Hasselblad X2D 100C Review

By encapsulating a big sensor within a small and aesthetically beautiful body, the Hasselblad X1D 50C and X1D II 50C contributed to the process of reinventing the paradigm of medium format photography. This was accomplished by Hasselblad. Since it has been introduced, the X2D 100C not only has a resolution that is twice as high as that of its predecessors, but it also has a multitude of other astounding improvements and brand-new features. Its predecessors had a resolution that was only half as high. In this review, we take a look at the camera and explore the many features it possesses as well as what we can anticipate from using it.

Hasselblad X2D 100C

I had the opportunity to test out the X1D 50C for a few hours a few years ago, and while I absolutely loved having a medium format sensor in such a compact body and the gorgeous files it produced, I found it to be a frustrating camera to use, with a difficultly slow interface and performance. While I absolutely loved having a medium format sensor in such a compact body, I also found that having a medium format sensor in such a compact body was incredibly frustrating. My time with the camera was limited, and I was only able to utilize it for a few hours.

Therefore, when I was offered the opportunity to use the X2D 100C, I had great aspirations of obtaining the same level of image quality as the Hasselblad and achieving those gorgeous colors in a package that was more compact and quicker. I was successful in accomplishing both of those goals. If you want more detail, you may continue reading, but if you want the substance in one statement, the camera lives up to the hype.

Design and Body

The 100-megapixel medium format sensor with 16-bit color is, of course, the feature that attracts the most attention, and as you will see in the following paragraphs, it lives up to its billing by creating files that are extremely detailed and abundant in colour. Having this kind of file makes you want to snap images of even the most uninteresting of things since you can be certain that the renderings you end up with will be absolutely unique to you.

In addition to that, Hasselblad includes a large number of additional improvements as well as brand-new features. In addition to that, there is a 7-stop image stabilization mechanism that performed quite well in general. During the whole month that I owned the camera, I never once used a tripod, and every single file that I took came out exceptionally clear and crisp.

The autofocus system now has roughly three times as many potential zones, and it also receives an enhancement in its phase detection, which results in a notable rise in speed. The PD 3.0 rapid charging capabilities are an excellent addition to the device’s quality of life, and the device’s fast Wi-Fi makes it easy to download files in a short amount of time. In point of fact, I have never ever removed the battery from the device; all I have ever done is add an extra charge to it while downloading data from the internal SSD via the USB connection.

It’s a great improvement to have a solid-state drive (SSD) that’s one terabyte in size. For years, I have been requesting this feature from manufacturers of cameras, and I am overjoyed to announce that it has finally been incorporated into this model. The performance was lightning fast, and as I was downloading photographs from a memory card, I never had to open the camera even once.

Because I don’t ever want to use memory cards or battery chargers again after charging the camera and downloading pictures through USB, I’m hoping that more camera manufacturers will start integrating rapid charging into their products in the near future so that they can offer both of these features to consumers.

The one important feature that is absent from the demonstration, and Hasselblad has stated that the company has no plans to integrate it at this time in any form or fashion. To tell you the truth, I couldn’t care less about it if my life depended on it. Because this is not the type of camera that any video professional would use, Hasselblad has gone to great pains to ensure that the user interface is both simple to use and does not have a lot of unnecessary bells and whistles. This is done so that the user can concentrate on the creative process without being sidetracked by the process of modifying settings and browsing menus. This is done so that the user can retain their concentration on the creative process.

An important step forward in terms of aesthetics was taking the allure of the models that came before it and maintaining it in this newer model. Even though it weighs 31.6 ounces and has a body that is somewhat larger and heavier than the X1D variants, the device is still quite portable (895 grams). In spite of the fact that it is just 35% heavier than a Sony a7R IV and only 21% heavier than a Canon EOS R5, the camera gives the appearance of being incredibly solid and durable despite these comparisons. The new lenses, which are the same size as the older ones, look fantastic with the dark grey finish, which has a modern and appealing appearance and blends well with the new lenses despite their similar size.

The color top display is pretty large and provides all of the standard information that you would expect, such as the exposure settings, the camera mode, the amount of available memory space, and the battery life. This camera has a useful function that, once you connect it to a power source in order to charge it, it quickly tells you the percentage of the battery that is still left over.

