Sony Alpha A7 II Review

Sony caused a significant mix in the photographic globe when it introduced the 24MP Alpha A7 and 36MP Alpha A7R, because these were the first mirrorless cameras to have full-frame sensors – the same size as a 35mm film frame.

What’s more, both of these cameras (subsequently became a member of by the 12MP Sony Alpha A7S) are extremely small for full-frame mirrorless cameras, not as well dissimilar in proportions to the Micro Four Thirds Olympus OM-D E-M1, and provide a similar degree of control.

Sony Alpha A7 II Price, Deals and Bundle

Now Sony has generated new waves of excitement simply by introducing an update to the A7 in the guise of the Alpha A7 II. Nevertheless, some may believe that adjustments are rather little as, like the vast majority of the new camera’s components, the sensor may be the same full-frame (35.8 x 23.9mm) 24MP Exmor CMOS gadget as is used in the initial Alpha A7.

Check Out: Best Lenses for Sony A7 II


The largest news about the Alpha A7 II is that it is Sony’s first full-frame compact system camera to feature in-body stabilization. This means that the sensor can proceed to correct for accidental camera movements through the exposure. This 5-axis in-camera image stabilization could be unlikely to tempt existing A7 users to update, nonetheless, it does make the brand new camera more appealing compared to the older model to fresh buyers.

The stabilization corrects the X and Y axis movements, in addition, to pitch, roll, and yaw for both still and film recording. Whenever a stabilized Sony zoom lens is used on the camera both systems combine to give an optimised performance, finding the right one to make use of for the focal length and each kind of correction. The stabilization impact is optimized, however, not cumulative, as you or the other program can be used, not both.

Helpfully, those using old (or alternative party) lenses that cannot talk to the camera can insight the focal size manually to utilize the in-camera stabilization system.

It’s probably value reminding ourselves at this point that the Sony A7 series uses Sony’s E-mount. This implies that these full-frame cameras can accept both full-frame and APS-C format E-mount lenses, however, the picture size is decreased when APS-C lenses are utilized. Alpha mount optics designed for Sony’s DSLRs and SLT digital cameras can be utilized via an adaptor. Additionally, there are adaptors open to allow Canon and Nikon lenses to be utilized.

Build and handling

Just like the other cameras in the Alpha 7-series, the A7 II has rather angular, old school appearance which many photographers will see appealing. In addition, it feels wonderful and solid in the hands. According to Sony the sensor casing has been made more powerful in the A7 II with an increase of magnesium alloy than in the original camera. This, combined with camera’s moisture and dirt sealing, should make the camera pretty durable.

Sony has given the A7 II a deeper, convenient grip than the A7 and there’s a fresh richly textured coating that gives excellent buy. On the trunk of the camera there’s also a small but effective thumb-ridge, which has the same covering as leading grip. These components combine to help make the camera experience very comfortable and better in the hand compared to the A7 when capturing or strolling between shots.

Other changes made because the A7 add a slightly bigger shutter button which includes been moved forward to make it simpler to reach.We found this to become a good move while the button falls beneath the point that people automatically reach to when keeping the A7 II.

Just underneath the shutter release, near the top of the grip, is a little protruding dial that’s used for exposure adjustments. This replaces the huge dial found close to the shutter release on the A7. While the brand-new dial is a little fiddly to discover when you experience cold fingers, that is a better control set up than on the initial A7.


Normally, we were keen to research the performance of the A7 II’s stabilization system. With all the camera with the Carl Zeiss Vario-Tessar FE 24-70mm f/4 ZA OSS lens mounted, which is stabilized, we found we’re able to get acceptably sharp outcomes at 70mm utilizing a shutter acceleration of 1/6sec. While this stabilization doesn’t quite meet up with the 4.5EV optimum claimed by Sony, it is extremely good. It’s important to understand that the results may differ from individual to individual and elements such as just how much espresso you’ve drunk can impact!

The automated white balance system can be a good performer and can be relied upon in an array of lighting conditions. As usual, it struggles a little under some artificial light, but it’s very simple to set a Custom made white balance value. You merely navigate through the white stability options to the Custom made Setup choice, press the button at the center of the navigation controls to choose it, then aim the zoom lens at a neutral focus on before pressing the central switch again. You then have the choice to assign the documented worth to 1 of the three custom made settings for later selection.

When shooting outdoors in the bright winter sunshine, we discovered that a lot of my images benefitted from dialing just a little negative exposure compensation with all the A7 II’s 1200-zone evaluative metering program. In some cases, I did so this to withhold the highlights and in others to provide better color straight from the camera. The advantage of an electronic viewfinder is usually that you can start to see the impact of any exposure adjustments before acquiring the shot, therefore the dependence on exposure compensation is not a major drama.

As the A7 II’s AF system is quite capable, professional or enthusiast sports photographers are most likely better off with cameras just like the Canon EOS 7D Mark II or Nikon D500 which provide them with greater control over what sort of subject is tracked. I came across the A7 II could match a runner and create a series of sharp pictures in daylight, with just a few having missed focus.


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