The Sony A6000 has subsequently been succeeded by the Alpha A6300 as well as the Alpha A6500; however, as a result of this, the price has dropped significantly, making it an excellent purchase for anyone who wants to purchase a feature-packed mirrorless camera at a reasonable price.
It has been a few months since Sony officially dropped the NEX moniker from its E-mount compact system cameras. Instead, the company has renamed all its interchangeable lens cameras with the Alpha brand, regardless of whether the camera has an A mount or an E mount (formerly known as NEX cameras). This indicates that some Alpha cameras, such as the A6000, are compatible with lenses that have an E mount, while others are compatible with lenses that have an A mount.
Sony a6000 Features
Sony anticipates that consumers of the NEX-7 will go toward the direction of the A7, while the newly released A6000 will cater to customers of the NEX-6.
The A7 and the A6000 are visually and physically comparable devices. It utilizes a newly developed APS-C CMOS sensor capable of capturing 24.3 million individual pixels. The sensor, just like the device found in the A7, features a gapless on-chip architecture intended to improve the amount of light that can be collected efficiently.
The sensor additionally features 179 autofocus points, of which 179 are utilized for phase detection, and 25 are also used for contrast detection as part of the hybrid autofocusing technique employed by the camera.
This autofocusing mechanism makes it possible for Sony to claim that the camera has the quickest AF in the world. This claim applies to cameras with APS-C-sized sensors at the very least, but it also includes DSLRs and other compact system cameras. Lock-on AF, Eye AF, and AF area settings are just a few of the features shared with the A7.
Sony a6000 Build Quality
Taking a glance at the A6000, there are quite a few parallels that can be seen between it and the NEX-6, the camera that it “replaces” in a sense.
Using a camera like the A6000, which has many specialized dials and buttons, is likely to be satisfying for photographers who place a high value on having access to a wide variety of control options.
While compared to the NEX-6, the A6000 has a grip that is ever-so-slightly more prominent, making it simpler to handle, particularly when using the camera with one hand. The camera’s surface has a pleasant feel, which not only makes it easier to obtain a firm grasp on it but also gives it an impression of superior craftsmanship.
The NEX-6 had two dials stacked on top of the camera, one for changing the shooting mode (such as aperture priority, fully automatic, or fully manual mode), and another for setting the aperture or shutter speed, depending on the mode you were shooting in. The A6000, on the other hand, has two dials next to each other on the top of the camera. One dial is for changing the shooting mode, and the other dial is for setting the aperture or shutter speed.
Even though this takes up more space in general, it makes the experience of shooting more simpler and reduces the likelihood of making unintentional adjustments to the settings. The second dial, which may control either the shutter speed or the aperture, is within extremely easy reach of the thumb, which is convenient for making fast adjustments.
Sony a6000 Performance
Sony is responsible for manufacturing some of the most fascinating and reliably high-performing cameras now available on the market. After having such a positive experience with the Sony A7 and the A7R, I was very interested in seeing how the performance of what is essentially an APS-C version of those cameras would be.
It gives me great pleasure to say that the A6000 can create some very remarkable photographs. The colors are vibrant, and even though this may sometimes result in an impression that is too vibrant, the overall picture is beautiful.
You have the option of adjusting the Picture Styles on your camera if you would want to play around with the way colors look directly from the device. There are a variety of default settings, including Landscape, Vivid, Clear, or Monochrome, each of which may be modified in a variety of ways, such as by changing the contrast.
Picture Styles have the advantage of being able to be captured in raw format, which means that you will always have a “clean” version of the image at your disposal if you require it at a later time.
Sony a6000 Image Quality
During this evaluation, the Sony A6000 captured photographs of exceptionally high quality. The ISO range of the Sony A6000 can go from 100 up to 25600, making it incredibly versatile. The range from 100 to 800 ISO is noise-free, while the range from 1600 to 6400 ISO delivers results that are more than acceptable, and even ISO 12800 and the fastest setting of 25600 are appropriate for usage in an emergency.
However, the RAW examples show exactly how much processing the camera undertakes by default since they are significantly noisier than their JPEG counterparts across the board, regardless of the ISO value.
The 24-megapixel images come out of the camera a little soft when using the Standard creative style as the default. For the best results, you should sharpen them some more by utilizing an application like Adobe Photoshop; alternatively, you can adjust the level of sharpening that the camera applies automatically.
The built-in flash performed admirably indoors, preventing red-eye and producing photographs with adequate exposure overall. The night shot turned out well thanks to the camera’s maximum shutter speed of 30 seconds and its Bulb mode, which allow lots of room for creative experimentation during nighttime shooting.