I found that I very quickly acclimated to the layout of the camera, and finally I was able to use it without having to take my attention off of the viewfinder. This was made possible by the fact that the buttons and dials are positioned in a logical manner and are simple to grasp. It is simple to navigate the dials with your thumb and fingers, and the shutter button, together with the other buttons, provides a very satisfying action and sensation.

It is clear that Hasselblad conducted a thorough analysis of the precise measures, including the grip as well as the arrangement of the buttons, to ensure that the camera would be simple to operate and would have a natural feel to it.

Let’s talk about that electronic viewfinder, which, in my opinion, is far and away the greatest one I’ve ever worked with. To begin, it employs OLED, which enables an infinite range of contrast ratios to be displayed on the screen. The resolution of 5.76 million dots and a frame rate of 60 frames per second both provide credibility to this assertion. However, if we are being really forthright, the feature that sticks out the most is the excellent one-time magnification, which has an incredibly high magnification level and makes for a fantastic shooting experience.

If you like to take photos with both eyes open, it will be much simpler for you to make judgments regarding composition and to move around with the camera without feeling bewildered. This is because the picture that is seen by one eye and the image that is seen by the other eye is often going to be of similar size to one another.

Let’s go on to the touchscreen now and see what features it possesses. In addition to being correct, it has excellent responsiveness. When compared to the superb touchscreens found in smartphones, the touchscreens found in cameras, which often have a slower reaction time, can be a bit frustrating to use. On the other hand, this does not hold true for the model in question. In addition to that, the screen is quite pleasing to the eye, which makes it very simple to inspect images and adjust settings.

Interface

My thoughts are that the user interface is top-notch. It is incredibly simple to use, and it ensures that you will never lose time fumbling around in a menu rather than concentrating on the process of creating something new. As soon as I tore open the packing, I was able to identify everything that I needed right immediately.

You can see that a lot of thought and effort went into designing Hasselblad’s products in such a manner that they are simple, straightforward, and straightforward to use. Even though there are fewer methods to customize the camera than there are with some other models, the settings that are offered are organized in a way that is extremely intuitive and easy to use.

The X2D 100C has an innovative feature called the articulating rear screen. This feature allows the camera to tilt between 40 and 70 degrees, making it appropriate for low compositions. It is always useful to have something like that available since it enables you to avoid sitting down on the ground in order to obtain a dramatic shot from a low position, and I discovered that I used it a few times while I was shooting. It is always good to have something like that available.

In conclusion, it is essential to bring attention to the fact that the rate at which one is able to do duties when utilizing the camera is significantly accelerated. When I was using the X1D camera from its initial generation, there were times when I would accidentally delete images because the camera would randomly pause for a second after I pressed the shutter button. In addition to this, the movement through objects felt choppy, and the experience as a whole just seemed slow overall. That is not the case at all. You won’t experience any latency or difficulties while zooming in to check the focus when you’re using this device because the X2D 100C has sufficient power for both ordinary use and managing those huge files.

Image Quality

This is obviously the reason why you are here, of course, and the good news is that the X2D 100C generates files that are bursting with detail, have loads of area to be pushed in post-processing, and deliver colors that are simply spectacular, particularly when you are shooting in 16-bit.

Because the colors and particulars were so pleasing to my eyes, I realized that I was frequently aiming the lens of the camera toward items that were truly unimpressive and that, under normal circumstances, I would not have paid any attention to at all. And while we’re on the topic of specifics, a resolution of one hundred megapixels guarantees that there will be sufficient room for everything.

The addition of that additional resolution makes it possible to do more than just print extremely large images or provide consumers with incredibly high levels of detail. Additionally, it enables you to crop in and construct a variety of compositions in post-processing while still maintaining an adequate degree of resolution, which makes the files far more versatile.

The progressions in tone and color are natural, and the transitions between them are particularly flawless. As was said previously, there is also a considerable amount of wiggle room for post-processing the data. For example, in the photograph of the fireworks that were just above, the shadows were pushed up about two stops and maintained together extraordinarily well, with very little noise that was evident.

