Hasselblad is back with a second-generation medium format mirrorless camera. Its first take, the X1D-50c, fell shy of targets. The second effort, the X1D II 50C ($5,750), provides a whole lot of improvement but continues to be held back again by an underpowered battery, slow autofocus, and, at the press period, promised features that just aren’t generally there. It’s an intriguing camera and could be the proper fit for you, but it isn’t as flexible or inexpensive as GFX versions from rival Fujifilm, including the budget-friendly (for moderate format) GFX 50R.
Hasselblad X1D II 50C Price, Deals & Discounts
Hasselblad’s design group knows steps to make a camera appearance great. The X1D II riffs on its predecessor, using the same basic body. It’s a fairly one, with exposed metal, finished in a darker, gunmetal gray these times. The consistency of the leatherette wrap has changed a little bit too-the rectangular grid mottling offers been dropped, and only a far more traditional, and understated, pebble texture.
The body measures 3.8 by 5.8 by 4.9 inches (HWD) without a lens and weighs about 1.7 pounds. Despite which includes an image sensor with an increase of than twice the surface region of a full-frame (35mm format) model, the X1D II isn’t that very much bulkier than most for the reason that class, like the 60MP Sony a7R IV (3.8 by 5.1 by 3.1 ins, 1.5 pounds).
The compact frame certainly makes the X1D more desirable for travel when compared with a bulky medium format SLR like the company’s H6D-50c. Your body and lenses include dirt and splash protection so that you can use it to create images, even if the elements aren’t perfect.
Despite putting a focus on looks, there’s a small sacrifice in function. The camera seems steady in the hand, with a grip that’s comfy and solid. The machine can feel just a little front-heavy if you put in a weighty lens, just like the exclusive XCD 80mm f/1.9, but it’s definitely perfect with a smaller sized prime, like the ultra-light XCD 45P.
There’s an individual control button on leading, positioned so you can reach it together with your right hands. By default it activates a depth of field preview, stopping the zoom lens right down to the set aperture, to get a genuine preview of your frame in the viewfinder. This button can be reprogrammed.
Also reconfigurable will be the two functions at the top plate, AF/MF and ISO/WB. They’re joined by the On/Off switch, shutter release, and mode dial. Much like the 1st edition, the Setting dial could be locked set up by pressing it directly down-it sits almost flush with the very best plate when in the recessed, locked placement. And, in a transformation, the shutter release is currently completed in metallic orange, a color that Hasselblad provides been using to recognize the brand recently.
Control wheels take a seat on both front and back of the grip for prepared control over shutter acceleration, aperture, and EV compensation. Two round control keys sit between your rear steering wheel and EVF; AE-L locks in exposure so that you can recompose a go without changing just how a scene can be metered, and AF-D activates autofocus.
You can split away autofocus to the trunk button only if you prefer. It isn’t intuitive, but setting up the camera to MF mode will disable the shutter button’s concentrate function, though AF-D will continue steadily to engage the system.
The rest of the control keys are organized in a column, running alongside the big 3.6-inch rear screen. The buttons (Play, Screen, Favorite, Delete, and Menu) function with the touch interface.
Power and Connectivity
The X1D II features dual memory card slots, each supporting UHS-II SDXC media. Other connections include 3.5mm jacks for headphones and microphones and a USB-C port for charging and data transfer.
The camera uses the same electric battery as the first-generation model. Without question, it is the weakest hyperlink in the X1D II’s proverbial chain. Hasselblad doesn’t publish a CIPA-tested battery rating, nonetheless, it didn’t do well inside our field testing. On an extremely cold early morning, I was only in a position to net 85 exposures on a completely charged battery, throughout a photo walk that spanned about two hours, with about 15 percent charge left. In warmer weather, I did so better, with 88 exposures sapping simply half the battery pack over another jaunt, over about four hours, and netted comparable results when working in the studio.
I’d expect about 180 exposures per charge, based on how you utilize the camera. I left the built-in GPS switched off, and disabled Wi-Fi. If you are using both, expect less. You’ll also get less life if you cut back the power-conserving features, which are set aggressively by default.
The body is made to work together with Hasselblad’s XCD lens series. These lenses incorporate essential leaf shutters, which are quieter and introduce much less vibration into the system in comparison to a focal plane shutter, especially one huge enough for the X1D II’s moderate format sensor.
Some medium format cameras support both shutter types. The Leica S system, with a fresh model due later this season, can use an in-camera shutter with any zoom lens and has a type of leaf shutter lenses designed for photographers who choose them. Fujifilm’s GF program doesn’t include indigenous lenses with leaf shutters but may use Hasselblad H lenses via an adapter.
Hasselblad provides an adapter to make use of H lenses with the X1D as well, in addition to one for classic V lenses-it will continue to work with V lenses dating back again to the 1950s. With the newer H lenses, you’ll maintain leaf shutter support-and if your zoom lens is new enough to aid it, autofocus aswell.
Hasselblad drastically cut the cost of a camera this go-circular, adjusting the initial X1D’s $9,000 cost low to a fairer $5,750. But which means it’s not loaded to the gills with the most recent tech, just like the 100MP sensor Fujifilm uses in the $10,000 GFX100.
Instead, we obtain the same 50MP sensor within the first era X1D. There is nothing bad to state about its imaging features, however. It offers a broad sensitivity range, starting at ISO 100 and going all the way up to ISO 25600, with 16-bit Natural document quality, in a 33x44mm form factor, offering nearly twice the top area of a 35mm full-frame chip.
Pictures are clean, with excellent detail and little noticeable grain through ISO 3200 when employed in Raw file format. There’s some visible sound at ISO 6400 and 12800, but it isn’t until you force the camera completely to 25600 where I’d call the result rough.
Not used to the X1D II is certainly a full-resolution JPG catch. While I’d anticipate most X1D II owners to opt for Raw, the JPG engine is normally available if you like not to cope with processing software program. The JPG output is comparable to Natural at lower ISOs but starts to lose a little bit of crispness beginning at ISO 800. It’s pretty minor, though, and detail is strong completely ISO 3200. At higher configurations, we find softer edges and fine lines smudging together.
There are more factors than a tiny bit crisper output to choose Raw capture. You should have a lot more control over color and publicity, along with the capability to curb highlights and start shadows.
The X1D II has a video environment on its setting dial and a placeholder for the function in the menu system, but it’s not open to use yet. The business promises to include it with a firmware update and has truly gone as far as to add headphone and mic jacks on the camera body.
But…don’t purchase this camera in the event that you care about video. If you prefer a high-quality sensor and pro-quality video to complement, the 60MP Sony a7R IV, 47MP Panasonic S1R, and 100MP Fujifilm GFX100 are better bets-all offer extraordinary 4K quality and stabilized picture sensors.
The X1D II 50C is a sleek, gorgeously built camera. It includes a striking silhouette, and uncovered metallic plates set it aside from a bevy of competing for digital cameras that, generally, follow the same basic-black motif. And it’s really not only jewelry-dust and splash protection adds appeal to visit and landscape photographers, and there are many superb XCD lenses available.
To spend considerably less, you’ll need to stage down in sensor size to the 35mm full-frame structure. There the Sony a7R IV is a well known high-resolution model, nevertheless, you can also consider the Nikon Z 7, the Panasonic S1R, and the Leica SL2 if you are not a fan of the Sony program.