The Sony RX100 is an enthusiastic compact camera designed around a 20MP 1″ CMOS sensor and features an F1.8-4.9 balanced Zeiss brand 28-100mm equivalent with Zeiss T* coatings to reduce internal reflection, and is also a 1.2 million points 3.0″ LCD (VGA resolution, but utilizing white magic technologies from Sony to give improved brightness). The remaining criteria are also very impressive. According to CIPA tests, the camera can take even a decent 330 shot from a charge.

The compact boom of enthusiasts persists, amid the availability of reasonably lightweight, wide sensor mirrorless cameras (at extremely low prices). Many of the major names inside the industry already have templates that cater to customers who want anything to wear easily with a DSLR. The RX100 is the first enterprise to join Sony on the market since 2004.

Sony RX100: Price

Read More: Best Sony Point and Shoot Cameras

Sony RX100: Key Features

  • 1″-type Exmor CMOS sensor
  • 20.2 million pixels
  • 28-100mm, f/1.8-4.9 Carl Zeiss Vario-Sonnar
  • T* lens
  • Stabilization for Steady-Shot image
  • ISO 125-6400
  • 8 Face Recognition and Face Registration
  • Rear control dial
  • 10fps continuous shooting
  • 3″ 1.2M-dot LCD screen
  • 13 Picture Effects
  • Memory Recall feature
  • 1080p60 video
  • Built-in microphones
  • 330-shot battery life

Sony RX 100: Design and Body

In terms of configuration and control, the Sony RX100 is a very traditional compact camera. It matches between the Canon PowerShot S100 and the Fujifilm X10 in scale but has a more clear physical comparison with that of the previous. Like the S100, this RX100 has a double dial feature and a double dial on the back, a four-way controller, and a ring on the front of the camera around the lens. Unlike the S100, the control ring is revolving and has no “press” pause, though and the Olympus XZ-1).

The RX100 is Sony’s first LCD technology ‘WhiteMagic’ (though Ricoh has already used it in its GR Digital IV). This requires four points on each pixel on the monitor to connect a blue, green, and red marker to current pixels. The 1.2M point monitor has the same 640×480 and can provide higher brightness than the more popular 920k, dot designs. This is two-way – it provides both the same screen lightness as a current monitor, but with only half the battery loss, or it has the potential to have two times the brightness – which is extremely useful outdoors without a tilting display on the camera.

Sony RX100: User interface and handling

The RX100 is designed around Sony’s SLR and SLT cameras, which have long since been used. This is a decent starting point and it isn’t the highest on the market, but it isn’t terrible at all. More specifically, with high levels of user engagement in mind, it was created. The RX100 includes the iAuto and Superior Auto modes, which show on all its other cameras, rendering it a very competent individual even with auto mode.
The regulation dials at the rear of the frame and around the lens are the key checkpoints, with the cardinal points on the 4-way controller providing four extra core features. The View choices by clicking the “DISP” Button include a live histogram and a highly useful electronic level measurement of two axes.

However, in this class, it is the Sony RX100 Fn menu. The camera will choose up to 7 choices in any order that you choose from the table below that appears at the bottom of your screen when you press the button Fn. This gives easy access to the settings that you alter frequently.

The aluminium body of the RX100 is sturdy and measurably weighty; while it has no traction on the front side, it does not slide away from the hand with a textured ‘backstop’ rubber on the camera’s back. Those with bigger fingertips can find the other buttons a little tiny and difficult to discern on the back of the camera, yet with the subtle recesses and the smooth throw of each button, it is hard to unintentionally click it.

Sony RX100: Features and Resolution

The RX100 has many of the features Sony put on its latest interchangeable lens cameras, including its limited scale. This involves three-shot HDR, a panoramic environment and a multi-shot low light noise reduction. Some of these are modes we have previously seen and explored but are fascinating enough to have a fresh look.

In addition to 2600 iph, the RX100 captures comfortable data, the kind of number a 3648 vertical pixels camera will carry you to. Sony’s JPEG engine does its normal strong job of removing artificial colour. This ensures that a high-contrast test target like this is a very amazing outcome. Adobe Camera Raw isn’t so sweet, but it makes very obvious what the Sony RX100 truly catches with plenty of sharpening. Real-world experiments of more complex tones are not as impressive as the findings of this research map indicate.

Sony RX100: Conclusion

The RX100 is an interesting camera – partially because it marks the advent of another big fabricator on the portable high-end segment, but above all, because it is a remarkable engineering part. To an extent this risk is ruined – Sony has done so well to suit a large sensor in a tiny camera that un-informed people will easily miss the magic they need.

The RX100 does not sound drastically distinct from a recently compacted Canon “S” series – whose picture consistency balancing and pocketing rendered the S100 heritage. But the far wider Sony sensor ensures that in all ways the bar price is excellent. The RX100 can easily bypass the little Cannon with about 3 times the lens’ size and a wide F-number length – albeit at around 50% premium.

The Sony RX100 has more in common with Canon’s G1 X than any other pair, in reality, considering its appearances. The G1 X is the only camera that can beat the RX100 in terms of zoom compacts, but it is also much bigger, costlier, and in almost every aspect much slower. It’s odd that Nikon’s 1 System cameras are the only other cameras to balance the picture quality, pace, and scale, but still not as thin, not as bright as the lens, and have just been designed to provide a comparable degree of user power.

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