The Pentax KP can be a fresh APS-C DSLR camera that inherits most of the key top features of the range-topping K-1 camera. The KP has a high-sensitivity 24.32-megapixel sensor, ISO range of 100-819,200, 5-axis “Shake Decrease II” image stabilization system, Pixel Shift Quality technology which delivers super-high-resolution images with more accurate color reproduction, finer detail, and less noise, the most recent Primary IV imaging engine, 86,000-pixel RGB light-metering sensor, a tiltable 3″ LCD screen with an answer of 921K dots, and a pentaprism finder with 100% frame insurance coverage and 0.95x magnification. The Pentax KP also features integrated Wi-Fi, a 27-stage AF system with 25 cross-type focus points, Total HD 1080p video at 60fps, a mechanical shutter with an optimum shutter speed of 1/6000s, and an electronic shutter with a top shutter speed of 1/24000s, and 7fps continuous shooting.
Check Out: Best Lenses for Pentax KP
Pentax KP: Price
Check Out: Best Pentax Cameras
Pentax KP: Ease of Use
The Pentax KP is certainly outwardly quite like the flagship K-1 camera, but it’s both smaller sized – 101(H) x 131(W) x 76(D) – and far lighter, weighing in at 730g without the battery or memory card fitted, some 300g significantly less than the K-1.
The KP’s front, back again and bottom exterior panels are all manufactured from durable, light-weight magnesium alloy. The KP is normally dust, cold and water-resistant, thanks to something of 67 special seals used throughout the design, and it could operate at temperatures only -10°C. This displays itself most certainly via the electric battery compartment and the memory card slot.
The KP features both a mechanical shutter device which provides an easy top shutter speed of 1/6000th second and an electric shutter with a high shutter speed of 1/24000s. Instead of an optical anti-aliasing filter in the camera, the KP comes with an innovative anti-aliasing simulator rather, which can be switched off (default setting) or to either the Type1 or Type2 setting, which adjusts the amount of the effect.
Innovatively, the camera ships with three different sized handgrips that could be easily changed with the provided Allen crucial, with small, moderate and huge sizes supplied, all covered in a rubberized substance to aid grip. There exists a generously contoured region on the rear where your correct thumb sits, with all of those other body completed in a textured matt dark.
On leading of the Pentax KP is a Natural / Fx1 button, which immediately sets the image quality to whichever Natural format is chosen in the menu program (either Pentax’s PEF format or Adobe DNG), useful in case you are capturing in JPEG and wish to quickly change to RAW mode for a specific image. This button can also be customized to optionally control either Exposure Bracketing, Digital Preview, Electronic Level or Composition Adjustment. Located underneath may be the Autofocus Mode button, with three available modes (AF-S, AF-A, and AF-C), and underneath a change for changing between manual and autofocusing. Above is a little button for starting the pop-up flash, which extends quite high above the lens to help minimize red-eye.
Linking to the Pentax KP’s built-in Wi-Fi is performed through the primary menu. Once you have the dedicated Image Sync app installed on your own device and you’re linked, you can shoot remotely, and very pleasingly, you have pretty much comprehensive control over the camera’s shooting capability. Therefore, you can transform aperture, ISO, shutter velocity and more – the one thing you won’t have the ability to change is the focal amount of the lens. Overall it’s an excellent app to make use of, and other manufacturers could turn to this app for motivation on how to create a genuinely useful smartphone handy remote control app. The other choice you have is usually to download images used on the camera across to your smartphone or tablet for quick posting to internet sites or email. Gleam special built-in Astrotracer function which calculates the earth’s rotation to greatly help ensure that stars are captured without streaking.
Pentax KP: Front of the Pentax KP
Using the in-body SR (shake reduction) mechanism, Pixel Shift Resolution functions by shifting the picture sensor by a single pixel in four different directions and merging four shots together, in order that each photosite on the sensor captures crimson, green and blue from the color filter array, instead of just a single color as on a Bayer sensor. Pentax claims that this creates “super high-definition images” with an increase of accurate color reproduction, finer fine detail, elimination of fake color aliasing and much less noise. Images taken with the Pixel Change Resolution function fired up can be prepared on the camera and in addition, created using the included utility software program. Note that you need to use a tripod or additional support when working with this feature, and something of the Self-timer, HANDY REMOTE CONTROL, or Mirror Lock-up features, though it can now be used better for moving subjects because of the new Motion Correction function.
