The Panasonic HC-VX1 4K Camcorder features a back-illuminated 1/2.5-inch sensor with an f/1.8 to f/4 Leica Dicomar zoom “MOS sensor to provide the best imaging even in low light. The HC-VX1 can record 4K video at up to 30 frames per second, Full HD video at up to 1080p60, and still images at up to 26MP.
With the help of one or two smartphones acting as your additional cameras, a wireless multicamera capability allows you to simultaneously record up to three camera perspectives. The 24x optical zoom lens on the HC-VX1 has an expanded 32x Intelligent Zoom in 4K and a 25 to 600mm focal length in HD.
Panasonic’s Hybrid OIS+, Ball OIS, and Adaptive OIS are three optical stabilizer technologies included in the HC-VX1 for steadier handheld photography.
High-contrast images benefit from the Active Contrast feature’s smoothing of gradients, while HDR Movie mode offers a broader dynamic range for more accurate representations.
Wi-Fi is built right into the HC-VX1, a 3 “touchscreen LCD, recording on SD/SDHC/SDXC cards, and several creative effect settings. The Panasonic HC-VX1 includes a 3.5mm mic/line input in addition to an inbuilt 5.1-channel, wind-shielded zooming microphone for the best audio capture.
If you want to capture images with a shallow depth of focus, this camera’s optical zoom will be your friend (DOF). The video that has been zoomed in will have a more obvious background blur because telephoto lenses compress space. Wide-angle shots of the picture are excellent, but like other small-sensor cameras, a shallow depth of focus is not possible.
A suitable use for this camera would be someone who doesn’t require shallow DOF but wants a clean clear image with decent color because it looks quite lovely. Due to the long zoom and broad DOF, shooting sports would be a good fit.
We took pictures at each gain setting to check when the noise started to appear in order to assess the camera’s low-light capability. The presence of noise is present in all gain settings. In the picture’s dark or black sections, it may be seen dancing. That is reasonable given the size of the sensor. But with the back-illuminated sensor, the image still appeared acceptable even at the maximum dB of gain. Was there any noise? Yes, but other than that, there wasn’t much of a picture degradation.
The rolling shutter on this camera is real, but it’s not too awful. Vertical lines will bend if you pan too rapidly, but the look is still quite acceptable. Even better, it features a function that alerts you if you pan too rapidly.
The moiré, on the other hand, is particularly evident when panning or tilting; tiny lines dance in it. Avoid taking pictures of anything with tiny lines, like clothes. Nothing is worse than capturing a stunning image only to have the viewer’s attention diverted by the lines on a shirt.
This camera cannot be manually focused. The sole method for bringing a subject into focus is autofocus. We did discover that it struggled to locate what we needed in focus in several challenging shooting settings, such as photographing a subject that was highly backlit. But with a little time and refocusing, it found our topic and brought it into sharp focus.
When two subjects were in the same frame but not the same focus plane, there was a little bit of hunting between them. No hunting from the subject to the backdrop was seen. Hunting like that would be useless.
According to Panasonic, a single charge will give the battery an hour of use. You’ll need to use the camera to charge it if you need more than one battery for your shot. This implies that you will be stuck if you don’t have a spare charged battery. But you can power the camera from a wall socket.
The Various Variations
Two further cameras from Panasonic use the same sensor. The HC-WXF1 costs $1,000, features a dual camera, and comes with an EVF. The camera is the same else. Although the EVF may be useful in some shooting scenarios when the display is difficult to view, the double camera is not worth the price.
On the opposite side of the HC-VX1 is the HC-V800, which costs $600 and can capture video in HD. The only difference is in the resolution, so you may save $200 if you don’t require 4K. None of the three cameras come with a separate battery charger; instead, a USB cable and the camera itself are used to recharge the battery.
Using a touchscreen
Additionally suitable for esports or other broadcasting requirements, this camera. It’s an excellent complement to a multi-camera session because it’s easy to operate and produces quality images. You won’t be using your storage disks as rapidly with this 4K camera because of its slower data rate. All popular editing applications can handle the files with ease as well.
This camera is made for video producers who might not want to modify their footage after filming it. There are a ton of features on this camera that are designed to appeal to that kind of customer.
Use 4K cropping as an illustration. Because you can edit the photos in the camera and save them in full HD, Panasonic claims that when you shoot in 4K, your subjects will stay in focus and not get out of focus. Simply said, this is in-camera cropping. The majority of popular video editors make this simple to achieve. We anticipate that most of our readers will film in 4K and then crop and downsize the material in post-production for an HD output rather than doing it in-camera.
This camera was made with the consumer in mind and is intended for videographers who might not edit their videos after shooting.
The active contrast comes next. According to Panasonic, the gradation is automatically equalized in response to the brightness distribution in the image. In reality, there isn’t much of a difference between the images taken with and without it.