A practical Dynamic Range Optimizer function will extract additional data from an image’s shadow and highlight sections without adding any noise or other artifacts that aren’t intended.
The High Dynamic Range mode combines the results of two separate images taken at various exposures into a single image. The result is an image that has a higher dynamic range than what would be produced by a single photograph. However, it does yield some excellent effects even though it can only function with JPEGs and stationary subjects.
Even after all of these years, they are using Sony’s Sweep Panorama is still a delightful experience. The range of creative Picture Effects allows you to quickly produce exceptional looks that would otherwise require you to spend a lot of time in the digital darkroom. In contrast, Creative Styles provide a quick and easy way to tweak the camera’s JPEG images. Both of these features are included in the Creative Suite 5 software.
Sony a6000 Specs
|Body type||Rangefinder-style mirrorless|
|Max resolution||6000 x 4000|
|Other resolutions||6000 x 3376, 4240 x 2832, 4240 x 2400, 3008 x 2000, 3008 x 1688|
|Image ratio w:h||3:2, 16:9|
|Effective pixels||24 megapixels|
|Sensor photo detectors||25 megapixels|
|Sensor size||APS-C (23.5 x 15.6 mm)|
|Color space||sRGB, AdobeRGB|
|Color filter array||Primary Color Filter|
|ISO||Auto, 100-25600 (51200 with Multi-Frame NR)|
|White balance presets||10|
|Custom white balance||Yes|
|JPEG quality levels||Extra fine, fine, normal|
|File format||JPEG (DCF v2.0, EXIF v2.3)RAW (Sony ARW 2.3)|
|Optics & Focus|
|Autofocus||Contrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousFace DetectionLive View|
|Autofocus assist lamp||Yes|
|Digital zoom||Yes (2X)|
|Number of focus points||179|
|Lens mount||Sony E|
|Focal length multiplier||1.5×|
|Screen / viewfinder|
|Screen type||TFT LCD|
|Viewfinder magnification||1.05× (0.7× 35mm equiv.)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/4000 sec|
|Exposure modes||iAutoSuperior AutoProgrammed AEAperture PriorityShutter PriorityManual|
|Flash range||6.00 m (at ISO 100)|
|External flash||Yes (via Multi Interface Shoe)|
|Flash modes||Flash off, auto, fill-flaw, slow sync, redeye reduction, hi-speed sync, wireless control|
|Flash X sync speed||1/160 sec|
|Continuous drive||11.0 fps|
|Self-timer||Yes (2 or 10 sec, continuous (3-5 shot))|
|Exposure compensation||±5 (at 1/3 EV, 1/2 EV steps)|
|AE Bracketing||±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)|
|Resolutions||1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 640 x 480 (30p, 25p)|
|Storage types||SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo|
|USB||USB 2.0 (480 Mbit/sec)|
|Wireless notes||802.11b/g/n with NFC|
|Remote control||Yes (wired or PC)|
|Battery description||NP-FW50 lithium-ion battery and USB charger|
|Battery Life (CIPA)||360|
|Weight (inc. batteries)||344 g (0.76 lb / 12.13 oz)|
|Dimensions||120 x 67 x 45 mm (4.72 x 2.64 x 1.77″)|
Sony a6000 Conclusion
The Sony A6000 is a fully-featured tiny system camera that quickly responds and offers outstanding photographs in various settings. It does this at a very affordable price, much lower than its primary competitors.
Even though it does not have a touchscreen interface and its electronic viewfinder (EVF) is slightly less impressive than that of the older NEX-6 model that it replaces, we believe that it is the best model in Sony’s current APS-C mirrorless camera range and that it is a powerful competitor in the mid-range market.
The considerably enhanced Fast Hybrid AF system is one of the primary reasons for this, and it is also one of the fundamental causes. The Sony A6000 is one of the few mirrorless cameras available on the market capable of successfully tracking a moving subject and keeping it in focus. It does this by utilizing 25 contrast-detect points and 179 phase-detect points that cover 92% of the image.
The A6000 is now the most excellent small system camera for capturing fast-moving objects because of its outstanding 11 fps burst shooting rate with subject-tracking and quick 0.06 second AF speed.
Sony a6000 Pros & Cons
- An excellent EVF
- Small size
- Built-in Wi-Fi & NFC
- -An arduous procedure for setting the AF
- There is no touchscreen.
- Screen is not completely articulated at this time