Performance

Stabilization

On paper, a Hasselblad camera’s 5-axis, 7-stop in-body image stabilization ranks it among the best of the best in the industry. [Camera] This is crucial because, when using a picture resolution of 100 megapixels, even the tiniest movement of the camera will be recognizable in the final product. In practical applications, it works really well.

During the course of the month that I was in possession of the camera, I took the choice on my own to forego the usage of a tripod. In spite of the fact that I subjected the camera to a variety of difficult conditions, I never once witnessed the camera wobbling. The accompanying shot of fireworks, for example, was captured with a shutter speed of only 0.7 seconds, but it still manages to capture every detail in perfect clarity. In point of fact, I employed that shutter speed to take a series of ten images, and the outcomes of each and every one of them turned out to be clear and sharp. That is an incredible feat to have accomplished.

Autofocus

This is another domain that has been the beneficiary of a substantial amount of improvement. The substantial rise in performance can be attributed to Hasselblad’s choice to implement a phase detection technology for this iteration of the product. When compared to the X1D, I had the impression that it was a great deal simpler to acquire focus quickly enough that it did not slow down my workflow. Furthermore, the precision is superb throughout. During the time that I had possession of the camera, it did an excellent job of capturing all of the available shots.

On the other hand, the autofocus technology that is now on the market is quite easy to use. I say “at the moment” because Hasselblad does have plans to introduce features like eye autofocus and tracking, but for the time being, you are limited to a very simple system with only a few point/area sizes and the option to track or single-shot. I say “at the moment” because Hasselblad does have plans to introduce features like eye autofocus and tracking, but for the time being, you are limited to a very simple system. I say “at the moment” because Hasselblad does want to launch new features in the near future, including eye focusing and tracking.

People who use medium format cameras with a maximum frame rate of 3.3 frames per second are clearly not the type of people who will require highly intricate autofocus tracking functions; but, features such as eye autofocus will undoubtedly be features that people are delighted to have. The functionality of what is presently present is sufficient for the time being.

Battery Capacity

The X2D 100C can capture 420 pictures on a single charge, according to Hasselblad, and my own experience reflected this statistic. I burned up just 34% of the battery while taking 162 images throughout the day and doing a lot of reviewing on the rear screen. This is similar to having a battery life that will allow you to take 476 shots before it has to be charged again. This performance is pretty impressive for a mirrorless medium size camera.

In addition, because PD 3.0 is equipped with the capability of rapid charging, I just need a quick top-off before I was ready to go again. It is highly advised that you bring along an extra battery; but, for the purposes that the great majority of people use their medium format cameras, a single battery should be sufficient.

Hasselblad X2D 100C Specs

Body typeSLR-style mirrorless
Max resolution11656 x 8742
Effective pixels100 megapixels
Sensor sizeMedium format (44 x 33 mm)
Sensor typeBSI-CMOS
Custom white balanceYes
Image stabilizationSensor-shift
Image stabilization notes5-axis
CIPA image stabilization rating7 stop(s)
AutofocusPhase Detect
Number of focus points294
Lens mountHasselblad X
Focal length multiplier0.79×
Articulated LCDTilting
Screen size3.6″
Touch screenYes (TFT)
Viewfinder typeElectronic
Viewfinder coverage100%
Viewfinder magnification0.79× (1× 35mm Equiv.)
Viewfinder resolution6
Minimum shutter speed68 sec
Maximum shutter speed1/4000 sec
Maximum shutter speed (electronic)1/6000 sec
Aperture priorityYes
Shutter priorityYes
Manual exposure modeYes
Built-in flashNo
External flashYes
Flash modesTTL center-weighted system, compatible with Nikon System Flashes
Metering modesCenter-weightedSpotSpot AF-area
Storage typesCFexpress Type B
Storage included1TB
USBUSB 3.2 Gen 2 (10 GBit/sec)
USB chargingYes (30W, USB-C PD)
WirelessBuilt-In
Wireless notes802.11b/a/g/n/ac/ax, Wi-Fi with 2×2 MIMO
BatteryBattery Pack
Battery descriptionUSB-C PD (up to 30W)
Battery Life (CIPA)420
Weight (inc. batteries)895 g (1.97 lb / 31.57 oz)
Dimensions149 x 106 x 75 mm (5.85 x 4.17 x 2.93″)
Orientation sensorYes

Conclusion

It was the reason for some excitement that the Hasselblad X1D II 50C was so much less expensive than the original X1D 50C, and that it continued the pattern of Hasselblad equipment becoming more accessible over the course of the previous decade. It should not come as much of a surprise, however, that this new model, which features a sensor with 100 megapixels and a new CPU, costs far more.

