A sensor with a resolution of 12.1 megapixels and sensitivity settings ranging from ISO 80 to ISO 1,600 equivalents are included in the Canon PowerShot SD1300 IS design. In addition, the Canon SD1300 features a lens with 4x optical zoom, similar to a range of 28mm to 112mm on a 35mm camera. This provides the user with a suitable wide-angle to a modest telephoto.
Throughout the zoom range, the maximum aperture shifts from f/2.8 to f/5.9. In addition, the SD1300 IS from Canon comes equipped with genuine optical image stabilization technology that helps to reduce blur caused by camera shake.
The Canon SD1300 IS does not have any optical or electronic viewfinder; instead, the LCD on the back of the camera is used for all interactions. The display of the PowerShot SD1300 has a diagonal measurement of 2.7 inches. It delivers a resolution of 230,000 dots, roughly equivalent to a pixel array measuring 320 by 240 pixels with three beads per color. It is believed that the LCD coverage is approximately one hundred percent.
The Canon SD1300 is capable of recording still images at resolutions up to 4,000 x 3,000 pixels, as well as movie clips in standard definition at either VGA (640 x 480) or QVGA (320 x 240) resolution at a rate of 30 frames per second in Motion JPEG AVI format, and including monoaural audio. Still, images can be recorded at resolutions up to 4,000 x 3,000 pixels.
The Canon PowerShot SD1300IS uses Secure Digital, SDHC, or SDXC memory cards to store still photographs and videos. In addition, the NTSC and PAL standard definition composite video formats and the USB 2.0 High-Speed data format are both available as connectivity choices. The power comes from a unique lithium-ion rechargeable battery called NB-6L. This battery is supposed to last for 240 shots before it has to be recharged.
Body and Design
Style and ease of use are the defining characteristics of ELPH cameras, and the Canon SD1300 IS captures lots of styles while making it easier to take photographs that turn out well. The price tag of under $200 is also very enticing to consumers.
My connection with the dapper little ELPH was instant adoration and affection. As I carried it around, I continued to find something appealing about it, but I immediately came into a couple of restrictions. And even if there is nothing that casual shooters have any reason to dislike about it, fans might want to take note of it.
In the end, though, the Canon SD1300 will be a pleasant companion if you genuinely don’t want to make decisions other than when to start recording a video or taking a picture with the camera.
You won’t get those amazing photographs of your star on the soccer field where they are in fine focus and everyone else is a gorgeous blue, but you will get pleasant photos regardless of what you capture.
Without any direction from me, the Canon SD1300 captured some remarkably well-lit flash images and some nice close-ups and landscapes in natural light.
Look and Feel. The Canon SD1300 is stunning, which is precisely why I couldn’t help but fall in love with it at first glance. A model in a metallic blue color (one may argue cerulean) was provided by Canon. In addition, it comes in various colors, including black, silver, green, pink, and brown.
The color shell on the side and top panels is broken up by a black band that hides the AV/Out port on the Canon SD1300 above the strap eyelet on the right side and narrows after the Shutter button on the top to become a thin band that continues down the left side. This frees up space for an easy-to-find and uses the power button in the shape of a triangle bigger than usual and located to the left of the shutter/zoom lever combo.
On the rear of the camera, near the 2.7-inch LCD, you’ll find all of the typical PowerShot controls. A plastic tripod mount is next to the battery and card storage on the bottom of the Canon SD1300.
The front panel is completely smooth and flat; the only slightly elevated text it has is the word “Canon.” Unfortunately, the Canon SD1300 lacks an optical viewfinder, in contrast to its predecessor, the SD1200 IS. But I don’t feel like I’m missing out at all.
When I finished fastening the wrist strap, I just slid the item into the front pocket of my pants and was ready to go.
Tiny The power button is the most annoying part of tiny digital cameras, but the Canon SD1300 IS exciting control in the shape of a triangle. Because of this, the total surface area is significantly more than it would typically be. Because it is also somewhat elevated, I had no issue at all feeling for it to turn the camera on or off. This is because it is also a little raised. The power button is often a source of frustration. That is not the case with this one.
In addition, the Canon SD1300 begins its operation quickly once the Power button has been pressed. I didn’t have to wait for the lens to come out or for the LCD to display what the lens was looking at. Both of those things happened very instantly. When I brought the camera up to my eyes, it was already set up and ready to go when I pressed the shutter button.
The Shutter button to the right is also relatively significant, and the Zoom lever surrounding it is in the perfect spot for me to access it. Because the zooming was so fluid and quick, without any jerkiness, I could frame my photographs without having to flip the Zoom lever.
