The Sony Cyber-Shot RX100 VI is the most recent premium compact camera from Sony. This sixth-generation model may be the greatest update we’ve observed in some time to Sony’s developing selection of RX100 pocked-sized high-finish compacts.
While the very last three cameras in the lineup have shared exactly the same zoom lens design, with each and every iteration mainly only seeing numerous performance boosts and tweaks over previous models, the RX100 VI advantages from a lot longer zoom variety than its predecessors, rendering it a potentially a lot more versatile little bit of kit.
Sony has been able to accomplish that without impacting on the entire dimension of the camera – so will this help to make the RX100 VI the best compact digital camera? Let’s have a look…
Sony RX100 VI: Price
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Sony RX100 VI: Features
Like the RX100 V, RX100 IV, and RX100 III all featured an easy Zeiss-branded 24-70mm f/1.8-2.8 contact lens, this regular zoom range maybe just a little limiting at the very long end for a few, and it’s really all-modify for the RX100 VI, with the new digital camera sporting a fresh 24-200mm zoom lens with a variable maximum aperture of f/2.8-4.5.
The payoff, then, is that as the lens offers somewhat more reach on the 24-70mm optic, the utmost aperture available isn’t very as impressive. Nevertheless, it isn’t quite as poor as it appears, as it’s only a quit slower at f/4 once the zoom lens is prolonged simply beyond 70mm. It compares fairly favorably to rivals such as for example Panasonic’s Lumix ZS100 (referred to as the TZ100 beyond your US), which includes a 25-250mm f/2.8-5.9 contact lens, and the brand new Lumix ZS200, using its 24-360mm f/3.3-6.4 lens.
In reducing the consequences of camera shake, the RX100 VI features Sony’s Optical SteadyShot picture stabilization program, which delivers a 4-stop benefit. Which means that instead than needing to shoot at state, 1/250 sec with the zoom lens completely extended at 200mm, it is possible to shoot at a shutter velocity four stops slower, which may become 1/30 sec in this instance, and still accomplish sharp shots.
It’s a little bit of shame, though, to note that the built-inside neutral density (ND) filter, an attribute on previous versions, haven’t managed to get across to the RX100 VI – which means that in a few conditions you will not have the ability to utilize the lens in its optimum aperture, or even drag out there the exposure.
Similar to the RX100 IV and V, the RX100 VI features a back-illuminated 20.1MP 1-inch sensor with a smart stacked design, which sees the memory space chips built correctly onto the trunk of the sensor to provide incredibly quick readout speeds. Nevertheless, Sony has improved the BIONZ X picture processor chip with a new LSI chip to improve the overall performance of the brand new camera even further.
Which means that as the RX100 VI can match up the staggering 24fps burst shooting speed of the RX100 V, the buffer has been extended even more to 233 (JPEG) images, in comparison to 150 shots on the RX100 V – and it will manage this while shooting with continuous AF and auto exposure.
touchscreen functionality about cameras, but the good news is usually that the RX100 VI may be the 1st camera in the RX100 collection to obtain this feature. That is means at this point you have the choice to use touch focusing and contact shutter in the event you wish.
The display resolution does take a small hit, dropping from 1,299,000 dots to 921,000, however, the range of movement of the vari-angle screen has improved. As the outward motion of 180 degrees remains exactly the same, the downward motion is expanded from 45 degrees to 90 degrees.
The RX100 VI includes a similar concealed pop-up electronic viewfinder (EVF) to the main one we first saw on the RX100 III, with a 2.36 million-dot quality and a magnification of 0.59x. The good information, though, will be that the EVF no more must be manually extended once you pop it around utilize it, with a fresh mechanism achieving this automatically. It could audio like a tweak, but it is a welcome enhancement on the older design.
When you can get over the truth that the RX100 VI doesn’t function an external mic port, it generally does not disappoint with regards to the movie either. The digital camera is with the capacity of capturing in 4K up to 30p, with an optimum bitrate of 100Mbps, making use of oversampled 5.5K footage from the complete sensor, which promises to help keep moire to the very least and prevent the ‘jaggies’ that may sometimes in any other case ruin footage.
If you need to shoot some dramatic slow-movement footage, the RX100 VI may also shoot in 1080p around an extraordinary 120fps. The RX100 VI can be the initial Cyber-shot digital camera to provide 4K HDR compatibility, because of its fresh HLG (Hybrid Log-Gamma) picture user profile.
Sony RX100 VI: Performance
Would like to fill a Sdcard quickly? The RX100 VI will happily shoot a burst of 233 JPEG pictures at an astounding 24fps – a burst shooting velocity that could make numerous high-end cameras appear pedestrian, and a big enhancement over the RX100 V’s 150 photos. It could shoot raw as of this burst price as well, even though the buffer is a bit more modest at a nevertheless spectacular 109 raw documents – also a noticeable difference on the RX100 V’s 77 raws. Curiously, nevertheless, the RX100 VI’s card slot is UHS-I rather than UHS-II, therefore you may need to wait around briefly as the digital camera writes the info to the cards prior to making any modifications to shooting configurations.
