Panasonic Lumix G95 Review

Borrowing the higher-res 20MP sensor from the G9, more advanced video features from the GH5 and offering an updated body design, the refreshed Panasonic G95 answers the call for a versatile and capable hybrid mirrorless camera designed for stills and video shooters alike. The G95 offers excellent image quality, fast performance, exceptional video, and robust climate sealing, all at a reasonable price point. The G95 hits a nice sweet spot for lovers and intermediate-level creators looking for a well-rounded, multimedia-focused camera that doesn’t break the bank.

As Panasonic’s brand-new S Series full-frame mirrorless cameras hit store shelves, the company wants to show that they still remain committed to the Micro Four Thirds system and the idea behind it to blend performance and portability. The Panasonic G95 camera (known as the G90 and G91 in some markets outside the US) hopes to exemplify this commitment by combining some of the overall performance of their flagship stills-oriented Lumix G9 camera with the compact and lightweight form of the Lumix G85.

The new G95 incorporates the 20.3-megapixel Four-Thirds sensor found in the G9, the same general size of the G85 and some video features brought down from the GH series. In fact, Panasonic says that the G95 is certainly their camera which comes closest to being a true image/video hybrid camera. Whereas the G9 is more oriented toward still picture taking and the GH5 is normally aimed even more at video-large users, the G95 aims for a 50/50 split.

Check Out: Best Lenses for Panasonic Lumix G95

Panasonic Lumix G95: Price

Panasonic Lumix G95: Target Audience

It is not always obvious who the mark audience for a particular camera is, but in the case of the G95, Panasonic has been very clear. The G95 is aiming to be a true hybrid article creator and is targeted at both amateur photographers and videographers. While it does reveal some features with the G9 and also with the GH5, the G95 sits below those flagship cameras in Panasonic’s lineup, looking to be more affordable than either of them. Similarly, while it shares features with the G85, the G95 is meant to be a better alternative to the G85, that will remain in Panasonic’s lineup.

Panasonic Lumix G95: Camera Body and Design

The G95 is generally the same size as the G85, although it is slightly larger in every dimension and weighs just a bit more. Specifically, the G95 is 5.13 in. (130.4 millimeters) wide, 3.68 in. (93.5mm) tall and a maximum of 3.05 in. (77.4mm) deep. It weighs 18.9 oz (536 grams) with battery and card, which is usually 1.1 oz (31 grams) heavier than the G85. Regarding ruggedness and weather conditions sealing, the G95 is constructed using a magnesium alloy front body and thorough sealing around joints and settings, and when used with a weather-sealed lens, it provides Panasonic’s full level of weather resistance.

The G95 includes numerous improvements and changes over the G85. The shape of the camera offers been revised, and the front and rear grips have been changed to become more comfortable. Further, the actual surface of the camera provides changed as well, thanks to feedback from G85 users suggesting their digital cameras are a bit too clean and challenging to grip. Another hard work to improve usability comes in the form of larger buttons, something that G9 owners have liked on their flagship MFT camera.

Within the reach of your shooting hand, the G95 provides many important handles, including dedicated ISO, Light Balance, and Exposure Settlement buttons near the shutter discharge. On the G85, the top deck included an Fn1 key that controlled exposure settlement, by default, but ISO and white balance were managed via directional buttons on the rear of the camera. The G95 has been designed around the idea of simple, intuitive one-handed operability. The top of the camera also includes a drive mode dial to the left of the viewfinder and a mode dial to its best. The G95 also retains the G85’s built-in flash.

Panasonic has also designed the G95 to be user-friendly while capturing through the OLED viewfinder. The EVF has the same specs as the one within the G85, 2,360K dots with 0.74x magnification, but it features a new eyecup style and uses improved materials.

Panasonic Lumix G95: Shooting Features

The G95 utilizes the same 20.3-megapixel sensor as is found in the G9. To help ensure resolving capabilities and overall picture quality, the sensor does not include an optical low-pass filter. While this increases the risk of moiré, which did appear in our lab tests, it has benefits as well, as the G9 delivered impressive overall image quality in our review. The native ISO range of the G95 is definitely 200 to 25,600, which can be expanded downward to ISO 100, the same as the G9 and G85.