The SD1300 IS does not include a Mode dial in its interface. On the other hand, it utilizes a Mode switch located at the rear panel’s upper right corner. This switch has three settings: Smart Auto, Still, and Video. When you select Auto as your mode, you won’t be able to adjust too many options, as I will explain below. Still does. And Video creates motion pictures.
The Playback button may be found on most devices’ left of the Mode switch. To view the photographs saved to the SD card in the camera, you must hit the Playback button. When you push it when the camera is off, it will turn the camera on but will not expand the lens; putting the camera on a table with the back pointing down, for example, is extremely helpful.
Even more conveniently, you may turn off the camera by just pressing the Playback button. However, this is not the case if you come from the Recording mode into the Playback mode. If that is the case, all it does is put you back into the Recording mode. In that regard, you may think of it as an intelligent Playback button. One of the advantages of having a Playback button on the Canon SD1300 is that you can go back to Record mode with a half-press on the Shutter button. You cannot accomplish this if Playback is one of the options available on a Mode switch.
The buttons for displaying and accessing the menu are located underneath the navigator. Display navigates you through the various display choices, while Menu brings you to the camera’s configuration settings.
Instead of the 3-inch LCD seen in many compacts nowadays, this one has 230K dots and is 2.7 inches diagonally. Because it can be seen even at an angle, you can hold the SD1300 IS over your head and still know what the Canon SD1300 is focusing on. Although, on the surface, that reduces glare; it is possible to leave fingerprints, although they may be removed quickly. However, I must confess that I did not miss having a 3-inch LCD.
What I did not have access to, however, was a lens that had a more excellent zoom range. The Canon SD1300’s 4x zoom lens has a 35mm equivalent focal length range of 28mm to 110mm, which provides a useful wide-angle to a moderate telephoto perspective. However, I frequently found myself shooting four times in the field of digital zoom, even when the subject was just a fair distance away, such as across the street.
Because this lens is equipped with Canon’s optical image stabilization, blur caused by camera shake will not spoil the photo as frequently, even if you are forced to disable the flash (in a museum, for example).
The wide-angle lens has a maximum aperture of f/2.8, while the telephoto lens has a maximum aperture of f/5.9. On the other hand, the Canon SD1300 IS does not give you direct control over the aperture or the shutter speed.
The results of our laboratory testing revealed blurring in the corners of the picture when using a wide-angle lens and the typical barrel distortion (although it wasn’t awful). The telephoto lens produced significantly more crisp results in the corner with no discernible distortion. The horizontal and vertical resolutions of the Canon SD1300 were more than 1,800 lines per inch. The horizontal resolution was much higher.
The Canon SD1300 has a more straightforward and user-friendly variety of Record modes than earlier ELPH models. This simplicity also brings with it a more intelligent Auto mode.
Canon’s adaptation of what other manufacturers call intelligent Auto is called Smart Auto. However, unlike the other methods, Smart Auto does not choose a Scene mode. Instead, it analyzes the environment and selects one of 18 possible presets for the camera to use. These presets are differentiated from one another on the LCD screen by their icons and color schemes.
If the camera finds humans in the picture, for instance, it will evaluate whether or not those people are backlit by a vital source of light, such as the sun, or whether or not the sky is blue. If the illumination is poor, it determines whether or not the camera is mounted on a tripod (something it can presumably deduce from its image-stabilization motion sensors). The symbol representing humans, which may or may not include the sun or moon, will appear in one of three colors based on the circumstances detected by the camera.
Both distant and nearby subjects, such as landscapes (which may contain a fourth color), should be treated similarly.
In Smart Auto mode, the camera takes all the decisions about exposure for you (including turning off EV Compensation, ISO, and White Balance, among other settings). Still, there are a few that you may customize. These include the Flash (just Auto or Off), the Self-Timer options, and the Image Size.
The program is still considered an automated mode (you can’t directly adjust the shutter speed or aperture, but you can modify the ISO), even though it gives you control over most exposure decisions. On the four-way navigator, the EV Compensation option, the Focus mode option, and the full Flash option are all turned on. In addition, the menu has options for ISO, White Balance, My Colors, Metering, Release Mode, and Image Size that are accessed by pressing the Func./Set button.
In addition, the Canon SD1300 IS’s Scene modes may be accessed through the Program mode. These modes are referred to as Portrait, Night Snapshot, Indoor, Kids & Pets, and Underwater.
In movie mode, you may record videos at resolutions of 640 by 480 at 30 frames per second or 320 by 240 at 30 fps for up to an hour for each clip or 4 gigabytes total. You can use a quiet digital zoom, and the sound will still be captured. Memory cards with an SD Speed Class 4 rating or above are suggested.
