The Sony a7R IV has the world’s first 35mm full-frame 61 MP Exmor R BSI CMOS Sensor and an improved BIONZ X image processor. These features allow the camera to produce stills and videos with an exceptionally high resolution while reducing noise, increasing speed, and attaining a broad 15-stop dynamic range.
List Of Best Lenses for Sony a7R IV
Best All-in-One Lens for Sony a7R IV
It is possible to photograph at up to 10 frames per second, and it is also possible to record video in UHD 4K30 resolution. Both of these capabilities support Real-time Eye AF and Tracking AF technologies. In addition, the updated sensor design makes use of a Fast Hybrid AF System, which consists of 567 phase-detection autofocus points, for focusing performance that is both exceptionally quick and accurate.
In addition, the Sony a7R IV is outfitted with a revolutionary 5-axis optical in-body image stabilization, which can effectively reduce the appearance of camera motion by up to 5.5 stops. This feature benefits both the still camera’s operation and the camera’s video operation. Because of these features, professional photographers, videographers, and other types of content producers can document content in ways that were not feasible in the past.
Therefore, if you are one of the fortunate individuals who already possess the Sony a7R IV, the next step is to locate the most appropriate lenses for use with the Sony a7R IV. To help you get a professional-like shot, we list the top recommended and most suitable native full-frame E-Mount lenses for the Sony a7R IV mirrorless camera, including leading prime and zoom options from wide-angle to telephoto, which helps you choose the clear lens of your demanding situation. You need only pick the one that fits your requirements!
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1. Sony FE 24-240mm f/3.5-6.3 OSS
The pinnacle of commodiousness in this respect. Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events. It is ideal for landscapes, snapshots, portraits, and travel where reducing luggage is a priority.
Being able to transition from wide-angle to telephoto without changing lenses also means that more of the transient moments necessary to create amazing photos will be recorded. It also features a linear autofocus motor and an internal focus design, allowing quick, accurate, and dependable targeting.
Built-in Optical SteadyShot picture stabilization is another feature that users will find helpful. This feature lessens the adverse effects of camera shake, particularly at lengthier focal lengths. But, again, the cost is manageable and represents the pinnacle of convenience options. And it’s a decent option for people trying to save money.
Best Portrait Lenses for Sony a7R IV
2. Sony FE 85mm f/1.4 GM
The best portrait lens for FE cameras! The new Sony FE 85mm f/1.4 GM Lens is the lens you need to have if you are a professional portrait photographer looking for the best possible quality. You won’t find a better FE-mount lens anywhere else! The newly released Sony FE 85mm F1.4 GM telephoto prime lens is designed to be the best portrait lens possible. It achieves an ideal equilibrium between resolution and bokeh in a relatively small and lightweight container. This lens is excellent for taking portraits, but its versatility makes it suitable for photographing a broad range of subjects. Try out the Zeiss Batis 85mm f/1.8 if you want a more reasonably priced 85mm lens.
3. Zeiss Batis 85mm f/1.8
This Zeiss Batis 85mm short telephoto lens has been developed for full-frame E-mount mirrorless cameras. It features excellent sharpness, quick and silent autofocus, and dust and weather sealing. In addition, it is the perfect lens for portrait-length photography.
Working in low-light environments is easier with a fast maximum aperture of f/1.8, providing comprehensive control over the field depth for applications requiring selective focus.
4. Sony FE 135mm f/1.8 GM
This Sony FE 135mm f/1.8 GM lens is a component of the G Master series, which means it can produce high-resolution pictures across the frame and generates pleasing bokeh that is ideal for portraits. In addition, this lens has a fluorine-coated front element that protects against dust and dampness, and its structure is made of a lightweight, weather-sealed magnesium alloy. The lens weighs approximately 950 grams.
Even in low-light situations, the pictures taken with the camera’s maximum aperture of f1.8 will be crisp and detailed. Additionally, the camera’s newly rearranged dual-autofocus groups will allow a minimum focus distance of 0.7 meters and a maximum magnification of x0.25. It can accomplish this by utilizing Sony’s Extreme Aspherical (XA) and Super ED elements, a quick focal ratio of f1.8, and an extended focal length creating a shallower depth-of-field together.