At most, it raises the shadows, but since it’s automated, it could do so in a bad way. We discovered that the auto contrast caused the skin tone to be blotchy when filming a video of a person. Another feature that is best left to the editor is this one.
Recording in 4K and Full HD 1080p
records up to 26MP still images, Full HD video at up to 1080p60, and 4K video at up to 30 frames per second. Utilizing a 5.1-channel, wind-shielded zooming microphone, in-camera audio is captured.
Optical Zoom at 24x with 1/2.5 “MOS BSI Sensor
a large 1/2.5-inch sensor, a Leica Dicomar 24x optical zoom lens, and a focal length range of 25 to 600mm “Even in low light, the BSI MOS sensor offers outstanding picture capture. In 4K, Intelligent Zoom has a 32x range, while in Full HD, it offers a 48x range.
OIS Systems with Triple Optical Image Stabilization
Together, the three OIS technologies of 5-Axis Hybrid OIS Plus, Ball OIS, and Adaptive OIS offer excellent steadiness in a variety of shooting circumstances.
Wireless Several cameras captured
Use one or two cell phones as your supplementary cameras to record from up to three different perspectives at once.
HDR and Active Contrast Movie Modes
High-contrast situations are smoothed down by the Active Contrast function, and the HDR Movie mode offers a broader dynamic range for images that are more realistic.
Panasonic VX1 Specifications
|Sensor Type||1/2.5″-Type MOS Sensor|
|Sensor Resolution||Actual: 8.57 Megapixel|
Effective: 8.29 Megapixel
|Focal Length||4.12 to 98.9mm|
|35mm-Equivalent Focal Length||25 to 600mm at 16:9 4K/Full HD 24p Video: Level Shot function OFF or Normal|
28.9 to 693.7mm at 16:9 Full HD 60p/60i/30p, Video: Level Shot function OFF or Normal
25 to 600mm at 16:9 Photo
30.6 to 734.4mm at 4:3 Photo
|Maximum Aperture||f/1.8 to 4|
|Minimum Focus Distance||3.9″ / 10.0 cm|
|Filter Size||62 mm|
|Media/Memory Card Slot||Single Slot: SD/SDHC/SDXC|
|Video Format||3840 x 2160p at 30 fps (72 Mb/s MP4)|
3840 x 2160 at 24 fps (72 Mb/s MP4)
1920 x 1080p at 60 fps (50, 28 Mb/s MP4)
1920 x 1080p at 24 fps (50 Mb/s MP4)
1280 x 720p at 30 fps (9 Mb/s MP4)
1920 x 1080p at 60 fps (28 Mb/s AVCHD)
1920 x 1080i at 60 fps (24, 17, 13, 5 Mb/s AVCHD)
|Still Image Support||JPEG|
25.9 MP (6784 x 3816)
14 MP (4992 x 2808)
2.1 MP (1920 x 1080)
20.4 MP (5216 x 3912)
10.9 MP (3808 x 2856)
.3 MP (640 x 480)
|Audio Format||Dolby Digital 2ch|
Dolby Digital 5.1
|Display Type||Articulating LCD|
|Shutter Speed||1/8000 to 1/60 Second in Video Mode|
1/2000 to 1/2 Second in Photo Mode
|Exposure Modes||Modes: Auto|
|Image Stabilization||Optical & Digital|
|Scene Modes||Preset: Yes|
|White Balance Modes||Auto|
|Built-In Light/Flash||Light – No|
Flash – No
|Accessory Shoe||1 x Cold|
|Tripod Mounting Thread||1/4″-20 Female|
|Video I/O||1 x Micro-HDMI Output|
|Audio I/O||1 x 1/8″ / 3.5 mm TRS Stereo Mic/Line Input|
|Other I/O||1 x Micro-USB (USB 2.0) Output|
|Wireless||Wi-Fi 4 (802.11n)|
|Battery||Rechargeable Battery Pack, 1940 mAh|
Max Runtime: 1 Hours per Charge
|Charging Method||AC Adapter|
|Charging Time||2.3 Hours|
|Power Adapter||110 – 240 VAC, 50 / 60Hz|
|Operating Temperature||32 to 104°F / 0 to 40°C|
Humidity: 10 to 80%
|Dimensions (W x H x D)||5.6 x 3 x 2.7″ / 142 x 77 x 68 mm|
|Weight||15.9 oz / 450 g (Body Only)|
|Package Weight||1.905 lb|
|Box Dimensions (LxWxH)||8.25 x 5.8 x 4.05″|
Panasonic VX1 Price
Pros & Cons
- beautiful image quality
- at high gain levels, good color
- lengthy zoom
- Several pointless features
- Not included is a separate battery charger.