Fujifilm X-Pro2 Review

Fujifilm X-Pro2 Review

Even fewer mirrorless cameras can appeal to such a large cross-section of the population as the Fujifilm X-Pro1. This is even more impressive considering how much of a fanbase the X-Pro1 amassed.

Acceptable image quality and a steady line of well-regarded optics slowly released alongside meant that it quickly became the camera everyone else wanted to own. Its classic styling and manual controls immediately attracted experienced photographers who may have started with similarly styled rangefinders. However, its fine image quality also quickly made it the camera everyone wanted to own.

It is true that because it was the first model in the X-series to use interchangeable lenses, it came equipped with several peculiarities and oddities that not everyone found appealing. Its focusing mechanism, for example, wasn’t very great at recording moving subjects, and the one-of-a-kind X-Trans sensor technology proved troublesome regarding the video quality. Those are just a couple of examples.

Firmware upgrades have been released to address some of these problems; nevertheless, in the realm of camera technology, four years is a very long period, and the demand for an upgrade was quite apparent.

  • Product
  • Features
  • Photos

Fujifilm X-Pro 2 Mirrorless Digital Camera, Black (Body Only)

& Free shipping
Last update was on: May 28, 2023 10:54 am
$1,411.00 $1,699.95

See: Best Lenses for Fujifilm X-Pro2 | Best Memory Cards for Fujifilm X-Pro2 | Best Video Lenses for Fujifilm X-Pro2 | Best Gimbal for Fujifilm X-Pro2 | Best Flash for Fujifilm X-Pro2 | Fujifilm X-Pro2 Black Friday Deals | Fujifilm X-Pro2 Bundles Deals

The X-Pro may now be seen before you. It keeps the successful formula that its predecessor had while updating the entire feature set. It looks to be both a significant advance and perhaps a camera that may win over those who were not convinced by the X-Pro1 since it comes equipped with a new sensor and processor, a new focusing mechanism, and an upgraded hybrid viewfinder.

Fujifilm X-Pro2 Video & AutoFocus

Fuji has expanded the range of video recording choices available on the X-Pro1 for the new edition. The camera does not support the 4K recording that has been standard on many other recent releases, but it is now possible to shoot full HD video at 60, 50, 30, 25, or 24 frames per second.

These can record in Full HD for up to 14 minutes and HD quality for up to 28 minutes. Additionally, a mic connector allows external microphones to be used as an alternative to the camera’s internal microphone. Finally, it is possible to generate a time-lapse film using the built-in interval timer.

The 49-point system included in the X-Pro1 has been replaced with a substantially more advanced 61-point system in this camera. There are now 77 points as the norm, which may be enlarged to 273 points when necessary. This densely saturates the center portion of the frame with AF points.

Phase-detect points now occupy 40% of the image area, which is believed to benefit the camera while focusing on a moving subject. Improvements to the predictive AF algorithm are also behind enhanced performance in the camera’s functionality area.

In addition, it is believed that the camera can achieve the fastest focus of any X-series camera, which is twice as fast as the X-Pro1, owing to improvements made to the contrast-detect readout speed of the sensor.

The manual focusing system of the X-Pro2 has also received some improvements. The focus-peaking option, introduced in the previous model, has been expanded to include a variety of color settings and peaking levels. In addition, the rangefinder-like Digital Split Image method of achieving correct focus in color and monochromatic modes have also been added.

Fujifilm X-Pro2 Build Quality

The X-Pro2 has been developed and built to a level of quality commensurate with its four-figure price tag. As a result, the body of the X-Pro2 feels just as sturdy in the hands as the original X-Pro1, which was built on a four-panel magnesium alloy chassis.

In addition, Fuji says that the camera can be used in challenging weather conditions by installing 61 seals at various areas of potential water and dust entry and providing protection to a temperature of -10 degrees.

Even when equipped with either the 18mm f/2 R or the 27mm f/2.8 XF lens, the camera can still squeeze into the pocket of a typical coat, even though it is not the most miniature camera on the market. Moreover, its ergonomics show that Fuji intends for it to be paired with smaller and lighter optics, particularly prime lenses, as opposed to the likes of the XF 50-140mm f/2.8 R LM OIS WR and XF 16-55mm f/2.8 R WR ASPH zoom lenses, which require the more substantial grip of the X-T1. This is because prime lenses have a fixed focal length, whereas zoom lenses have a variable focal length.

Walking about all day with the camera in my hand, I felt that the X-Pro2 gave a more stable hold at the price of a minor decrease in comfort. The grip on the X-Pro2 is more defined than the flatter grip on the X-Pro1, which is one reason why. That is not to indicate that it is unpleasant to use; instead, it means that the design is flatter, which may make it easier to use with various hands.

Fujifilm X-Pro2 Performance

The X-Pro 1’s focusing mechanism was possibly the subject of the most prevalent complaints, which is why Fuji made a series of firmware upgrades to solve this issue. Comparing the two devices demonstrates that Fuji has achieved substantial advancements with the new camera. This is the case even though the X-Pro1 is now operating with the latest v3.50 firmware upgrade.