In addition, a Nano AR coating is applied to the lens to maximize color fidelity and contrast while reducing lens flares, surface reflections, flare, and ghosting. These effects are brought about by shooting in environments with intense illumination. As a result, the new Sony FE 135mm f/1.8 GM lens has a high resolution, an impressive bokeh, and a rapid autofocus acquisition, all in a portable and lightweight form that is perfect for transporting on any portrait, wedding, or sports photography job.
5. Sony FE 100mm f/2.8 STF GM OSS
The Sony FE 100mm f/2.8 STF GM OSS mid-range telephoto prime lens is an excellent artistic tool that provides exceptional G Master resolution and revolutionary STF (Smooth Trans Focus) optics for spectacular bokeh. As a result, the lens can deliver smooth bokeh and acceptable sharpness to the photograph’s subject. In addition, the DDSSM autofocus is lightning-quick, accurate, and whisper-quiet, offering a closeup possibility of up to 0.25x magnification.
The Optical SteadyShot image stabilization built into the camera helps reduce the blur that can appear when recording in low light or close-up. This lens has been purposefully developed to produce a seamless and natural bokeh, and its image has no vignetting. In addition, the DDSSM (Direct motor SSM) focus motor provides quick autofocus that is accurate and quiet, enabling the user to concentrate entirely on taking exceptional stills or movies.
6. Zeiss Batis 135mm f/2.8
The portraiture, engagement, and landscape photographs you can create with this Zeiss Batis 135mm f/2.8 mid-length telephoto prime lens will turn out beautifully. This is because the optical design of the Sonnar, known as an apochromat, helps to practically eradicate chromatic aberrations and color fringing, which contributes to improvements in the general sharpness and clarity of the image.
When operating in environments with intense lighting, the lens has also been coated with a T* anti-reflective coating, reducing the amount of lens flare and ghosting.
7. Sony FE 85mm f/1.8 Lens
An option that is easy on the wallet and delivers excellent results! If you are searching for a high-quality 85mm lens that does not break the bank, the Sony FE 85mm f/1.8 lens will be a good option for you to consider. Outstanding picture clarity is achieved by its high-performance optics and a large maximum aperture of F1. which are featured in its compact and lightweight design, contrcontributingrtability.
Even though the bokeh isn’t as smooth as the 85mm GM, it comes. It is not as large or weighty as the 85mm GM sibling. The double linear AF motor’s perfect smooth engine offers snappy manual focus performance for fine-tuned control of the camera’s focusing capabilities. Great headshot lens!
Best Street and Walk Around Lenses for Sony a7R IV
8. Sony FE 35mm f/1.8 Lens
The mobility and convenience of using the Sony FE 35mm f/1.8 prime lens of lens’s compact size and lightweight. As a result, this lens can be used to cap lightweight sAs, including food photograpvariousght settings and more.
The new lens has a maximum aperture of F1.8 and delivers exceptional image quality from corner to corner throughout the frame. Additionally, the lens’s quiet autofocus and tenacious tracking performance make it an excellent option for capturing still photographs and movies—the ideal lens for photographers who focusandapes, c—thee and ordinary life.
9. Sigma 35mm f/1.2 DG DN Art Lens
The world’s first autofocus wide-angle lens with a maximum aperture of F1.2! This Sigma 35mm f/1.2 Art lens enables artwork creation with excellent resolution and significant artwork creationotograexcellente a shallow depth of field. Among the artwork that the lenses can cause is a painting that depicts people.
The lens’ fast f/1.2 aperture helps to accomplish the shallow depth of field and highly selective focus effects and is also suitable for working in highly challenging lighting situations. It delivers excellent picture quality while optimizing size and weight.
Spherical aberrations and distortion can be successfully controlled using three low-dispersion glass elements and three aspherical elements, including a component with a double-sided surface. This results in increased precision and accurate depiction.
