GFX 100 hopes to improve that. For starters, it could record 4K video, both DCI 4K (4,096 x 2,160) and 4K UHD (3,840 x 2,160), whereas the GFX 50 digital cameras top out at Full HD (1,920 x 1,080) resolution. The GFX 100 information 4K video at up to 30 fps using the entire sensor width, contains the cinema-oriented Eterna Film Simulation and can record in F-Log Rec 2020. Other movie features include Zebra setting, Zebra level, Period code environment, Tally light, and Film silent control.

Further, the GFX 100 can output 4K 4:2:2 10-little bit uncompressed video to an exterior HDMI recorder while simultaneously capturing 10-bit 4:2:0 video to a Sdcard. Recording formats consist of MPEG-4 AVC / H.264 and HEVC / H.265 with 24-little bit Linear PCM stereo sound using 48KHz sampling in a MOV container. 4K video is limited to about 60 mins per clip, while Total HD is bound to about 80 a few minutes.

Presumably, the improved autofocus efficiency for stills photography will connect with video recording as well, but we won’t understand for certain until we obtain our practical a production-level camera and place it through its paces. nonetheless, the video has truly gone from as an afterthought with the GFX 50 cameras to a spot of emphasis for the GFX 100.

Fujifilm GFX100: Conclusion

The Fuji GFX 100 is among the most exclusive and ambitious new cameras to turn out in 2019. The 3rd offering in Fujifilm’s GFX medium-format mirrorless program, the GFX 100 dwarfs not merely the other GFX digital cameras in physical size but also in relation to image quality, AF functionality, video features, and construction. Heck, the GFX 100 out-specs almost every other modern mirrorless cameras in a number of areas. Actually, the GFX 100 takes aim at those professional and high-end photographers who frequently grab gripped, flagship DSLR cameras from Canon and Nikon. Taking the medium-format camera into completely new areas, this model moves beyond the most common slow, methodical photographic genres typically connected with medium-format cameras.

It’s more than only a high-resolution camera targeted at landscapes, portraits or studio functions. The GFX 100 blends its high-quality sensor with high-performance features and durable construction that produce the camera surprisingly well-suited for a few types of action, sports activities, and various other fast-paced endeavors — subjects not typically favorable for medium-format digital cameras. Also, it’s also filled with video features not really typically available in this kind of camera. In simpler conditions, the GFX 100 is normally highly versatile in multiple ways.

However, it’s not all sunshine and roses. Much like most good products, there are some rough spots. Size and weight, in addition to performance limitations, native zoom lens selection and, of course, price are essential considerations that may make some consider pause when deciding if this is actually the correct camera for them. The GFX 100 is without a doubt the most flexible medium-format camera to date, but it isn’t the best or best camera for every kind of photographic situation.


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