Fuji’s claims of a doubling of focusing speed compared to the previous model appear to be proven by testing, even though it is impossible to determine exact focusing rates. These speeds depend highly on the lens, the subject, and other factors.

This is possibly a little behind some competitors; this is an area where current cameras have made significant advancements, but this is not a cause for concern for the vast majority of scenarios.

Fujifilm X-Pro2 Image Quality

The Fujifilm X-Pro2 creates photographs with an exceptional level of detail and clarity. It captured noise-free JPEG photos at ISO 100 up to 6400, with only a tiny bit of noise at ISO 12800 and more noticeable noise, along with a slight color desaturation at the faster settings of ISO 25600 and 51200, which is an astounding performance for a camera with an APS-C sensor. The RAW files were also of exceptionally high quality; although they had a higher noise level, they produced highly acceptable photos from ISO 100-12800.

Fujifilm X-Pro2 Specs

Body typeRangefinder-style mirrorless
Body materialMagnesium alloy
Max resolution6000 x 4000
Other resolutions3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2384, 3008 x 1688), 1:1 (4000 x 4000, 2832 x 2832, 2000 x 2000)
Image ratio w h1:1, 3:2, 16:9
Effective pixels24 megapixels
Sensor sizeAPS-C (23.6 x 15.6 mm)
Sensor typeCMOS
ProcessorX Processor Pro
Color spacesRGB, Adobe RGB
Color filter arrayX-Trans
ISOAuto, 200-12800 (expandable to 100-51200)
Boosted ISO (minimum)100
Boosted ISO (maximum)51200
White balance presets7
Custom white balanceYes (3 slots)
Image stabilizationNo
Uncompressed formatRAW
JPEG quality levelsFine, normal
File formatJPEG (Exif v2.3)Raw (14-bit RAF, lossless compressed or uncompressed)
Optics & Focus
AutofocusContrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousFace DetectionLive View.
Autofocus assist lampYes
Manual focusYes
Number of focus points273
Lens mountFujifilm X
Focal length multiplier1.5×
Articulated LCDFixed
Screen size3″
Screen dots1,620,000
Touch screenNo
Screen typeTFT LCD
Live ViewYes
Viewfinder typeElectronic and Optical (tunnel)
Viewfinder coverage92%
Viewfinder magnification0.89× (0.59× 35mm equiv.)
Viewfinder resolution2,360,000
Photography features
Minimum shutter speed30 sec
Maximum shutter speed1/8000 sec
Maximum shutter speed (electronic)1/32000 sec
Exposure modesProgram AEShutter priorityAperture priority
Built-in flashNo
External flashYes (via hot shoe or flash sync port)
Flash modesAuto, forced flash, slow synchro, suppressed flash, rear-curtain synchro, commander)
Flash X sync speed1/250 sec
Drive modesSingleContinuous (high/low)Self-timer interval
Continuous drive8.0 fps
Self-timerYes (2 or 10 secs)
Metering modesMultiCenter-weighted spot
Exposure compensation±5 (at 1/3 EV steps)
AE Bracketing±2 (3 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB BracketingYes
Videography features
Resolutions1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25,p, 24p)
FormatMPEG-4, H.264
Storage typesSD/SDHC/SDXC (Dual slots, UHS-II support in slot 1)
USBUSB 2.0 (480 Mbit/sec)
HDMIYes (micro-HDMI)
Microphone portYes
Headphone portNo
Wireless notes802.11b/g/n
Remote controlYes (Wired or via smartphone)
Environmentally sealedYes (water and dust resistant)
BatteryBattery Pack
Battery descriptionNP-W126 lithium-ion battery & charger
Battery Life (CIPA)350
Weight (inc. batteries)495 g (1.09 lb / 17.46 oz)
Dimensions141 x 83 x 56 mm (5.55 x 3.27 x 2.2″)
Other features
Orientation sensorYes
Timelapse recordingYes

Fujifilm X-Pro2 Verdict

  • Product
  • Features
  • Photos

Fujifilm X-Pro 2 Mirrorless Digital Camera, Black (Body Only)

& Free shipping
Last update was on: May 28, 2023 10:54 am
$1,411.00 $1,699.95

Fuji has made several substantial adjustments to the X-Pro formula to develop the X-Pro2, which is certainly something we should have expected, given the four-year gap between the two models. However, on the whole, the results are favorable.

Those upgrading from the X-Pro 1 will immediately notice the enhanced electronic viewfinder. In addition, the increase in resolution and overall performance helps to narrow the performance gap between this and conventional optical viewfinders.

Although Fuji is not the only company that has made these viewfinders more user-friendly than they were on earlier generations of cameras, the particular style of the viewfinder that this camera utilizes may influence individuals who are generally resistant to using viewfinders.



Paul is a highly experienced journalist and the editor of DSLRCameraSearch. With a background in the photographic industry since 2017, he has worked with notable clients such as . Paul's expertise lies in camera and lens reviews, photo and lighting tutorials, and industry news. His work has been featured in renowned publications including . He is also a respected workshop host, speaker Photography Shows. Paul's passion for photography extends to his love for Sony, Canon, Olympus cameras.

We will be happy to hear your thoughts

Leave a reply