10. Sony Zeiss FE 35mm f/1.4
Outstanding optical performance is provided by the FE 35mm f/1.4 ZA, which features an adjustable 35mm focal length and is quick, precise, and packed with the most recent technological advancements. The highest aperture of f/1.4 is very quick, resulting in very effective low light capability and control over shallow depth of field—corner-to-corner sharpness, advanced spherical components, and an aperture ring intended for still photography and motion picture filming.
11. Rokinon AF 35mm f/1.4 FE
Outstanding picture sharpness, contrast, color accuracy, and high resolution from corner to corner are some of the essential features of the new ROKINON 35mm F1.4 AF Full Frame lens for Sony E, which is intended to appeal to photography fans as well as professionals who are ready to take the next step up in wide-angle photography.
The bright F1.4 maximum aperture makes working in challenging lighting conditions much less stressful. It also offers a shallow depth of field, which enables greater point-of-focus control, and the circular 9-blade diaphragm produces appealing bokeh in all settings. Excellent for any photograph!
Best Macro Lenses for Sony a7R IV
12. Sony FE 90mm f/2.8 Macro G OSS
The ideal closeup lens for the Sony a7R IV is one of the clearest lenses Sony has ever produced. In addition, the Sony 90mm f/2.8 is an excellent lens for sharpness, depth of field, and color reproduction. Therefore, it is ideal for photographers who frequently engage in close-up photography and portraiture at a close range.
Because it has a maximum aperture of f/2.8, it is helpful for photography in poor light and enables a shallow depth of field focus. In addition, a quick autofocus action and a brief minimum focus distance of 11 inches are provided by an internal focus system that focuses so that only the center optical groups move during the focusing process.
You need no further than the Sony FE 90mm f/2.8 Macro G OSS lens if you are looking for a lens specifically designed for macro photography or one that can perform the functions of both macro photography and headshot photography.
13. Voigtlander 110mm f/2.5 Macro Apo-Lanthar
Even with the high resolutions of today’s digital cameras, the Voigtlander 110mm f/2.5 Macro Apo-Lanthar can generate detailed pictures with little to no aberration. This is made possible by the lens’s apochromatic construction. In addition, users can get up close and personal with subjects thanks to a minimum focus distance of 13.7 inches and a magnification ratio of 1:1.
Additionally, the lens has a fast aperture of f/2.5, which means it can produce an extremely shallow depth of field and perform well in low-light situations. Additionally, there is a 10-blade diaphragm that allows for silky smooth bokeh, and the electrical contacts on the back of the lens permit in-body image stabilization and transmit Exif data to the body of the camera.
14. Rokinon 100mm f/2.8 Macro
This Rokinon 100mm f/2.8 Macro lens has a macro design and offers the highest magnification ratio of 1:1 and a minimum focusing distance of 1 foot. The minimum distance at which the lens can focus is 1 foot. When dealing with closeup subjects, decreasing the aperture to f/32 from its maximum of f/2.8 can help achieve a greater depth of field. A bright maximum aperture of f/2.8 allows work in various lighting situations. This macro lens, which has a relatively long focal length, close-focusing capabilities, and a high magnification ratio, is perfect for capturing closeup, detailed pictures of subjects reasonably close to the camera.
Best Wide Angle Prime Lenses for Sony a7R IV
15. Sony FE 24mm f/1.4 GM
Very strongly suggested! The Sony FE 24mm f/1.4 GM is a quick and adaptable lens well-suited for landscape, nature, and street photography. It combines a popular wide-angle focal length with an exceptionally bright design, making it an ideal choice for these types of photography. Moreover, even when used at its highest aperture of f/1.4, this lens maintains an exceptional sharpness across the entire frame.
The bokeh is exceptionally seamless, and in addition, it provides a quick and accurate AF drive, in addition to top-level control and dependability, making it an excellent option for professionals. Its highest aperture of f/1.4, which shines in low-light situations and offers increased control over depth of field, complements its usable but broad perspective. Additionally, this aperture allows for greater control over the amount of depth that is in focus.