Diffraction Correction claims to make all of your lenses better by reducing the consequences of diffraction by around two f-stops. With respect to the quality of the zoom lens, diffraction is often seen at f/16-f/22, therefore Diffraction Correction promises to create a graphic captured at f/22 look similar to one captured at f/11 in terms of definition and sharpness.
On the bottom of the KP may be the weather-sealed battery compartment, casing a standard rechargeable 105mAh D-LI109 lithium-ion battery pack. The KP managed around 400 photos using the supplied standard rechargeable Li-ion battery before being depleted. Gleam metal tripod mount that’s perfectly in-line with the center of the lens mount.
On the right-hand side of the KP is definitely a weather-sealed SD / SDHC / SDXC dual memory cards compartment that’s appropriate for SDXC UHS-1 rate cards. Located above is the USB 3.0 connector. On the left-hand side are two rubber flaps within the shared remote/mic port and DC In connector. Note that the Pentax KP doesn’t have an HDMI port, which includes been removed – instead you need to purchase a proprietary dongle.
Pentax KP: Back
You’ll instantly observe that the KP includes a handful of unusual shooting settings that you won’t have observed before on any various other cameras. They are the Sensitivity-Concern and Shutter & Aperture-Priority modes. Sensitivity-Priority automatically selects the very best mix of aperture and shutter acceleration for your selected ISO swiftness. The sensitivity could be shifted instantly (in 1/2 or 1/3 steps) by turning the trunk control dial. This enables you to quickly choose an ISO speed, without needing to access the menu system, which is quite useful in quickly changing light conditions.
In the Shutter & Aperture-Priority setting the camera selects the most likely ISO quickness for a shutter speed and aperture combination, allowing you to use ISO sensitivity as a third element in determining the right exposure. As digital camera models have always offered the initial ability to instantly change the sensitivity, it’s astonishing that Pentax remains the only manufacturer to help you to use ISO in this manner. Also commendable may be the provision of a minimum of 5 custom shooting settings. In the center of the shooting mode dial is a button which locks and unlocks the dial.
On the right-hand part of the very best of the KP is the small shutter button, encircled by the on/off switch. Situated in front of the shutter switch is among the e-dials, predominately used to improve the shutter velocity, while to the proper of it’s the Exposure Compensation / FX3 switch.
Not used to the KP may be the Smart Function camera operation system, which is controlled via two dials. The foremost is marked with 7 different alternatives which range from AE metering to three Custom made settings, as the second unmarked dial allows you to quickly set the selected function. While this new system does group together the camera’s key settings in one place, it does so at the trouble of a normal top LCD panel.
Pentax KP: Tilting LCD Screen
The majority of the main camera configurations are shown in Live View, including a helpful digital level that keeps your horizons directly, although a histogram is still conspicuous by its absence. You can change the aperture, shutter rate, exposure compensation, ISO acceleration, and several other configurations when Live View is activated. Live Look at is fine for make use of with stationary topics, but less useful if you want to track a shifting subject matter, as the AF program in Live View setting takes a second roughly to lock onto the topic, making it better suitable for subjects that don’t move.
The Pentax KP includes a traditional eye-level optical TTL viewfinder that provides an extraordinary 100% scene insurance and 0.95x magnification. Having the ability to see what will be captured implies that you can only just blame yourself for poor composition and unwanted details creeping into the frame. The viewfinder is shiny and free from any distortions or aberrations, rendering it suitable for both car and manual focusing. In addition, it includes a Natural-Bright-Matte III focusing display to improve focusing precision during the manual-focus procedure. An in-finder position LCD operates horizontally along underneath and shows the majority of the camera’s key settings.
On the rear of the KP can be a tiltable 3 inch LCD screen with a good resolution of 921K dots. The lighting, saturation and color temperatures of the screen can be modified if you think it generally does not match that of your calibrated pc monitor. The KP’s monitor can usefully be tilted along to nearly 90-degrees for waist-level photography, although not really out to the side as well.
The rear display screen also doubles as a thorough status display, which may be called up by pressing the Fine or Info control keys in record mode. If you then press the knowledge button again, you can also change all of the settings directly on the screen utilizing a combination of the routing pad and the trunk e-dial. This ingenious option spares you the discomfort of having to get into the menu and makes most setting adjustments via the LCD screen very simple.
