Leica M (Typ 262) Review

In others? Not really much. Taking a step back from the M Typ 240 (which is still available) this new camera foregoes video recording and live view, instead, it targets capturing great still pictures.

German camera manufacturer Leica has added another rangefinder body to its M system which has a pared-straight down feature set, a supplementary silent shutter unit and a lesser price compared to the M Typ 240. The brand new Leica M Typ 262 is very much indeed exactly like another M bodies, but will not offer video or live look at shooting, though it runs on the 24MP CMOS sensor. Leica offers used the switch area on the trunk of the camera that is useful for live watch in the Typ 240 to include direct access to the whitened balance feature.

The business says that the brand new shutter unit is barely audible and the shutter cocking system is ‘considerably quieter’ than the system found in previous designs. In solitary shot mode the new system allows up to two frames to become recorded in another, as the drive setting allows around three fps, as before.

Rather than a brass top plate the Typ 262 utilizes aluminium, making the camera close to 100g lighter compared to the Typ 240. Leica says among great things about not offering movie and live view will be that the menus system is a lot simpler and includes only two webpages. The digital camera may provide same full-frame 24MP sensor that’s used in the M Typ 240 and the M-P, and appears unlikely to function as a sensor found in the newer Leica Q and SL.

Leica M (Typ 262): Price

Leica M (Typ 262): Build Quality

My first impressions of the M 262 weren’t positive. As the camera looked very clever, in the hands it felt and sounded similar to an inexpensive imitation of the M7 than its digital successor.

The camera is fractionally lighter and thicker than the older film family members, and the low density provides the illusion of a much less solidly constructed system. The huge LCD on the trunk of the camera and the imprecise and overly complicated on-off switch increases the feeling that the camera is usually even more plasticky and fragile than may be anticipated. When shooting, the shutter sound is louder compared to the M7’s, looked after sounds rather clunky and hollow.

The M 262 handles very much like the M7, at least in case you are used to utilizing a full-size strap. The excess thickness of your body is basically irrelevant, and I really do not really find that the screen on the trunk causes any particular complications.

However, I do quite definitely miss the existence of a film winding lever. When capturing the M7, I maintain my thumb hooked for this and it can help stabilize the camera. Lacking any comparative the M 262 is tough to hold securely in a single hand, making the usage of a wrist strap problematic.

Leica M (Typ 262): Design and Handling

I believe the Leica M Typ 262 is a lovely camera, it’s sleek, it’s simple, it’s functional. It is also understated, which pays for street photographers.

It’s chunky and incredibly solid, the sort 262 feels like an effective little bit of German engineering. The camera is fairly weighty at 600g, but thanks to a new aluminum best plate, that’s lighter than previous brass-clad models.

Is it a problem Leica has transferred from brass to aluminum? For a few purists, it may be, you won’t get the stunning patina impact from years of deterioration. However, the aluminum brings a price saving. Personally, I don’t possess an issue with it.

Using these devices is a pleasure, the dials and control keys are clicky, the concentrate ring (on the 35mm summicron) is lovely and smooth, and a fresh addition of a shutter cocking system can be a big improvement over the M9 in terms of sound (although, don’t expect digital shutter-style silence).

Although there is no live view the rear of the camera continues to be taken up by a big LCD screen (you merely can’t focus and body pictures using it).

Instead, the LCD can be used for reviewing images and the menu system. Changing configurations in the camera is fairly simple, many features have dedicated control keys/dials (such as for example white balance, ISO, exposure comp, aperture, and shutter acceleration) but more complex features can be transformed in the concise menu program.

Leica M (Typ 262): Image Quality

When compared to Canon 5D Mark III that the Leica changed, low ISO shots are often sharper and also have a more powerful range (shadow recoverability). High ISO shots are great up to ISO 1600 but quickly fall behind most contemporary full-frame and even APSC digital cameras at ISO 3200 or more.

Leica has generated its brand on extraordinary image quality, therefore the Typ 262 won’t disappoint.

The camera includes a full-frame 24MP CMOS sensor, even though that’s not particularly outstanding nowadays (the Sony A7R II has 42MP) it could still capture great pictures because of Leica’s amazing lenses and Maestro picture processor.

Leica M (Typ 262): Conclusion

We liked using the Leica M Typ 262. It’s beautifully paired back again, like a track-focused sports vehicle it only gets the essentials.

What actually struck me is the way the camera feels mechanical, way more than any other camera I’ve tried before.

There are, of course, downsides – particularly if you’re utilized to the modern cameras with a live look at, WI-Fi, video, etc.

The M 262 inhabits some sort of photographic “uncanny valley”, neither completely replicating the tactile connection with shooting a mature film body nor staying competitive with modern full-frame digital camera models. A camera as of this level shouldn’t suffer issues with sensor dirt and viewfinder eye relief, and it certainly should have a choice for live-view via the trunk LCD.


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