The optical design incorporates two XA (extreme aspherical) elements, which substantially control spherical aberrations for high image sharpness and clarity. Additionally, the visual design incorporates three extra-low dispersion elements, which reduce chromatic distortions and improve image quality. We are confident that you will adore it!
16. Zeiss Batis 25mm f/2
This lens has an angle of view of 82 degrees and a minimum focusing distance of 7.9 inches, making it ideal for photographing interiors, landscapes, and architecture because it creates inventive perspectives and distinctive close-up imaging.
Working in low-light circumstances is made more accessible by a bright maximum aperture of f/2, which also provides greater control over the location of the focus point when employing techniques such as selective focus or shallow depth of field.
Best Ultra-Wide Angle Prime Lenses for Sony a7R IV
17. Sigma 14mm f/1.8 DG HSM Art
The Sigma 14mm f/1.8 DG HSM Art lens is one of the finest ultra-wide angle lenses that has ever been manufactured, and it is compatible with the Sony E mount. The 14mm F1.8 Art is the first lens in the world to have a wide-angle aperture of 1.8, and it incorporates the same ground-breaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art lens.
Photographers can use an ultra-wide prime lens with practically no distortion, flare, or ghosting with the Nikon 14mm F1.8 Art lens, which features the industry’s most considerable glass mold at 80 millimeters and boasts exceptional picture clarity from the center to the edges. In addition, this lens offers a one-of-a-kind combination of a wide field of view and the ability to perform quickly and adaptably, making it ideally suitable for low-light outdoor photography and astrophotography.
18. Rokinon AF 14mm f/2.8 FE
An outstanding performer! Excellent quality at a price that is significantly lower than that of the original lenses. This 14mm lens is a perfect choice for Sony photographers interested in obtaining a distinctive perspective that is well adapted to a variety of subject matter, including architecture, landscapes, and more. It combines a vast field of view with a reasonably fast f/2.8 aperture.
UMC anti-reactive coatings, three aspherical lens elements, and two extra-low dispersion (ED) lens elements work together to reduce chromatic and spherical aberrations, resulting in an image with excellent sharpness, contrast, and color fidelity, as well as a high resolution that extends from the image’s center to its four extremities.
19. Zeiss Batis 18mm f/2.8
The Zeiss Batis 18mm f/2.8 lens is an excellent super wide-angle prime lens developed particularly for Sony E-mount full-frame mirrorless cameras. It has a remarkable sharpness and color rendering and offers a focal length of 18 millimeters.
The Batis 18mm f/2.8 combines a vast field of view of 99 degrees with a high degree of functionality, and it is incredibly sharp to the corners. This makes it an excellent choice for interior photography, architectural photography, and astrophotography applications.
This ultra wide-angle lens has a vast field angle, making it ideal for artistic photography incorporating unique perspectives. In addition, this lens is perfect for the difficulties posed by photography genres such as landscape, Astro, and architectural photography because it consistently maintains high picture quality in the lens’s corners.
20. Zeiss Loxia 21mm f/2.8
Excellent Manual Focus Wide Angle Prime Lens! Despite its compact size, the ultra wide-angle Zeiss Loxia 21mm f/2.8 Lens provides exceptional image performance. It is incredibly sharp to the extremities of the frame, and the image quality is consistent across the frame.
With its broad picture aspect, this focal length is an excellent addition to the Loxia lens family. It is beneficial for photographing three-dimensional subjects in close-up against a more extensive background, as well as landscapes and architectural subjects.
It is necessary for wide-angle photography enthusiasts who frequently experiment with manual focus and want to record even the most minute of memorable moments in a photograph or on film.
Best Wide-angle Zoom Lenses for Sony a7R IV
21. Sony FE 16-35mm f/2.8 GM
Incredible high-speed and extremely versatile wide-angle telescopic lens! This lens is distinguished by its maximum aperture of f/2.8, which remains constant throughout the entire zoom range. As a result, it provides consistent performance even when operating in low-light situations. This lens offers continuously excellent resolution from corner to corner, and when necessary, it can produce beautiful bokeh in the background. The zoom setting or the focal distance does not affect the quality solution.