Once you become familiar with how the game is played, the Canon controls and menu system are simple (which seems to change a little on each model). First, press the Function button after selecting a Record mode to view the available shooting modes and settings. Then, use the Menu button to access the available camera settings options anytime.
Storage & Battery
The Canon SD1300 supports the following SD card types SD/SDHC/SDXC Memory Card, MultiMediaCard, MMC Plus Card, and HC MMC Plus Card. When capturing Video, it is advised to use SDHC and SDXC cards with a Class 4 or higher rating.
There are around 1,231 high-resolution photos that may be stored on a card that is 4 gigabytes in capacity (a 3,084K file size). A 4GB memory card can hold 32 minutes and 26 seconds of Video at the highest quality level.
The Canon SD1300 was the first one I used, and the first thing I did with it was reset it to its original settings. After that, I went ahead and turned i-Contrast on. I’m not sure why this function is turned off by default on Canon cameras. One of the most common issues with compact cameras is blown highlights, and i-Contrast is designed to avoid precisely that problem. It prevents clipping in either the shadows or the highlights, and it bumps up the contrast on flat photos when it’s required to do so. In addition, it performs what was said above. Therefore, turning it on is a brilliant idea.
The gallery photo of the light bulb was one of the first shots I took as part of my “get acquainted” series. In the LCD preview, the light bulb was only visible as a shadow due to the afternoon light coming in through the window; however, the scene was completely different when the flash was turned on.
Even though the white subject was just about a foot away from the camera when the photograph was taken, I was immediately struck by the fact that the flash did not thoroughly wash out the image. It is not difficult to differentiate between the whites produced by the porcelain fixture and the glass bulb.
And to make sure I covered all of my bases, I snapped a picture of the empty garage to test how far the light would go when I used a wide-angle lens, and it lighted the area up without any issues.
That’s quite a decent flash performance for such a small camera. Although I don’t typically test flash, I feel it will play a significant role in the average use. It is, without a doubt, up to the challenge. Note that while shooting in full auto mode with a telephoto lens, the flash’s range is restricted to around six feet at ISO 500, which is not unusual.
The macro photography was the second shooting mode I experimented with using the Canon SD1300. One of the many benefits of digital photography is taking photographs from a very close range. On the other hand, it frequently includes some challenging configurations (like Macro or Super Macro or Digital Macro, which may or may not prevent any focal length setting other than wide-angle).
The Canon SD1300 IS, on the other hand, enables shooting in macro mode as quickly as moving the camera near the subject while in Smart Auto mode. Moreover, if you have an issue with the focal length of your shot (often because you have zoomed in too far), the LCD will notify you. In this case, you may zoom out and bring the camera closer.
If you don’t want to shoot in Program mode, you may still take macro photos by pressing the Left arrow to choose Macron as the focus mode instead. In the gallery, several pictures of a Kodak camera and instances of a carpenter’s pencil demonstrate how depth of focus may be achieved with a wide-open lens. The carpenter’s pencil, which has an aperture of f/2.9 and an ISO of 75, is an excellent example of how narrow the depth of field can be (and it’s still fairly nice), but it wouldn’t be challenging to shoot at a higher ISO to achieve greater depth of field. There is enough space.
Red Flowers typically provide a challenge for small digital cameras since these cameras tend to oversaturate the red channel. I snapped a picture of some red ground cover that maintained a considerable amount of its red color. I was convinced that the fluorescing crimson petals would blind me, but the Canon SD1300 handled the situation exceptionally well. I was wrong.
This resulted in a macro photograph of some white ground cover (which was not blown out), as well as some poppies, which are also in the red spectrum.
The optical image stabilization, high ISO, and noise suppression of the Canon SD1300 are the three features that Canon highlights when describing the camera’s low-light performance. However, because the menu system of the Canon SD1300 IS needs you to click the Display button to access it, I was initially unaware that the camera featured a Low Light Scene mode.
The doll sequence begins with Smart Auto, which does not use the flash, then moves on to Program Auto, followed by Program at ISO 800 and ISO 1,600, and ends with Low Light. Surprisingly, Smart Auto and Program Auto set the aperture to f/5.5 and the ISO to 800, but they utilized quite different shutter speeds (1/8 and 1/4 second, respectively). This is because the exposure was handled more effectively by Program Auto when set to 1/4. Even though image stabilization could not avoid blur caused by camera shake. The ISO 800 photo provides more evidence of this, while the ISO 1,600 shot, taken with a shutter speed of 1/8 second, produces the most precise image of the sequence.
