The Sony A6600 is Sony’s most recent and greatest offering in its well-known A6000-series APS-C mirrorless digital cameras. Its 24.2MP sensor and BIONZ X image processor are nothing especially special, but Sony has truly gone to the town with the A6600’s advanced autofocus and subject tracking capabilities. Other new, high-end features include a weather-sealed magnesium alloy body that conceals in-body sensor-shift picture stabilization and a high-capacity battery.

That is also a camera targeted squarely at video and vlogging. It boasts 4K HDR capture without restriction on recording length, along with an integrated microphone socket for improved audio clarity, and also a built-in headphone insight for sound monitoring.

Check Out: Best Lenses for Sony a6600 

Sony Alpha a6600: Price

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Sony Alpha a6600: Key Features

In the center of the A6600 is Sony’s venerable 24.2MP APS-C sensor. We’ve noticed it before in previous a6000-series cameras, and even, even the entry-level A6100 shares the same sensor and Sony’s Bionz X processor chip. Financial firms no bad issues, as both, get together to produce excellent image quality. Sensor sensitivity tops out ISO 32000 for stills (expandable to ISO 102,400), but it is the sensor’s 5-axis picture stabilization in-camera that is especially impressive, specifically in a camera this little. The system offers you up to 5 stops of stabilization and can use lenses that don’t contain their own optical stabilization.

Another cutting-advantage tech contains 0.02-second autofocus with Real-Time Tracking Autofocus and Real-time Eyes AF for recognizing eyes in humans and animals to automatically keeping them in concentrate. 11 fps (fps) burst shooting can be amazing for an APS-C entry-level mirrorless camera, as will be the A6600 video features.

In addition to that Real-time Eye AF doing work for video – something step-down versions in the number doesn’t feature – the A6600 boasts 4K film recording in Super 35mm format, unlimited size video recordings, and XAVC S-format 4K video at 24fps and 30fps. There’s 120fps slo-mo capture if you drop to Full HD res, and the A6600 gets the ability to record in an HLG (Hybrid Log-Gamma) picture account, with S-Log3 and S-Log2 Gamma profiles designed for color-grading in post-production.

More video-friendly features add a 3.5mm output so you can accurately monitor audio using headphones, and there’s a microphone input so that you can attach a top-quality external mic.

Sony Alpha a6600: Build & Handling

The a6600 is designed to withstand a bit more than other Sony APS-C cameras. Boasting a weatherproof style, it’s installed with Sony’s step-up NP-FZ1000 battery, which effectively doubles battery life to about 720 shots. This, Sony claims, makes it the longest-lasting APS-C mirrorless camera around.

To consider this extra mass, it has a larger grip than its siblings. This can help makes the camera feel safe and secure in bigger hands, and there’s still nearly enough room between your grip and an average lens to not experience cramps. The same can’t really be said of the rear panel, however, which comes after the style ethos that could be traced back again to Sony’s NEX selection of APS-C mirrorless cameras. It could keep carefully the camera compact, however, the rear panel controls become fairly cramped and the trunk control wheel too small to use comfortably. The layout could actually benefit from being assisted by a front-mounted control steering wheel like on the Fujifilm X-T3 or Nikon Z 50, but alas, the A6600 doesn’t obtain one.

The most noticeable difference compared to additional A6000-series cameras may be the A6600’s chassis. It’s fashioned from magnesium alloy and appears distinctly high-end, though, at 503g, the a6600 is a little heavier than models further down the a6x00 range.

The A6600 includes a three-inch touch screen LCD that tilts up to 180° degrees to handle forward. It’s a good feature for vloggers (Sony a6000-series digital cameras have always been popular for vlogging because of their compactness and well-regarded video quality), as are the mic and headphone ports. There is no pop-up flash, but a popular shoe is present that you can add your personal flashgun.

The A6600 is made to take Sony’s E-mount lenses, and an ideal – if pricey – pairing if you choose the camera body-just is to choose the new E 16-55mm f/2.8 G standard zoom lens ($1,400/£1,200). Also, consider Sony’s Electronic 70-350mm f/4.5-6.3 G OSS super-telephoto contact lens ($1,000/£830) if you want more reach.

Sony Alpha a6600: Performance

During our period with the A6600, it was the Real-time Monitoring autofocus technology that impressed primarily. The system has the capacity to track a topic and concentrate on them even when they convert their backs and it’s also feasible to swap seamlessly between encounter detection, eye tracking, and object monitoring. The 11fps burst shooting is handy so you can get a sharp shot, and if’s not fast enough to fully capture the action, you may use Real-Time Eye AF during video catch as well.

However, the advanced AF systems certainly aren’t compensating for just about any shortcomings with regards to the fundamentals. Evaluative metering is excellent, as the A6600 reliably nails the perfect exposure settings, even in tricky high-comparison and back-lit scenarios. Combine this with Sony’s Dynamic Range Improvement (HDR) and stills screen a respectable amount of shadow and highlight information.

If you’re expecting the amount of eye-popping sharpness and vibrancy you frequently get from pictures shot on many flagship camera phones, the A6600’s images can seem somewhat subdued by comparison. Nevertheless, we appreciate Sony’s even more subtle, realistic strategy and avoidance of extreme in-camera image processing.