For dynamic shooting, its manageability is enhanced by a design that is both compact and lightweight. When shooting up close at an aperture of 2.8, you can get some incredible bokeh in the background. We have been able to accomplish industry-leading reductions in size and weight while simultaneously maintaining exceptional optical performance. Ideal for shooting landscapes, architecture, photographs up close, athletics, motion, and other subjects.
22. Sony FE 12-24mm f/4 G Lens
The broadest angle full-frame E-mount lens available from Sony. It’s ultra-wide 12-24mm range includes cutting-edge refinements for breathtaking corner-to-corner G Lens resolution at all apertures. Additionally, its quiet, quick, and precise autofocus makes it perfect for movies in addition to still photography.
It is an excellent option for shooting landscapes and buildings, and because it is portable, lightweight, and compact, you can take it wherever the great photos are without worrying about slowing you down.
23. Sigma 14-24mm f/2.8 DG DN Art Lens
An E-mount lens with a maximum aperture of f/2.8 and full-frame coverage! The Sigma 14-24mm f/2.8 DG DN Art Lens was explicitly designed for full-frame mirrorless cameras that use the Sony E-mount. This lens offers a variety of wide-angle focal lengths with exceptional picture clarity while optimizing its size and weight.
This lens is part of the Art series and is notable for being a continuous maximum aperture of f/2.8 despite being a zoom. This allows it to be used regardless of the available illumination. In addition, a sophisticated optical design incorporates several low-dispersion and aspherical elements. These elements eliminate chromatic and spherical aberrations across the entire zoom range. As a result, the camera can produce images with a high level of sharpness, clarity, and color fidelity.
24. Tamron 17-28mm f/2.8 Di III RXD Lens
Tamron’s 17-28mm f/2.8 Di III RXD is an adjustable zoom lens designed for full-frame Sony E-mount mirrorless cameras. It features a wide-angle range that can be adjusted to suit your needs. In addition, this lens’s optical range spans from ultra-wide to wide, making it an excellent choice for capturing architectural photography, astrophotography, and landscapes.
This range is complemented by its bright f/2.8 continuous maximum aperture, which provides increased control over the depth of field as well as improved performance in low light. The optical design incorporates XLD and LD elements, resulting in a highly rectified image with decreased chromatic aberrations and color fringing. This results in an image that is both clearer and more accurate in color. This lens is ideal for photographing landscapes, architecture, closeup photographs, and architectural details, and the price is very reasonable.
25. Sony Zeiss FE 16-35mm f/4 ZA OSS
Excellent lens for landscape photographs! This Sony Zeiss FE 16-35mm f/4 lens is one of the best FE-mount lenses because it has remarkable sharpness, quick focusing, acceptable levels of distortion, and a weather-sealed construction to protect the elements. It suits landscape professionals and those who want to engage in wide-angle photography. If you want a quicker wide-angle lens, give the Sony FE 16-35mm f/2.8 GM lens a shot.
The Finest Prime Lenses Available for the Sony a7R IV
26. Sony Zeiss FE 50mm f/1.4
The Planar T* FE 50mm f/1.4 ZA Lens from Sony is simple to see as a go-to standard optic for full-frame E-mount photographers due to its normal perspective, fast maximum aperture, and high-end construction.
In addition to contributing to the stunning bokeh created by the 11-blade aperture and aspheric components, the bright F1.4 maximum aperture provides excellent performance in low-light conditions. It has superior performance in low light and bokeh compared to the Sony Zeiss FE 55mm f/1.8; it also has exceptional picture clarity, outstanding sharpness, and smooth bokeh and is well constructed.
27. Sony Zeiss FE 55mm f/1.8 Macro Lens
This is easily one of the clearest lenses ever made. Extremely well-liked! It has a maximum aperture of f/1.8, which is extremely quick and brilliant, allowing for greater control over focus when shooting images with a shallow depth of field. This is useful for working in low-light situations. The Sony Zeiss FE 55mm f/1.8 lens is surprisingly impressive regarding picture clarity. [It] has a maximum aperture of 1.8. In addition, it is less expensive and takes up less space than the Sony 50mm f/1.4 lens.