According to the information in the Exif header, the picture size for the Low Light photo was significantly reduced (it was only 1,200 by 1,600 pixels), and the shutter speed was set to 1/16 of a second. The ISO setting was 4,726. There are also more believable values saved there, such as an AutoISO of 800 and a BaseISO of 591. Both of these values may be found in the storage area. Despite this, the color and detail are still lacking.
Therefore, the low-light performance of the Canon SD1300 was not particularly spectacular; nevertheless, if you want better results, you will need to pay more.
When I went to the de Young Museum with my Canon SD1300 IS, I was framing shots much beyond the telephoto focal length of the 4x optical zoom and into the 4x digital zoom range. So I had to use digital zoom even when I was merely shooting across the street or a reflecting pool.
However, the digital zoom photographs have maintained a decent quality. They are not nearly as crisp, that is true, but the color is proper, and they do have enough detail to create good prints. An excellent illustration of this is the bronze hunter. Without 2.5 times digital zoom, I would not have been able to make that composition, yet even the weeds seem nice.
If your camera has a sensor of 12.1 megapixels, then the full-resolution image you see on your monitor may not be accurate. Examining the image at one-half its standard size is the best way to evaluate the level of sharpness. While visiting the picture on your computer’s full quality, move your chair back to be twice as far away from the screen.
I had difficulty bringing out the details of the dark bronze sculpture Gustave Doré had created with all of the little figures. When the camera was turned to face north, a clear blue sky could be seen. However, when I looked in that direction, the sky was white. Even with i-Contrast turned on, I was apprehensive that the shadows might become muddled due to the subject matter, which is gloomy. Because I was aware that the LCD would not be able to provide an accurate representation of the capture, I relied on the histogram that was presented either in the Review mode or the Playback mode.
I discovered that the EV Compensation feature of the Canon SD1300 did not allow me to improve the situation significantly. My best option was to adjust the proportion of the frame taken up by either the vase or the sky, lock the exposure by pressing the shutter button halfway down, and then recompose the shot. This produced the results you can see, which, compared to the original image, are somewhat overexposed yet manage to preserve the black detail.
The corners of the image captured by the Canon PowerShot SD1300’s wide-angle end of the zoom are a little bit soft, and this softness goes quite a ways into the frame. However, while using a telephoto, each of the four corners maintains a level of sharpness comparable to that of the image’s center.
Distorsione della geometria
A wide-angle lens has minimal barrel distortion (0.3 percent), while a telephoto lens has a minor degree of barrel distortion (0.2 percent). But, again, there is little doubt that the nimble processor within the camera is responsible for this.
Aberrazione del colore cromatico
There is a significant amount of chromatic aberration at wide-angle, as seen by brilliant blue-purple pixels. At telephoto, chromatic aberration can still be seen, but the pixels aren’t nearly as bright or distracting, and the effect on the whole image is relatively minor.
Even if the corners and edges of the picture are blurry and include a trace degree of chromatic aberration, the Canon PowerShot SD1300 IS’s Macro mode can capture crisp details in the middle of the frame. The smallest covering area is just 1.6 by 1.2 inches (41 x 30mm). Because of its location on the camera and the close range, the flash gave highly inconsistent results; thus, you need to rely on external illumination to achieve optimal exposure while using the macro setting closest to you.
The color is pretty nice, with only a little amount of oversaturation in some reds and blues and just a little bit of lowered saturation in brilliant yellows, but overall, the color is quite good. Accuracy in hue is likewise pretty high, with minor deviations such as cyan leaning toward blue and orange leaning toward yellow (and some yellows toward green). The difference between darker and lighter skin tones is minimal; lighter skin tones have a hint of pink, while darker skin tones have a touch of yellow. I am pleased with these findings.
The Canon PowerShot SD1300 IS handles noise very well at the lower ISO levels, but details get somewhat smudged when you reach ISO 400.
Results at ISOs 800 and 1,600 are slightly better than usual, even though they have a significant amount of luminance noise and visible noise suppression. For further information on how this impacts printed photos, see the section below under “Printed outcomes.”
Even though the camera had to boost its ISO to 500 to get the desired results in the testing requested by the manufacturer and displayed on the right, we got clear and brilliant images at the recommended wide-angle distance of 13 feet.
The telephoto test produced vivid results at a distance of 6.6 feet, which is the rated distance for the lens, even though the ISO was adjusted to 500. In light of these findings, the flash that comes with the PowerShot SD1300 IS will be enough in the vast majority of instances, given that you keep your distance to around 9 feet and do not zoom in more than halfway.