Although it is more costly than the Fujifilm GFX 100S, it is significantly less expensive than the Fujifilm GFX 100. Despite the fact that it costs more than a Hasselblad, the price is not excessively exorbitant. The Fujifilm GFX 100S can be purchased for around $6,000, while the Hasselblad X2D 100C can be purchased for $8,199. To put that into perspective for you, the price of the GFX 100 is going to be $10,000.

The new lenses have a higher price tag than the older versions do as well, bringing the total up by around 25%. If you place a high priority on increased speed, bigger apertures, and streamlined designs, then you will find that the additional cost is justifiable. I believe that the new lenses make the entire camera system far more useful. They also provide better versatility for handling a wider variety of subjects, which means that you receive a sizeable increase in performance for the money.

Hasselblad X2D 100C Price

Hasselblad X2D 100C

.

Good For
  • Photos with a high level of detail and color science that is faithful to the real world
  • Incredible how it feels when held in your hands
  • Great picture stabilization
  • Integrated storage of 1 terabyte
Need Improvement
  • No video capabilities
  • A system that comes at an extremely high cost.
  • An electrical shutter that is virtually useless.

What Important Improvements Does The X2d 100c Have To Offer In Comparison To The X1d Ii 50c?

The flagship X2D 100C of the Hasselblad X System mirrorless medium format digital camera is equipped with a 100-megapixel BSI CMOS sensor, a powerful 15-stop dynamic range, and 16-bit color depth. Additionally, it features PDAF technology, a 5-axis 7-stop IBIS, built-in 1TB SSD storage, a CFexpress Type B card slot, and a 5.76MP electronic viewfinder with 1.0x magnification. The combination of these cutting-edge technology results in improvements to picture quality, focus, stability, responsiveness, and storage capacity.

Why Does The X2d 100c Focus Faster When Using The New Xcd Lenses (compared To Previously Released Ones)?

PDAF technology is utilized by the X2D 100C. There are up to 294 phase detection autofocus (PDAF) zones that are spread out throughout the surface of the sensor (with 97% coverage), which results in greater accuracy and up to 3 times quicker focusing.

When utilizing the X2D 100C in conjunction with the newly released XCD 2.5/38V, XCD 2.5/55V, and XCD 2.5/90V lenses, it is possible to achieve more precise and flexible focusing. This is a consequence of the fact that the new lenses make use of an improved focusing module. This module includes a linear stepping motor in addition to a lighter and more compact focusing lens group.

When Should I Use Color Depths Of 14 And 16 Bits Respectively?

Select a color depth of 14 bits if you want to maintain excellent color while boosting the continuous shooting pace. Increase the number of tonal subtleties in color by using the 16-bit format, which will allow for more natural transitions. The color depth of 16 bits may provide 281 trillion different colors, which is 64 times more than 14 bits.

What Other Differences Are There Between The Sensors Of The X2d 100c And The X1d Ii 50c, Apart From The Fact That The X2d 100c Has 100 Megapixels?

The X2D 100C has a built-in backside illumination (BSI) CMOS sensor, 15 stops of dynamic range, and a native ISO that goes as low as 64. Additionally, it boasts phase detection autofocus (PDAF) technology with 294 separate PDAF zones, which enables faster and more precise focusing.

What Is The Difference Between Cameras That Use The Medium Format And Those That Use The Full-frame?

Medium-format image sensors from the X System have a light-sensitive surface that is 43.8 mm by 32.9 mm, making it about 70 percent bigger than full-frame sensors. This results in a better resolution as well as a bigger area for the collecting of light, which produces richer details.

When it comes to the optical architecture of the lens, medium format lenses have a bigger image circle than full-frame lenses, which allows them to give a superior optical performance.

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