28. Rokinon AF 50mm f/1.4 FE Lens
This new high-speed prime lens was developed exclusively for Sony full-frame E-mount cameras. It features cutting-edge optical technology and a brisk, silent, and accurate autofocus system. In addition, the highest aperture of f/1.4 is not only highly brilliant, which makes working in different lighting conditions less stressful. It also provides a shallow depth of field, enabling greater point-of-focus control.
Anti-reflective coatings made by UMC and three aspherical lens elements work together to control chromatic and spherical aberrations, resulting in a picture with excellent sharpness, contrast, and color fidelity. In addition, the photograph will have excellent bokeh quality in any setting thanks to the perfectly constructed 9-blade aperture.
Standard zoom lenses For Sony a7R IV
29. Sony FE 24-70mm f/2.8 GM Lens
The finest lens in the 24-70mm range! Regarding portrait photography, event photography, vacation photography, or even simple everyday shooting, the Sony FE 24-70mm F2.8 GM Zoom Lens is the best option for anyone looking for the greatest possible optical performance.
To maximize usability, this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies.
30. Tamron 28-75mm f/2.8 Di III RXD Lens
The Tamron 28-75mm F2.8 for Sony E-Mount is comfortable, lightweight (19.4 ounces), and compact. It provides excellent optical performance, including outstanding image clarity and attractive background blur effects (bokeh) supplied by a fast F/2.8 aperture. Its small dimension and lightweight, which only measure 4.6 inches and weigh 19.4 ounces, respectively, contribute to its increased utility and adaptability.
The optical design comprises several low dispersion and aspherical elements, which generate a highly rectified picture that has decreased spherical and chromatic aberrations and enhanced sharpness and clarity.
An RXD stepping motor is a feature that contributes to the optical design. This motor permits fast, near-silent autofocus performance suitable for stills and video, as well as full-time manual focus override and a minimum focusing distance of 19.5 centimeters (7.5 inches)—ideal lens for photographing vacation and event scenes, general walkarounds, and family photographs.
31. Sony FE 24-105mm f/4 G OSS
The perfect lens for traveling and general use with the Sony a7 III. The newly released FE 24-105mm F4 G OSS lens from Sony produces wonderfully rendered bokeh or background defocus at all focal lengths. It also provides exceptional corner-to-corner sharpness throughout its zoom range.
This lens also can autofocus quickly, precisely, and quietly during still and video recording, making it an ideal accessory for photographing various subjects, such as landscapes, portraits, weddings, and other similar events.
32. Sony FE 24-70mm f/4 ZA OSS
If you cannot use a 24-70mm f/2.8 GM lens, the FE 24-70mm f/4 ZA OSS lens will be an excellent alternative for you to consider. This premium lens provides superior picture clarity, and dust/moisture protection means consistently dependable performance.
Best Telephoto Prime Lenses for Sony a7R IV
33. Sony FE 400mm f/2.8 GM OSS
This FE 400mm f/2.8 GM OSS Lens for Sony E-mount cameras is perfect for photographers interested in photographing athletics, wildlife, and natural settings because it combines an ultra-telephoto focal length, a bright aperture, and a lightweight design. In addition, the fast aperture of 2.8 allows for excellent control over the depth of field, which is helpful when isolating subjects and maximizes performance in low-light photography circumstances.
While recording in challenging environments, one ED element and three fluorite elements help further reduce flare and ghosting to improve performance and picture clarity. Chromatic aberration is also reduced thanks to the fluorite elements. In addition, this lens is exceedingly portable for a piece of glass of its dimensions because it only weighs 6.4 pounds. Very strongly suggested!
34. Sony FE 600mm f/4 GM OSS
The FE 600mm f/4 GM OSS Lens from Sony is intended for their E-mount cameras. It features an extreme telephoto length, a bright aperture, and a lightweight design, making it perfect for photographers of sports, news, wildlife, and nature.