Pentax KP: In-hand
If you have had a bad experience with DSLRs and dirt in past times, the KP supplies the Dust Removal II system. This automatically shifts the low-pass filtration system located in the front side of the CMOS image sensor at high speed, shaking the pull out the low-pass filter. In the event that you perform still notice any dust, there’s a neat feature known as Dust Alert which is made to show exactly where the dirt is on the picture sensor. A vertically and laterally correct image of the sensor shot at f/16 is certainly shown on the LCD display, indicate wherever any stubborn dust contaminants could be lurking. While this feature won’t prevent dirt from obtaining onto the sensor, it can provide a fast and simple way of checking for this. Furthermore, Dust Removal could be set to activate whenever the camera is normally turned on, and you could also utilize the built-in Sensor Washing function to lift the mirror and clean the picture sensor with a blower brush or third-party washing solution.
The Pentax KP’s High Dynamic Range (HDR) Catch option takes three pictures with different exposures, with 3 different strengths available, and then records an individual image that combines the correctly exposed elements of each one, growing its dynamic range. It’s important to always utilize a tripod to avoid camera shake from blurring the HDR picture, and it doesn’t work nicely for moving subjects. Comparable to Nikon’s D-lighting, Sony’s DRO, and Olympus’ Shadow Adjustment Technology, Pentax’s D-Range enables you to right the highlights (On or Off) and/or the shadows (3 different levels) before going for a JPEG or RAW image. Although this program is always available, remember that it really is meant to be utilized in strong, contrasty light at base ISO. The Pentax KP also offers a multi-exposure mode which allows you to mix between two and 2,000(!) different JPEG or RAW images right into a single photo and a Cross Processing mode with four built-in effects and custom choices that replicates the original aftereffect of cross-processing film.
Pentax’s Custom Images, comparable to Nikon’s Picture Designs and Canon’s Picture Controls, are preset combinations of different sharpness, contrast, saturation and color tone settings. You can transform the saturation, hue, high/low key, comparison and sharpness for every one of the ten options”. The Pentax KP additionally provides nine different Digital Filter systems, which allow you to quickly apply a creative effect to an image before acquiring it (JPEG images only). Remember that applying the Digital Filters slows the camera down relatively, as it must process the image for a few seconds after it’s used. The KP may also be set to instantly compensate for both distortion and lateral chromatic aberration of any DA- and DFA-series lenses.
Pentax KP: Image Quality
All the sample pictures in this review had been taken using the 24 megapixel Best JPEG environment, which gives the average picture size of around 11Mb.
The Pentax KP created photos of excellent quality. Sound is well managed by the Pentax KP, starting to seem at ISO 3200 and becoming easier detectable at the faster settings of ISO 6400-25600 when viewing images at 100% magnification on-screen (especially in the RAW files). The fastest configurations of 51200-819200 look far better on paper than the truth is. Color saturation is commendably preserved through the entire ISO range.
Picture stabilization via the camera body is a superb feature that works perfectly when hand-keeping the camera in low-light circumstances or with all the telephoto end of the zoom range. An extra reward is that it works together with any zoom lens that you put on the Pentax KP. The night time photograph was superb, with the utmost shutter speed of 30 seconds and Bulb setting enabling you to capture enough light in every situation.
The Digital Filter systems quickly produce special results that would otherwise need you to spend lots of time in the digital darkroom, while the Custom Pictures can usefully become tweaked to match. The D-Range options help to make the many out of both shadows and highlights in a high-contrast picture (and it functions for both JPEG and Natural files), as the HDR mode significantly expands the dynamic selection of a JPEG by merging three differently exposed pictures in-camera.
Pentax KP: Conclusion
Coming on like a K-1 which has been shrunk in the clean, the Pentax KP inherits plenty of its big brother’s essential features in a smaller sized, lighter and cheaper deal. We particularly just like the easily removable hand-grip, specifically as the three different sizes are included in the box – why has no-one considered this before? Crucially the KP doesn’t skimp on image quality, possibly, although the headline-grabbing best ISO speed 819,200 proves to become more when compared to a little ambitious.
In terms of other negative factors, the battery life isn’t the best, especially when compared to K-3 II model that new camera effectively replaces, live view continues to be a discomfort to use for shifting topics, it’s a shame that the LCD display screen doesn’t tilt aside, there is no 4K video or even an HDMI slot (!), and the buffer depth for the 7fps burst capturing is too small if you would like to shoot Raw documents.
Overall, though, Pentax continues steadily to think beyond the box with the brand new KP, producing a very small and incredibly customizable camera that provides a whole lot of performance and picture quality. Highly recommended!