While the back display could have seen hook decrease in resolution when compared to RX100 V, you would be hard-pressed to note this in real-globe shooting conditions. We really used the brand new camera side-by-part with an RX100 IV, and couldn’t discern any distinction.
If you believe the pop-up electronic viewfinder may be a tiny gimmick, you will be pleasantly surprised once you lift it around your eye. You can find certainly bigger and brighter EVFs on the market, but also for a digital camera of the size, it is rather good certainly, with a sharp screen and generous industry of view.
As we on the RX100 V, the RX100 VI’s multi-area metering system is really a dependable one when you shouldn’t need to stray too much from the camera’s Car White Stability to accomplish decent outcomes under a variety of lighting conditions.
Battery performance is identical to the RX100 V’s at 220 shots if you’re planning on using both the rear display and EVF, but this can be extended to 310 photos provided you shoot solely with the rear display and have this set to its auto-off mode. You may want to consider an optional battery, although the RX100 VI does support direct USB charging.
Sony RX100 VI: Build and Handling
Regardless of the substantially longer zoom range provided by the RX100 VI in comparison to its predecessors, you would be difficult pushed to choose it out of an RX100 series lineup, because the design is nearly identical to earlier generations – the RX100 VI is 1.8mm thicker than the RX100 V at 42.8mm, and only 2g heavier at 301g.
This implies the RX100 VI features exactly the same sleek and understated appear that previous RX100 cameras possess enjoyed, with a durable metal finish that completes the premium feel of the camera (although it isn’t weather-sealed).
The slight downside to the fairly slimline design may be the lack of any type of handgrip on the leading of the camera, which when compared to the comfy textured grip on the Canon PowerShot G7 X Mark II, for instance, is disappointing. There are a variety of aftermarket options, a few of which have become high-finish, while Sony itself generates the optional AG-R2 attachment hold for £14 / $14.99 – although taking into consideration the good deal we’d really be prepared to observe this bundled with the camera.
The RX100 VI springs into existence easily when started up (or when you flick the activate the medial side of the camera to activate the EVF). As we’ve pointed out, the brand new spring system for the EVF will be a lot even more satisfactory compared to the previous approach to manually extending the viewfinder right out of the housing as soon as elevated from the very best plate. Instead unhelpfully, though, by default the RX100 VI shuts down once you collapse the viewfinder back to your body – we reckon this is among the first features you’ll deactivate invest the plunge with an RX100 VI.
Around the zoom lens barrel is a customizable control ring which can be assigned to a variety of functions; automagically it’s utilized to regulate aperture if you are in aperture concern setting, and shutter velocity in shutter priority mode. Otherwise, you can find relatively several body-mounted settings, with the four-way control wheel on the rear of the digital camera the only real other key control to access the camera’s major shooting settings.
This arrangement could make the RX100 VI an impression fiddly to utilize, based on the shooting combination you’ve selected. For example, when shooting in aperture concern mode with Versatile Spot focusing chosen, the four-way control steering wheel is at first assigned to select the AF area dimension and its own positioning. If you want to dial in a few exposure compensations, you’ll have to strike the central switch to deactivate the AF region choice, before selecting publicity compensation and utilizing the four-way handle wheel to regulate. In the event that you then desire to after that toggle the AF stage again, you need to go back again into the Function menu to choose the Focus Region again.
We’re certainly very happy to see touch screen functionality arrived at an RX100 collection camera, but its implementation is really a little restricted, with just tap concentrate and tap shutter (with the camera concentrating simultaneously) available. This definitely makes focus choice that little bit quicker occasionally, nevertheless, you can’t utilize the touchscreen to assist you to navigate the RX100 VI’s fast menu and main menus, with the four-way control steering wheel on the trunk used to access these.
Sony RX100 VI: Conclusion
The Sony RX100 VI is really a high-end compact camera targeted at pros, enthusiasts, and vloggers. The successor to the RX100 V, it shares exactly the same 20 Megapixel 1 sensor with assured phase-detect autofocus for stills and films, 4k video, 24fps capturing with autofocus, and an abundance of slow movement video choices at 240, 480, and 960fps. The tiny but razor-sharp OLED viewfinder today pops-up and pushes back off in one convenient motion, as the 3in the screen is now able to position both up by 180 degrees to handle the topic or down by around 90 degrees and lastly benefits touch sensitivity. Additionally, there is Bluetooth to check the Wifi and a raft of professional video features, but the greatest upgrade may be the lens variety, up from the 24-70mm of the Marks III, IV, and V to a fresh 24-200mm zoom in an entire body that’s only one 1.8mm thicker than before. There’s an unavoidable fall in aperture from the f1.8-2.8 of previous models to f2.8-4.5 here (not forgetting the increased loss of the built-in ND filter), however, the lens remains brighter than Panasonic’s rival TZ100 / ZS200 or TZ200 / ZS200 models even though it lacks their lengthier telephoto reach, the optics are sharper and the focus monitoring and burst shooting tend to be more confident. Dedicated vloggers may stay better-offered by the zoom lens on the prior model (now mildly up-to-date because of the RX100 VA), but if you’re following a do-it-all wallet travel digital camera, the RX100 VI has had the crown.