The FE 600mm F4 GM OSS is the lightest lens in its class, only about 3040g. It features an incredibly balanced construction to guarantee the best possible photography experience. The new 600mm offers professional sports, wildlife, and news photographers more options for recording subjects at great distances with extraordinary precision and detail. It works with the highly regarded FE 400mm F2.8 GM OSS lens.3
Best Telephoto Zoom Lenses for Sony a7R IV
35. Sony FE 70-200mm f/2.8 GM OSS
The picture clarity and build are of a professional standard. This Sony FE 70-200mm f/2.8 GM lens is excellent because it achieves the highest possible level of sharpness while also producing outstanding bokeh. In addition, it has a portrait length to the telephoto perspective range, is crisp, focuses rapidly, and has little distortion, making it an excellent choice for photojournalists, wedding photographers, and sports photographers.
This lens, distinguished by its fast maximum aperture of f/2.8 and the incorporation of OSS (Optical SteadyShot) image stabilization, is exceptionally well-suited for capturing handheld images of faraway and rapidly moving subjects.
36. Sony FE 70-200mm f/4 G OSS
This lens is an excellent choice for compact 35mm complete frame format E-mount devices due to its small size, adjustable 35mm focal length, and exceptional overall performance. Because of this, it is helpful for portrait and sports photography, both of which require you to isolate the subject from the surroundings. However, insufficient ambient light performs less than the variant with an f/2.8 aperture but costs less than half as much.
37. Sony FE 70-300mm f/4.5-5.6 G OSS
Ideal for travel, landscape, and wildlife photography, the newly announced FE 70-300mm f/4.5-5.6 G OSS lens features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to suppress spherical aberration, distortion, and chromatic aberration effectively. In addition, optical SteadyShot picture stabilization guarantees stunning, high-resolution results for still photography and video recording when used with this feature.
Best Super Telephoto Zoom Lens for Sony a7R IV
38. Sony FE 100-400mm f/4.5-5.In addition, optical
Very strongly suggested! The first super-telephoto zoom lens in Sony’s flagship G Master series features exceptional sharpness, lightning-fast AF, and compact construction. In addition, it has a focal length range extending from 100mm to 400mm.
It is a particularly potent piece of photographic equipment that can be utilized by a wide range of amateur and professional photographers, particularly those who frequently photograph wildlife or sporting events. Therefore, there is no need to look any further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens if you are searching for the finest native 100-400mm telephoto zoom lens for capturing wildlife, sports, or action.
39. Sony FE 200-600mm f/5.6-6.3 G OSS
Many photographers and videographers who are looking for a touch of additional reach with their full-frame E-mount camera will find the Sony FE 200-600mm f/5.6-6.3 G OSS Lens to be to their liking. This lens is aimed at beginner, enthusiast, and professional nature, aircraft, and railroad shooters. It also targets sports photographers.
The FE 200-600mm features an aspherical element and five Extra-low Dispersion glass elements to minimize chromatic aberrations while allowing you to have better image resolution and render beautiful bokeh; in addition, it will reliably track and accurately capture all moving subjects, including birds, wildlife, athletes in motion, and much more.
It is compatible with Sony’s 1.4x and 2.0x teleconverters, which extend the reach to a maximum of 840mm when shooting at F9 or 1200mm at F13. Additionally, the picture clarity and AF performance are exceptional. Even at expanded super-telephoto focal lengths, pictures can be sharp and in-focus thanks to the optical stabilization built into the camera. There are three different mode configurations.
In addition, the Sony FE 1.4x and FE 2.0x Teleconverters are currently only functional with specific lenses. These lenses include the Sony FE 70-200mm F2.8 GM, the Sony 100-400mm F4.5-5.6 GM, the Sony 200-600mm F5.6-6.3 G, the Sony FE 400mm F2.8 GM, and the Sony FE 600mm F4 GM. They are not compatible with any other Sony E-mount lenses in any way, shape, or form.