The Manual white balance setting offered the most significant overall results in this instance, even though the Auto mode did not do too poorly (just a reddish). On the other hand, incandescent lighting generated a deep red hue.
The delay in the shutter while using full autofocus is acceptable, clocking in around 0.53 seconds at wide-angle and 0.58 seconds at maximum telephoto. The prefocus shutter latency is 0.073 seconds, less than the industry standard, but it is still relatively quick.
The length of one cycle
In single-shot mode, the camera has a cycle time that is somewhat longer than the norm, taking a picture once every 2.2 seconds. Although Canon claims that the SD1300’s continuous mode can capture 0.9 frames per second, we could not confirm this.
Riciclare le luci flash
After a full-power discharge, the flash on the Canon PowerShot SD1300 takes 6.3 seconds to recycle. This is quite a sluggish rate.
Canon PowerShot SD1300 IS Specifications
|Tipo di corpo||Compatto|
|Risoluzione massima||4000 x 3000|
|Altre risoluzioni||4000 x 2248, 3264 x 2448, 2592 x 1944, 1600 x 1200, 640 x 480, 320 x 140|
|Image ratio w h||4:3, 16:9|
|Pixel effettivi||12 megapixels|
|Sensori fotorilevatori||13 megapixels|
|Dimensioni del sensore||1/2,3″ (6,17 x 4,55 mm)|
|Tipo di sensore||CCD|
|ISO||Auto, 80,100, 200, 400, 800, 1600|
|Preimpostazioni del bilanciamento del bianco||5|
|Bilanciamento del bianco personalizzato||sì|
|Formato non compresso||No|
|Livelli di qualità JPEG||Fine, Normal|
|Focal length (Equiv.)||28–112 mm|
|Messa a fuoco automatica||Contrast Detect (sensor)SingleLive View|
|Zoom digitale||Sì (4x)|
|Messa a fuoco manuale||No|
|Campo di messa a fuoco normale||50 cm (19,69″)|
|Campo di messa a fuoco macro||3 cm (1,18")|
|Punti dello schermo||230,000|
|Tipo di mirino||Nessuno|
|Velocità minima dell'otturatore||15 sec|
|Velocità massima dell'otturatore||1/1500 sec|
|Priorità dei tempi||No|
|Modalità di esposizione manuale||No|
|Portata del flash||4,00 mt|
|Modalità flash||Auto, On, Off, Red-eye, Fill-in, Slow Syncro|
|Guida continua||0.9 fps|
|Autoscatto||Yes (2 sec or 10 sec, Custom)|
|Modalità di misurazione||MultiCenter-weighted pot|
|Compensazione dell'esposizione||±2 (a passi di 1/3 EV)|
|Risoluzioni||640 x 480 (30 fps), 320 x 240 (30 fps)|
|Tipi di archiviazione||SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC|
|USB||USB 2.0 (480 MBit/sec)|
|Sigillato per l'ambiente||No|
|Descrizione della batteria||Lithium-Ion NB-6L battery & charger|
|Peso (batterie incluse)||140 g (0.31 lb / 4.94 oz)|
|Dimensioni||91 x 56 x 22 mm (3.58 x 2.2 x 0.87″)|
|Sensore di orientamento||sì|
Since last year, Canon has added a few more models to its ELPH series of tiny, automated cameras. However, it has developed in two ways that are both satisfying. To begin, it’s not as big (and, yes, lighter). Second, taking images is far less complicated than it was in the past.
And Smart Auto takes that ease of use and applies it to a few additional challenging conditions. As a result, the menus and choices have been simplified, and the Scene modes have been reduced to a healthy but limited collection of possibilities.
The Canon SD1300 IS an ELPH camera with 4x optical zoom, optical image stabilization, and a 12.1-megapixel sensor. You can choose the color of the casing that it comes in, and the pricing is highly appealing. It’s not only easy but also relatively quick to use.
The only things less than ideal were the lack of an HD preset for video capture, the ability to shoot in low light, and shooting toward the sun. In addition, the contrast in the outside settings was a little too much for some of our subjects, but on the whole, this should be regarded as a positive.
The printed results were excellent, with every ISO setting delivering high quality at typical print size. The print sizes ranged from a stunning 13×19 inches at ISO 80 to a decent 4×6-inch print at ISO 1,600. So again, the printed results were quite good.
Canon PowerShot SD1300 IS Price
Pro e contro
- No wireless connection was established.
- Mancanza di uno schermo che articola
- There is no external flash shoe.
- 140 g of Light Body Weight
- Stabilizzazione dell'immagine
- Obiettivo con un'apertura rapida di 2,80 a grandangolo