To help keep your shots sharpened at slower shutter speeds, the G95 includes a similar Dual I.S.2 image stabilization system as is situated in the G85, which claims up to five stops of picture stabilization with lenses offering up to a 280mm equivalent focal length. This system offers 1.5 fewer stops of stabilization compared to the newer iteration found in the G9 but remains compatible with Dual I.S.1 and I.S.2 lenses. Every current Panasonic lens featuring O.We.S. is compatible with at least Dual I actually.S.1, but many are appropriate for Dual I.S.2., including the 12-60mm kit lens that comes with the G95 in the US.

Panasonic Lumix G95: Still Photography

For shooting specifically in low light, the G95 offers the same Live View Boost functionality as is found in the G9 and GH5 series. This allows you to temporarily brighten the display to check composition when in dark shooting conditions. Further, the G95 includes Starlight AF, which allows you to focus on stars in fundamentally pitch-black night shooting circumstances. For general manual focus work, the G95 provides a 20x enlarged view Manual Focus Help feature and concentrate peaking.

Getting back to evening shooting, the G95 introduces Live Look at Composite, a first for Panasonic Micro Four Thirds digital cameras. The additive capture setting can be accessed by putting the camera into manual mode and then rotating the shutter rate all the way past bulb and to LC. Once the shutter speed is set to LC, you can turn on Live Watch Composite in the camera’s shooting menu. From here, you set an initial exposure time from 1/2s to 60s, and the camera will run a noise reduction algorithm. After this, the camera captures and compiles any additional light information gathered onto the sensor for up to three hours, meaning that a static light source, such as city lights, will not be continuously recorded in your nighttime scene. Raw data files are supported, in addition to JPEG.

Panasonic Lumix G95: Key Specifications

  • 20MP Four Thirds CMOS sensor
  • 9 fps shooting with AF-S, 6 fps with AF-C
  • UHD 4K at 30 and 24p (25p for the G90)
  • Unlimited video capture (up to a capacity of the card)
  • Headphone and Mic sockets
  • V-Log L gamma profile (8-bit only)
  • L. Monochrome D (high-contrast mono mode)
  • 4K Photo mode with auto marking and sequence composition
  • Live View Composite mode for multi-shot long exposure images

Panasonic Lumix G95: Video

Having set up that the G95 is designed to be considered a hybrid camera, it should come as no surprise that it includes many interesting video features. It’s not quite a GH5, but the G95 does seem quite able as a video camera. It can record 4K UHD (3,840 x 2,160) video at up to 30 frames per second with no recording limit, depending upon ambient temperature (more on that in a bit), and it offers high-speed modes for Full HD video as well. When recording at Full HD (1,920 x 1,080) resolution, the G95 can output from the sensor at up to 120 fps, which may be played back as 4x slow motion with a 30fps timeline result. 4K video can be cropped, by the way, like it was on the G85 (the G9 and GH5(S) offers full sensor readout when recording 4K and will shoot 4K/60p).

The G95 does have some new techniques up its sleeve. Firstly, it provides V-LogL included, making it the second Lumix camera after the GH5S to offer it pre-installed. It also contains both mic and headphone jacks, the latter of which is not included in the G85. V-LogL is certainly 4:2:0 8-bit, although the camera can output 4:2:2 8-little bit video over its HDMI interface. Panasonic claims that with accurate exposure, the user can expect up to 12 stops of dynamic range when documenting V-LogL video. While the GH5 series offers a better range, Panasonic believes that the G95 can still work as a B or C camera. Looking further at the video quality, the G95’s 4K video has a 100Mbps bitrate and FHD records at 28Mbps, which are the same specs as the G85.

Panasonic Lumix G95: Conclusion

In many ways, the G90 is the GH5 “lite”. It’s got 4K video chops, all the manual controls you could need, a flippy-out display screen and a weather-sealed body.

From a video perspective, the only crucial feature it’s missing is normally 4K video at 60 frames per second. It maxes out at 30 fps here, but you can push it to higher frame-rates at lower Total HD resolution if you’re after that smooth slow-movement footage. What’s important is that the end result looks great, and it’s easy to capture.

In the camera market, you’ll often find cameras that can technically do video, but maybe aren’t as user-friendly, or don’t have a fully articulating display, or maybe end up with footage it doesn’t look as tip-top.

The G90 is great for both video and stills camera, rendering it a fantastic all-in-one, showing you don’t have to spend upwards of £1500 to get a decent shooter.


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