With the camera’s DRO (Dynamic Range Optimization) set on the track, the A6600 offers well with high-contrast moments. But even with DRO cranked up to High, don’t anticipate the same amount of shadow boosting you’ll receive with the most recent and greatest camera phones. However, these could go a touch too far and look fake, whereas the A6600’s dynamic range improvement still retains the scene’s original atmosphere.

With high ISO sound decrease set to Low, actually this ISO 6400 shot remains clean and largely grain-free if you don’t scrutinize at 100% image size. What noise is seen isn’t distracting, and the a6600 still retains adequate details, so high ISO photos never look over-prepared or painterly. The camera, also, has faithfully captured the boring lighting in this picture, instead of artificially boosting the exposure.

Sony’s Real-Time Vision Autofocus can be uncannily accurate at detecting eye, and not simply those occur a human’s face. The machine helps it be effortlessly easy to monitor moving subjects like pets, birds, and children.

Sony Alpha a6600: Video

To look at the Sony A6600’s video – an integral feature of the A6000 series – we enlisted the aid of CAMERA Magazine’s video professional Alistair Campbell. He produced several telling observations.

First, the battery life can be terrific for video shooters, nevertheless, you can only just charge the battery in-camera or pay extra for an exterior charger, which isn’t good. The magnesium alloy body seems solid and robust and the controls are positive and self-confident inspiring – but how come there no front dial?

The body is fairly little so there’s limited room for external controls, and the very best control dial is near to the function dial and it’s really too easy to unintentionally replace of video mode altogether when you’re simply trying to improve the aperture.

The record button is oddly placed as well. Exactly why is it on a slanted side edge and hard to attain? The provision of an audio jack is certainly a genuine bonus, though, then one you don’t can get on many rival cameras.

The face/eye recognition is insanely great. It works 99% of that time period, even when we attempted to fool it by obtaining our at the mercy of spin and walk previous pillars/vehicles etc to break the connection with the camera – it still held with her almost every time.

The colour is great. The sample video was shot using the S-Log2 setting and the colour is spot on.

The 180-degree screen is ideal for vloggers who have to film themselves – but if you attach any sort or mic at all, whether it’s just a little onboard Rode or a receiver for a radio lapel mic, you can’t utilize the 180-degree screen! There will, without doubt, be accessories to bypass this, but wouldn’t it be better if the look had been modernized to permit the usage of a hotshoe mic and the flip screen simultaneously?

And there’s the rolling shutter. It truly is bad. If you haven’t observed this in the video before, it’s that left-right sideways slanting impact in vertical items like wall space and railings when the camera is normally moved laterally. It’s caused by the fact the sensor is ‘browse’ in strips, not absolutely all simultaneously, and it is commonly worse with larger sensors and older styles.

The A6600’s rolling shutter effect not noticeable if you are shooting, however in the editing phase it could feel just like you’re editing at the ocean. We don’t normally check for rolling shutter in camcorders and wouldn’t even touch upon it unless it had been prominent – but here, it truly is. Everything in the backdrop of our sample video (and sometimes the topic) just looks and feels as though jelly whenever we watch it back again. Whatever the Sony A6600’s characteristics as a video device, simply don’t wave it about an excessive amount of while you’re filming!

Sony Alpha a6600: Conclusion

The Sony a6600 is obviously a good camera, but it is also somewhat of a mixed bag.

On the main one hand, its tricked-out autofocus and subject matter tracking excel, not only for an APS-C mirrorless camera but even though in comparison to much pricier full-frame camera versions. We also appreciate the high-capacity electric battery, which though an apparently mundane feature, addresses the battery pack existence shortcomings that plague almost all mirrorless cameras. The pluses continue with the addition of sensor-shift in-body picture stabilization, along with the high-quality weather-sealed magnesium alloy body – both features befitting a higher-end, enthusiast’s camera. Sony’s dedication to advanced video features also makes the A6600 stick out as an able vlogging camera.

However, despite having this long set of hits, the A6600 still has some significant misses. It may be conveniently compact, but as of this level, enthusiasts will probably appreciate a slightly bigger camera in trade for more easily positioned physical settings and a more substantial amount of these. The A6600’s touchscreen procedure compensates to a level, but it’s no replacement for the ergonomics of direct-access buttons.

What’s more, as the A6600 provides respectable still image quality in isolation, it isn’t quite enough to outdo the functionality provided by the terrific Nikon Z 50 and Fujifilm X-T3. Given both currently cost a lower amount compared to the a6600, you’ll prioritize the a6600’s battery lifestyle, IBIS, or video-centric features to select it over its essential rivals until Sony decreases the purchase price more to become more in line with the competition.

Focus Accuracy
Image Quality
ISO Performance
Video mode
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Paul Landscape Photographer and YouTuber. He is taking photos all over the world but the main focus is the cold, rough, northern part of Europe. His style is somewhere in between dramatic and colorful fantasy and Scandinavian minimalism. Be sure to check out his YouTube channel for epic landscape photography videos from around the world.


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